A Study on the Female Character in Kim Jeong-han’s Unpublished Works, “Saeyangjwi” and “Yusan”

Cogito ◽  
2021 ◽  
Vol 93 ◽  
pp. 119-144
Author(s):  
Nam-hoon Son
Keyword(s):  
Female Character ◽  
Unpublished Works

James Rennie (1787–1867), author, naturalist and lecturer

2008 ◽  
Vol 35 (1) ◽  
pp. 128-142 ◽  
Author(s):  
FREDERICK G. PAGE
Keyword(s):  
Personal Character ◽  
New Information ◽  
New Research ◽  
Unknown Period ◽  
Unpublished Works

New research is presented on the life of James Rennie (1787–1867) before his emigration to Australia in 1840. Though fragmentary and incomplete the results show Rennie as a naturalist of considerable standing and of literary and scientific skill. This new information illustrates an intriguingly marginal life in science of the period. On his personal character caution is exercised, although a thread of dogmatism, determination and self assurance, bordering on arrogance, can be traced from his student days until his departure from Britain. Rennie's early unpublished essays clearly point to his potential as a scientific writer. Rennie's final 27 years in Australia are not covered in any detail because of the lack of documentation about this relatively unknown period of his life outside Britain. A bibliography of his published and unpublished works is given as an appendix, together with notes and new insights into attribution.

Mahasweta Devi’s Mother of 1084 as a Journey of an Apolitical Mother

Think India ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 277-281
Author(s):  
Sadhana Rengaswamy. R ◽  
S. Ambika
Keyword(s):  
Female Character ◽  
Mahasweta Devi ◽  
The Awakening ◽  
The People

Mahasweta Devi is one of the most important writers writing in India today. she stands with few equals among today's Asian writers in the dedication and directness with which she has turned writing into a form of service to the people. Her writing is disturbing because it shows the reader her or his own true face. Her Mother of 1084 analyzes the occurrences of failed Naxalite insurgency in Bengal in the 1970s. It shows the larger problem of the nation’s suppression of any authentic form of subaltern insurgency. It’s a saga of the Naxalite resistance in Bengal through the characters of Sujata and Nandini, her powerful exploration of subjectivity voiced through the female character. It’s a tragedy of an apolitical mother. This paper explores how the Naxalite movement brings two subaltern mothers together instead of their class barriers which in turn lead to the awakening of Sujata.

Analysis of Female Implicates in the Video “Cara Kodein Cowok Biar Cepet Merid” by Last Day Production

2021 ◽  
Vol 1 (1) ◽  
pp. 14-20
Author(s):  
Hesti Nurlaeli
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Female Character ◽  
Note Taking ◽  
Female Characters ◽  
Pragmatic Theory ◽  
Research Results ◽  
Analysis Techniques ◽  
Qualitative Descriptive ◽  
Data Collection Technique

A speech can also lead to a description of the principles of conversation. This also happened in Las Day Production's video “Cara Kodein Cowok Biar Cepet Merid”. This research aims to find out and describe the female characters’ utterances or the implicit forms of the in the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production. The approach in this research uses pragmatic and qualitative descriptive. The data collection technique in this study was using the note-taking technique. The data analysis techniques used in this study were data triangulation, theory triangulation, and source triangulation. Triangulation of data was generated by recording the speech of a female character in the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production. The theory triangulation refers to pragmatic theory, while the source triangulation is the video "Cara Kodein Cowok Biar Cepet Merid" by Last Day Production, which is downloaded on YouTube. The research results in the video "Cara Kodein Cowok Biar Cepet Merid” have 8 stories of female characters that contain implicatures.

scholarly journals Die dialoog tussen die voorblad, die manneplot en die verhale in Dulle Griet van Riana Scheepers

Literator ◽  
2001 ◽  
Vol 22 (2) ◽  
pp. 113-132
Author(s):  
G.H. Taljaard
Keyword(s):  
Short Stories ◽  
Female Character ◽  
Female Characters ◽  
Survival Mechanism ◽  
Male Attitudes ◽  
The Way

The dialogue between image and text in Riana Scheepers's Dulle Griet This article examines the way in which the content and theme of Riana Scheepers’s Dulle Griet (1991) interact with the “manneplot” (traditional and/or stereotypical portrayal of female characters within novels) and with the cover illustration of the book – a detail of “Mad Meg” (as she is often referred to) from Pieter Brueghel’s Dulle Griet (1562). It explores how the women in Scheepers’s short stories are portrayed – not only as vulnerable, but also as evil and corrupt. They are abused victims; but they are also tyrannical abusers. They are innocent maidens and mothers, but also lovers, prostitutes, lesbians and murderers. The way in which the gradual degeneration of the anonymous central female character relates to Brueghel’s image of “Mad Meg” on her way to the jaws of hell is discussed in this article. But the article also demontrates Scheepers’s concern with feminist issues by using the cover as an ironic “frame”, and shows that the moral decline of the women portrayed in the text seems to be as a result of the actions of chauvinistic men, who appear in different forms throughout the text. Female degeneracy can thus be seen as a survival mechanism, in a world – and a text – dominated by the masculine paradigm, the “manneplot” of traditional male attitudes to women.

scholarly journals The Tragic Mulatta and Storytelling in Their Eyes Were Watching God

2019 ◽  
Vol 26 ◽  
pp. 71-88
Author(s):  
Ana Belén Pérez García
Keyword(s):  
Twentieth Century ◽  
Zora Neale Hurston ◽  
A Priori ◽  
Female Identity ◽  
Female Character ◽  
Black Race ◽  
Antebellum Literature ◽  
Literary Character ◽  
White Person ◽  
Do So

The figure of the tragic mulatta placed its origin in antebellum literature and was extensively used in the literature of the nineteenth and twentieth century. Much has been written about this literary character in a time when the problem of miscegenation was at its highest point, and when studies established that races were inherently different, meaning that the black race was inferior to the white one. Many authors have made use of this trope for different purposes, and Zora Neale Hurston was one of them. In her novel Their Eyes Were Watching God, Hurston creates Janie, a mulatta that a priori follows all the characteristics of this type of female character who, however, breaks away from most of them. She overcomes all stereotypes and prejudices, those imposed on her because of her condition of interracial offspring, and is able to take charge of her own life and challenge all these impositions feeling closer to her blackness and celebrating and empowering her female identity. In this vein, storytelling becomes the liberating force that helps her do so. It will become the tool that will enable her to ignore the need of passing as a white person and provide her with the opportunity to connect with her real identity and so feel free and happy, breaking with the tragic destiny of mulatta characters. Keywords: storytelling, tragic mulatta, blackness, Hurston.  

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