scholarly journals Pelestarian Situs Cagar Budaya Plawangan Rembang Perspektif Undang-Undang Cagar Budaya

2014 ◽  
Vol 9 (2) ◽  
pp. 186
Author(s):  
Deky Akbar

Undang-Undang Nomor 11 Tahun 2010 tentang Cagar Budaya, mengatur bahwa semua Cagar Budaya di Indonesia harus dilindungi dan Pemerintah harus melestarikan Cagar Budaya tersebut. Namun dalam kenyataannya di Situs Plawangan Kabupaten Rembang banyak benda-benda Cagar Budaya Situs Plawangan yang mengalami kerusakan dan benda-benda tersebut terabaikan, bahkan mengalami kehilangan. Penelitian ini bertujuan untuk menganalisis kebijakan pelestarian Situs Cagar Budaya Plawangan Kabupaten Rembang dilihat dari perspektif Undang-Undang Nomor 11 Tahun 2010 Tentang Cagar Budaya dan menganalisis model yang relevan dalam Pelestarian Situs Cagar Budaya Plawangan Kabupaten Rembang. Penelitian ini menggunakan metode penelitian yuridis sosiologis. Hasil penelitian menunjukkan secara normatif pelestarian cagar budaya Plawangan dilakukan dalam rangka menjalankan amanat Undang-Undang Nomor 11 tahun 2010 tentang Cagar Budaya. Sementara secara sosiologis pelestarian situs cagar budaya disebabkan karena masyarakat tidak peduli dengan Situs Plawangan, sehingga banyak terjadi kerusakan di Situs Plawangan. Kemudian model pelestarian Situs Plawangan yang dilakukan oleh Dinas Kebudayaan, Pariwisata, Pemuda, dan Olahraga Kabupaten Rembang tidak optimal. Oleh sebab itu, maka masyarakat harus didorong kepedulian masyarakat terhadap pelestarian Situs Plawangan. <br /><br /><em>Act No. 11 Year 2010 on Heritage, provides that all Heritage in Indonesia must be protected. But in reality in Plawangan Site Rembang many objects Heritage Site Plawangan damaged and neglected these objects, and even experience loss. This study aims to analyze the preservation of the heritage policy Plawangan Rembang viewed from the perspective of Law No. 11 Year 2010 on Heritage and analyze the relevant models in Preservation of Cultural Heritage Sites Plawangan Rembang. This study uses socio-juridical research. The results showed normatively, cultural heritage preservation Plawangan done in order to carry out the mandate of Act No. 11 Year 2010 on Heritage. While sociological preservation of cultural heritage sites because people do not care about the site Plawangan, so much damage in Plawangan. Later models of preservation site Plawangan conducted by the Department of Culture, Tourism, Youth, and Sports Rembang not optimal. Therefore, the public should be encouraged their awareness to conserv Plawangan site.</em>

Heritage ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 316-332
Author(s):  
Ying Liu ◽  
Hui-Wen Lin

Interpretation and presentation is an essential component of the whole heritage conservation process. In response to the new opportunities and challenges arising from the changing perspectives on heritage conservation, the development of display technologies and the rise of cultural tourism, it becomes a challenging task for cultural heritage institutions to construct a systematic interpretation and presentation system of a cultural heritage site that can effectively communicate heritage significance and value to the public and provide visitors with positive and valuable experience. From four main aspects (site, technology, public, and education and research), this research provides a comprehensive overview of the implementation details of the interpretation and presentation system of Old Zuoying City, which is considered an unprecedented large-scale cultural heritage preservation plan in Taiwan, through participative site investigation and in-depth interviews, thereby providing a reference for the construction, implementation, and management of interpretation and presentation system at cultural heritage sites.


Author(s):  
W. B. Yang ◽  
Y. N. Ye

ICOMOS Florence Declaration in 2014, encourages an in-depth reflection on human values through cultural heritage and landscapes, which emphasizes the importance of historical heritage sites, in order to achieve the application of cultural heritage records through the public participation, sharing new technology platform and facilitation tools for knowledge diffusion, for instance. Nikos adopted digitized intangible cultural heritage within i-Treasures project to create a novel digital platform in 2016. Nowadays, the display platform developed based on geographic information system has been gradually accepted and widely used to distribute cultural heritage information, aiming to combine geography, time, events, issues, trends with the interactive maps to show the context of data changes from the consideration of planarity; for example, Burnaby City in Canada has cooperated with the Columbia University to create a navigation platform for guidance of tangible cultural heritage based on story maps in order to provide public recognition function.<br><br> In this study, Qiong-Lin Settlement in Kinmen Area was taken as an example to illustrate the developing process of an overall planning framework for reappearing the glory of historic settlements of cultural heritage sites with digital technology, which included tangible and intangible cultural heritage preservation and transmission planning, community participation and digital navigation programs. The digital technology with the GIS-based digital platform can provide more diverse and interesting information while using an intuitive, graphical user story mapping interface. So that tangible cultural heritage can be effectively understood, interpreted and preserved with the value-added methods, and also intangible cultural heritage can be continuously transmitted to establish a complete system of cultural heritage preservation. The main contents include several navigation technologies, such as 3D laser scanning, UAV images, photogrammetry, panorama, audio/video, geographic information systems etc.


2020 ◽  
Vol 49 (2) ◽  
pp. 45-57
Author(s):  
Khosrow Bozorgi ◽  
Zack Lischer-Katz

AbstractThis paper describes the Virtual Ganjali Khan Project, an ongoing research initiative that is using 3D scanning and immersive virtual reality (VR) technologies to document a large historical landmark in the desert city of Kerman, Iran, the Ganjali Khan Complex. It describes the intellectual merits of these emerging technologies for preserving and providing new forms of access to cultural heritage sites, outlines the procedures of data collection and 3D processing, and describes the current work and next steps of the project. This paper will be of interest to scholars and institutions considering using 3D and VR technologies for supporting cultural heritage preservation, digital humanities projects, or other types of interdisciplinary research.


2019 ◽  
Vol 10 (21) ◽  
pp. 103
Author(s):  
Daniel Shenghan Lai ◽  
Anthony K.H. Leung ◽  
Dennis Chan ◽  
Steve H. Ching

<p>Architectural landmarks that represent a culture’s identity are also sanctuaries for cultural heritage preservation. The tallest and oldest wooden multi-story structure in the world, the Yingxian Wooden Pagoda of China is tilting at an ongoing rate that requires an urgency to find solutions to revert the damage. To preserve the evolving humanistic and artistic understandings of ancient Chinese architecture, and to cultivate the scientific reasoning behind ancient Chinese carpentry, <em>new media </em>allows digital and computational methods to replace human users who once manually analyzed data and information from cultural sites and artifacts. This article will exemplify <em>new media</em> tools such as animation via 3D/2D modeling, 3D scanning and virtual reality photography to examine material evidence of the Yingxian Wooden Pagoda of China, and the role <em>new media </em>can assist in its fight to sustain its originality since 1056.</p><p>Highlights:</p><ul><li>Examination, documentation, research and education of architectural heritage sites using new media methods.</li><li>Integration of old archives and digital/computational software to represent the outstanding value of the oldest and tallest wooden skyscraper in the world.</li><li>Use of 2D/3D modelling and virtual reality photography developing information to increase awareness on cultural heritage sites suffering wood deterioration.</li></ul><p> </p>


2017 ◽  
pp. 100-116 ◽  
Author(s):  
T. Abankina

The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.


2019 ◽  
pp. 59-66
Author(s):  
Ksenia I. Nechaeva

The current state of the Moscow Metro station of the first priority that became operational in 1935 does not allow it to be called a cultural heritage site. This is due to the fact that lighting modernisation carried out by the Moscow Metro was based on fluorescent lamps. Such lamps are more energy efficient compared to incandescent lamps, which were used in original lighting devices specified in the Station Lighting Project developed by architects and designers. However, they significantly changed the station appearance, transforming the originally designed station with entire well visible architectural tectonics?1 from the standpoint of lighting into a simple, flat, unremarkable, and little loaded station of the Moscow Metro./br> This paper describes a method of lighting reconstruction at Krasnoselskaya station by means of original lighting devices that meet modern standards and requirements for cultural heritage sites. The historical analysis on the development of the station lighting environment was conducted during its operation in order to understand what kind of station was conceived by its architects, what changes occurred with its lighting over time, and how it influenced the station appearance and safety of passenger transportation.


Author(s):  
Anil Verma ◽  
G. Rajendran

Delighting consumers has been one of the most important goals for marketing stakeholders but the effect of historical nostalgia on tourists delight at the world cultural heritage sites has rarely been examined. This study examines the impact of historical nostalgia on the heritage tourists' delight, their satisfaction and destination loyalty intention. The survey for the study was conducted at the world cultural heritage site of Mahabalipuram, India. The hypotheses were tested through the structural equation modelling technique. The results indicated positive and significant effect of historical nostalgia on tourists' delight, satisfaction and destination loyalty intention. The study makes contribution to the tourism studies by examining the role of historical nostalgia in delighting the tourists at the cultural heritage sites and instructs the managers to evoke such experiences to keep the heritage tourists delighted and thereby enhance their loyalty.


Atmosphere ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 726
Author(s):  
Paul Carroll ◽  
Eeva Aarrevaara

Future climate conditions need to be considered in planning for urban areas. As well as considering how new structures would best endure in the future, it is important to take into account factors that contribute to the degradation of cultural heritage buildings in the urban setting. Climate change can cause an increase in structural degradation. In this paper, a review of both what these factors are and how they are addressed by urban planners is presented. A series of inquiries into the topic was carried out on town planning personnel and those involved in cultural heritage preservation in several towns and cities in Finland and in a small number of other European countries. The target group members were asked about observed climate change impacts on cultural heritage, about present steps being taken to protect urban cultural heritage, and also their views were obtained on how climate change impacts will be emphasised in the future in this regard. The results of the inquiry demonstrate that climate change is still considered only in a limited way in urban planning, and more interaction between different bodies, both planning and heritage authorities, as well as current research on climate change impacts, is needed in the field.


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