Active Perceptual Systems

Author(s):  
Joanna Zylinska

The images that make up the project presented here are very much part of “the technical universe of images” Flusser has identified in his book [Into the Universe of Technical Images]. They were taken over a period of two years with an automated “intelligent” wearable camera called the Autographer. The artist wore the camera in various everyday situations: on a city walk, in a holiday resort, in an art gallery, in a lecture theatre, at home. The machinic behaviour was nevertheless influenced by the way her body moved, enacting a form of immersive, corporeal perception that broke with the linearity of perspectival vision and its representationalist ambitions, while also retaining human involvement in the multiple acts of image capture. The human element was also foregrounded in the subsequent editing activities: Zylinska was faced with over 18,000 images from which she chose several dozen. Active Perceptual Systems thus raises the question of whether the creative photographer can be seen as first and foremost an editor: a Flusserian in-former who provides structure to the imagistic flow after the images have been taken. Keywords: algorithm, Autographer, editor, surveillance, technical image

2021 ◽  
pp. 217-235
Author(s):  
John Heil

Earlier chapters advanced the idea that the appearances (the manifest image) and reality (as revealed in the scientific image) are not in competition: the scientific image constitutes our best guess as to the nature of truthmakers for truths at home in the manifest image. Along the way, necessitarianism (everything is as it is of necessity) and monism repeatedly inserted themselves into the discussion. The thought that truths of the manifest image could survive intact, even when they appear deeply at odds with the scientific image could prove correct, however, even were the accompanying cosmology misguided. The problem of reconciling free will with the scientific image provides an illustrative test case. Just as truthmakers for truths about moving objects could turn out to include nothing that moves, truths about agents acting freely could be made true by wholly deterministic features of the universe. This is not ‘compatibilism’: a free action is not compatible with the action’s being determined. As in the case of motion, agents and their actions are respectable citizens of the manifest image, their standing not compromised by physics.


2019 ◽  
Vol 10 (1) ◽  
pp. 83-104
Author(s):  
Nursyam Nursyam

Children are a gift from Allah SWT that is always expected by every family. However, not everyone (parents) can take good care of their children according to what is commanded by Allah through religious teachings. For various reasons and reasons, parents no longer pay attention to children's religious education. In the end, the negative impact will be felt by parents even more so for their own children. To be able to form a religious awareness of children, the mother as the first person known to the child, then the mother needs to provide an understanding of the religious dimension of children is important, the child is essentially a mandate from Allah SWT that must be grateful, and we as Muslims must carry out the mandate with good and right. The way to be grateful for the gift of God in the form of children is through caring for, caring for, and educating and coaching the characters properly and correctly, so that they will not become weak children, both physically and mentally, and weak in faith and weak in their worldly lives. The aim of education is to be a perfect Muslim, who has faith and fear Allah. Mother as a parent is the first primary educator for children, before the child knows the outside world, first the child knows the mother and after that his father is the closest person to the child. As for women's efforts in fostering religious awareness as follows: to destroy personality, to form good habits , forming civilizations in the Muslim world and helping to encourage them to encourage things that lead to obedience to God and educate them with different ways of worship. Like prayer, recitation, prayer at home and at school.


1993 ◽  
Vol 10 (2) ◽  
pp. 165-177
Author(s):  
Karen Harding

Ate appearances deceiving? Do objects behave the way they do becauseGod wills it? Ate objects impetmanent and do they only exist becausethey ate continuously created by God? According to a1 Ghazlli, theanswers to all of these questions ate yes. Objects that appear to bepermanent are not. Those relationships commonly tefemed to as causalare a result of God’s habits rather than because one event inevitably leadsto another. God creates everything in the universe continuously; if Heceased to create it, it would no longer exist.These ideas seem oddly naive and unscientific to people living in thetwentieth century. They seem at odds with the common conception of thephysical world. Common sense says that the universe is made of tealobjects that persist in time. Furthermore, the behavior of these objects isreasonable, logical, and predictable. The belief that the univetse is understandablevia logic and reason harkens back to Newton’s mechanical viewof the universe and has provided one of the basic underpinnings ofscience for centuries. Although most people believe that the world is accutatelydescribed by this sort of mechanical model, the appropriatenessof such a model has been called into question by recent scientificadvances, and in particular, by quantum theory. This theory implies thatthe physical world is actually very different from what a mechanicalmodel would predit.Quantum theory seeks to explain the nature of physical entities andthe way that they interact. It atose in the early part of the twentieth centuryin response to new scientific data that could not be incorporated successfullyinto the ptevailing mechanical view of the universe. Due largely ...


1994 ◽  
Vol 3 (1) ◽  
pp. 7-9
Author(s):  
Shana Alexander

Some weeks ago, we learned that the matriarch of a family, my good friend Anna, is dying. She is 75 and has inoperable esophageal cancer, and the doctors say it will only take a few more weeks or months. Anna is dying the way I want to die–at home, surrounded and lovingly tended by her family: her devoted husband of 54 years, her three daughters, her three worshipful sons-in-law, her adoring granddaughters. All of them see her every day. All of them are a part of a mutual struggle to give Anna a “good death” Anna, too, is a part of it. And, in a very small way, I am part of it, because I have been invited to be. Every few days, I walk next door and spend a few minutes talking to Anna.


2018 ◽  

This book examines the role of the papacy and the crusade in the religious life of the late twelfth through late thirteenth centuries and beyond. Throughout the book, the contributors ask several important questions. Was Innocent III more theologian than lawyer-pope and how did his personal experience of earlier crusade campaigns inform his own vigorous promotion of the crusades? How did the outlook and policy of Honorius III differ from that of Innocent III in crucial areas including the promotion of multiple crusades (including the Fifth Crusade and the crusade of William of Montferrat) and how were both pope’s mindsets manifested in writings associated with them? What kind of men did Honorius III and Innocent III select to promote their plans for reform and crusade? How did the laity make their own mark on the crusade through participation in the peace movements which were so crucial to the stability in Europe essential for enabling crusaders to fulfill their vows abroad and through joining in the liturgical processions and prayers deemed essential for divine favor at home and abroad? Further essays explore the commemoration of crusade campaigns through the deliberate construction of physical and literary paths of remembrance. Yet while the enemy was often constructed in a deliberately polarizing fashion, did confessional differences really determine the way in which Latin crusaders and their descendants interacted with the Muslim world or did a more pragmatic position of ‘rough tolerance’ shape mundane activities including trade agreements and treaties?


2017 ◽  
pp. 35-46
Author(s):  
Beata Guczalska

Andrzej Wajda was one of those directors who created their actors in the way he allowed them to truly shape his films and theatre performances. The presence of his actors is striking in Wajda’s work, not only in the professional sense but also the human element. On numerous occasions Wajda emphasised that the only moment of true inspiration in his work is in the process of casting. While selecting actors he stayed extremely close to the characters, and in his quest for the right person he asked: “Who, in today’s social and existential situation, should play this character?” In his work he afforded his actors great freedom, which enabled them to develop their talents to the full. However, realising he could not always meet expectations with tried and tested actors, he sought out new faces and made radical changes to his team, which was often a source of frustration for actors. Aware of this lack of fulfillment, Wajda sometimes made it the subject of his films, sometimes returning to actors cast aside years earlier.


2021 ◽  
Author(s):  
Brian Piitz

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.


2021 ◽  
Author(s):  
Brian Piitz

This applied thesis is focused on the full cataloguing and contextualizing of a collection of one hundred and sixteen postcards at the Art Gallery of Ontario (AGO) depicting scenes of Toronto a the beginning of the twentieth century. Twenty-seven publishers representing international, national and regional manufacturers are identified with their imprint on the verso of the postcard. The applied thesis includes a literature survey discussing a rationale for the cataloguing of postcards, as well as a brief overview of the history of postcards and the history of the urbanization of the City of Toronto. A description and analysis of the AGO postcards provides information about the production cycle of postcards, the scope of commercial photography and the dissemination of photographic imagery in Toronto. The thesis also examines the way images were altered in the production cycle and the manner in which photographers and publishers exchanged photographs intended for postcard production.


2020 ◽  
Author(s):  
Francisco Malta ◽  
Fernando Rodrigues ◽  
Renan Oliveira
Keyword(s):  

The transformations that technology propitiates take the audiovisual narratives to seek new resources in the way of telling a story, such elements appear in the composition of this new audiovisual grammar. Bandersnatch by Charlie Brooker is an interactive film screened on Netflix, coming from the Black Mirror series known for breaking the classic rules of format in their stories. The plot brings the concept of interactivity, offering the viewer to change the course of history. Is this a market trend? From the writer’s point of view, how to put together a story with these features? These are some of the questions the article will answer. The process of creating a script is done based on the construction of the characters and the universe inhabited by them.


Sign in / Sign up

Export Citation Format

Share Document