scholarly journals Cultural heritage preservation using new media methods: Yingxian Wooden Pagoda, China

2019 ◽  
Vol 10 (21) ◽  
pp. 103
Author(s):  
Daniel Shenghan Lai ◽  
Anthony K.H. Leung ◽  
Dennis Chan ◽  
Steve H. Ching

<p>Architectural landmarks that represent a culture’s identity are also sanctuaries for cultural heritage preservation. The tallest and oldest wooden multi-story structure in the world, the Yingxian Wooden Pagoda of China is tilting at an ongoing rate that requires an urgency to find solutions to revert the damage. To preserve the evolving humanistic and artistic understandings of ancient Chinese architecture, and to cultivate the scientific reasoning behind ancient Chinese carpentry, <em>new media </em>allows digital and computational methods to replace human users who once manually analyzed data and information from cultural sites and artifacts. This article will exemplify <em>new media</em> tools such as animation via 3D/2D modeling, 3D scanning and virtual reality photography to examine material evidence of the Yingxian Wooden Pagoda of China, and the role <em>new media </em>can assist in its fight to sustain its originality since 1056.</p><p>Highlights:</p><ul><li>Examination, documentation, research and education of architectural heritage sites using new media methods.</li><li>Integration of old archives and digital/computational software to represent the outstanding value of the oldest and tallest wooden skyscraper in the world.</li><li>Use of 2D/3D modelling and virtual reality photography developing information to increase awareness on cultural heritage sites suffering wood deterioration.</li></ul><p> </p>

2020 ◽  
Vol 49 (2) ◽  
pp. 45-57
Author(s):  
Khosrow Bozorgi ◽  
Zack Lischer-Katz

AbstractThis paper describes the Virtual Ganjali Khan Project, an ongoing research initiative that is using 3D scanning and immersive virtual reality (VR) technologies to document a large historical landmark in the desert city of Kerman, Iran, the Ganjali Khan Complex. It describes the intellectual merits of these emerging technologies for preserving and providing new forms of access to cultural heritage sites, outlines the procedures of data collection and 3D processing, and describes the current work and next steps of the project. This paper will be of interest to scholars and institutions considering using 3D and VR technologies for supporting cultural heritage preservation, digital humanities projects, or other types of interdisciplinary research.


Author(s):  
Floribert Patrick C. Endong

Cultural heritage preservation is a sine qua non for the effective technological, scientific, and economic development of nations across the world. This follows the theory stating that culture is life and that there is a cultural factor in technological development. In view of this truism, most African states and social institutions have these last years embarked on multifaceted tactics aimed at heritage conservation in their respective national territories. These preservation efforts have yielded only patchy fruits as they are confronted to the forces of modernism and globalization. Thus, modernism and globalization have continued to represent big threats to heritage preservation in many African countries. This chapter illustrates this thesis through a comparative study of cultural heritage management in Cameroon and Nigeria. The chapter begins by examining the extent to which heritage preservation is feasible in an era governed by modernism and globalization before exploring similarities and differences in the ways modernism and globalization affect heritage preservation in Nigeria and Cameroon.


Author(s):  
W. B. Yang ◽  
Y. N. Ye

ICOMOS Florence Declaration in 2014, encourages an in-depth reflection on human values through cultural heritage and landscapes, which emphasizes the importance of historical heritage sites, in order to achieve the application of cultural heritage records through the public participation, sharing new technology platform and facilitation tools for knowledge diffusion, for instance. Nikos adopted digitized intangible cultural heritage within i-Treasures project to create a novel digital platform in 2016. Nowadays, the display platform developed based on geographic information system has been gradually accepted and widely used to distribute cultural heritage information, aiming to combine geography, time, events, issues, trends with the interactive maps to show the context of data changes from the consideration of planarity; for example, Burnaby City in Canada has cooperated with the Columbia University to create a navigation platform for guidance of tangible cultural heritage based on story maps in order to provide public recognition function.<br><br> In this study, Qiong-Lin Settlement in Kinmen Area was taken as an example to illustrate the developing process of an overall planning framework for reappearing the glory of historic settlements of cultural heritage sites with digital technology, which included tangible and intangible cultural heritage preservation and transmission planning, community participation and digital navigation programs. The digital technology with the GIS-based digital platform can provide more diverse and interesting information while using an intuitive, graphical user story mapping interface. So that tangible cultural heritage can be effectively understood, interpreted and preserved with the value-added methods, and also intangible cultural heritage can be continuously transmitted to establish a complete system of cultural heritage preservation. The main contents include several navigation technologies, such as 3D laser scanning, UAV images, photogrammetry, panorama, audio/video, geographic information systems etc.


2020 ◽  
Vol 8 (1) ◽  
pp. 5-8

Cultural Heritage is a common resource of people across the world, representing humanity’s relationship with the past and its traditions. Cultural heritage is diverse, and people have a common responsibility to understand and safeguard it for future generations (cf. ICOMOS, Venice Charter 1964). The UNESCO, Council of Europe and other international organizations have adopted several conventions in the area of cultural heritage preservation that set common rules and standards. All signatory countries have accordingly accepted to establish efficient management of and to safeguard the cultural heritage. As such, cultural heritage emerges as a key element of individual and social well-being, and its protection, management and planning entail rights and responsibilities for everyone.


2014 ◽  
Vol 9 (2) ◽  
pp. 186
Author(s):  
Deky Akbar

Undang-Undang Nomor 11 Tahun 2010 tentang Cagar Budaya, mengatur bahwa semua Cagar Budaya di Indonesia harus dilindungi dan Pemerintah harus melestarikan Cagar Budaya tersebut. Namun dalam kenyataannya di Situs Plawangan Kabupaten Rembang banyak benda-benda Cagar Budaya Situs Plawangan yang mengalami kerusakan dan benda-benda tersebut terabaikan, bahkan mengalami kehilangan. Penelitian ini bertujuan untuk menganalisis kebijakan pelestarian Situs Cagar Budaya Plawangan Kabupaten Rembang dilihat dari perspektif Undang-Undang Nomor 11 Tahun 2010 Tentang Cagar Budaya dan menganalisis model yang relevan dalam Pelestarian Situs Cagar Budaya Plawangan Kabupaten Rembang. Penelitian ini menggunakan metode penelitian yuridis sosiologis. Hasil penelitian menunjukkan secara normatif pelestarian cagar budaya Plawangan dilakukan dalam rangka menjalankan amanat Undang-Undang Nomor 11 tahun 2010 tentang Cagar Budaya. Sementara secara sosiologis pelestarian situs cagar budaya disebabkan karena masyarakat tidak peduli dengan Situs Plawangan, sehingga banyak terjadi kerusakan di Situs Plawangan. Kemudian model pelestarian Situs Plawangan yang dilakukan oleh Dinas Kebudayaan, Pariwisata, Pemuda, dan Olahraga Kabupaten Rembang tidak optimal. Oleh sebab itu, maka masyarakat harus didorong kepedulian masyarakat terhadap pelestarian Situs Plawangan. <br /><br /><em>Act No. 11 Year 2010 on Heritage, provides that all Heritage in Indonesia must be protected. But in reality in Plawangan Site Rembang many objects Heritage Site Plawangan damaged and neglected these objects, and even experience loss. This study aims to analyze the preservation of the heritage policy Plawangan Rembang viewed from the perspective of Law No. 11 Year 2010 on Heritage and analyze the relevant models in Preservation of Cultural Heritage Sites Plawangan Rembang. This study uses socio-juridical research. The results showed normatively, cultural heritage preservation Plawangan done in order to carry out the mandate of Act No. 11 Year 2010 on Heritage. While sociological preservation of cultural heritage sites because people do not care about the site Plawangan, so much damage in Plawangan. Later models of preservation site Plawangan conducted by the Department of Culture, Tourism, Youth, and Sports Rembang not optimal. Therefore, the public should be encouraged their awareness to conserv Plawangan site.</em>


2020 ◽  
Vol 13 (2) ◽  
pp. 1-19 ◽  
Author(s):  
Elmedin Selmanović ◽  
Selma Rizvic ◽  
Carlo Harvey ◽  
Dusanka Boskovic ◽  
Vedad Hulusic ◽  
...  

2017 ◽  
pp. 100-116 ◽  
Author(s):  
T. Abankina

The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.


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