Translating Rudyard Kipling’s duology about Puck: Empire, historical past and landscape

Keyword(s):  
Author(s):  
A.A. KRUTKO

The article is devoted to the consideration of the modern model of interstate relations between Russia and Kyrgyzstan. The author demonstrates the asymmetry of such model, expressed in the fact that the Eurasian integration is a foreign policy priority for the Russian Federation, that considers it a strategic goal of the multipolar world. The policy of Kyrgyz Republic is based on the multivector principle and therefore refers to the integration project as one of the tools for achieving economic interests and a means of ensuring development. The author comes to the conclusion that the main meaning of that integration project for Kyrgyzstan is a pragmatic solution of social problems with the assistance of the Russian Federation and other EAEU member states. For Russia, in its turn, the pragmatism of this model consists in the strengthening of its strategic presence in the Central Asian region and its authority in the international arena as a whole. In the future, not only the common historical past, economic, militarypolitical and humanitarian ties, but also joint participation in the formation of a new world order will be the dominant factor in strengthening RussianKyrgyz relations.


We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.


This collection addresses how models from ancient Greece and Rome have permeated Irish political discourse in the century since 1916. The 1916 Easter Rising, when Irish nationalists rose up against British imperial forces, was almost instantly mythologized in Irish political memory as a turning point in the nation’s history and an event that paved the way for Irish independence. Its centenary has provided a natural point for reflection on Irish politics, and this volume highlights an unexplored element in Irish political discourse, namely its frequent reference to, reliance on, and tensions with classical Greek and Roman models. Topics covered include the reception and rejection of classical culture in Ireland; the politics of Irish language engagement with Greek and Roman models; the intersection of Irish literature with scholarship in Classics and Celtic Studies; the use of classical allusion to articulate political inequalities across hierarchies of gender, sexuality, and class; meditations on the Northern Irish conflict through classical literature; and the political implications of neoclassical material culture in Irish society. As the only country colonized by Britain with a pre-existing indigenous heritage of expertise in classical languages and literature, Ireland represents a unique case in the fields of classical reception and postcolonial studies. This book opens a window on a rich and varied dialogue between significant figures in Irish cultural history and the Greek and Roman sources that have inspired them, a dialogue that is firmly rooted in Ireland’s historical past and continues to be ever-evolving.


Gustav Mahler’s anniversary years (2010–11) have provided an opportunity to rethink the composer’s position within the musical, cultural and multi-disciplinary landscapes of the twenty-first century, as well as to reassess his relationship with the historical traditions of his own time. Comprising a collection of essays by leading and emerging scholars in the field, Rethinking Mahler in part counterbalances common scholarly assumptions and preferences which predominantly configure Mahler as proto-modernist, with hitherto somewhat neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. It reassesses his engagement both with the immediate creative and cultural present of the late nineteenth century, and with the weight of a creative and cultural past that was the inheritance of artists living and working at that time. From a variety of disciplinary perspectives the contributors pursue ideas of nostalgia, historicism and ‘pastness’ in relation to an emergent pluralist modernity and subsequent musical-cultural developments. Mahler’s relationship with music, media and ideas past, present, and future is explored in three themed sections, addressing among them issues in structural analysis; cultural contexts; aesthetics; reception; performance, genres of stage, screen and literature; history/historiography; and temporal experience.


2021 ◽  
Vol 13 (3) ◽  
pp. 1406 ◽  
Author(s):  
Cristian Moise ◽  
Iulia Dana Negula ◽  
Cristina Elena Mihalache ◽  
Andi Mihai Lazar ◽  
Andreea Luminita Dedulescu ◽  
...  

In recent times, satellite-based remote sensing has a growing role in archaeology and inherently in the cultural heritage management process. This paper demonstrates the potential and usefulness of satellite imagery for the documentation, mapping, monitoring, and in-depth analysis of cultural heritage and the archaeological sites located in urban landscapes. The study focuses on the assessment and monitoring of Alba Iulia, which is one of the Romanian cities with the richest historical past. Multitemporal analysis was performed to identify the land use/land cover changes that might contribute to an increased cultural heritage vulnerability to natural disasters. A special emphasis was dedicated to the assessment of the built-up area growth and consequently of the urbanization trend over a large time interval (30 years). Next, the urbanization and urban area expansion impact was further analyzed by concentrating on the urban heat island within Alba Iulia city and Alba Iulia Fortress (located in the center of the city). As temperature change represents a key element of climate change, the temperature trend within the same temporal framework and its impact on cultural heritage were determined. In the end, with regard to the cultural heritage condition assessment, the research was complemented with an assessment of the urban ground and individual building stability, using persistent scatterer interferometry. The results contribute to the detailed depiction of the cultural heritage site in such a manner that the site is monitored over an extensive timeframe, its current state of conservation is accurately determined, and the future trends can be identified. In conclusion, the present study offers reliable results regarding the main factors that might endanger the cultural heritage site as a basis for future preservation measures.


2021 ◽  
pp. 1-21
Author(s):  
David San Narciso

Abstract The competing ideologies of nation and monarchy had a troubled beginning in the 19th century, insomuch as they derived partly from two opposing sources of legitimacy. However, from the 1830s on, their supporters achieved the establishment of an interspecific and mutually advantageous relationship. The nation gradually managed to prevail over the monarchy, justifying its presence in national terms. However, the monarchy possessed something longed for by liberal nationalists: historical legitimacy. Thus, the crown served Romantic nationalism in its search for national foundations and to generate national emotions of a collective sense of belonging. This article analyses this process by focusing on the Spanish case and using a vast range of cultural sources. I reason that the monarchy’s history was intensively used in Isabel II’s reign (1833–1868), both by the monarch herself as well as nationalist elites, to legitimate and justify their presence in the liberal world. The article is divided into three sections. The first part locates the problem into a general process that touched all the crowned heads of Europe. The second section studies the appeal of exemplary medieval monarchs in the liberal hunt for national roots. The final one focuses on the particular case of Isabel the Catholic because of the remarkable prominence it acquired.


Author(s):  
Татьяна Николаевна Золотова

В статье рассматриваются советские и постсоветские традиции празднования Дня Победы, анализируется его роль в современном социокультурном пространстве России. Источниками для работы послужили материалы по Омскому региону - результаты опросов и личных наблюдений автора, данные средств массовой информации и официальных источников. Делается вывод о центральном месте Дня Победы в современном праздничном календаре и его важной роли в объединении российской нации на основе мемориализации общего исторического прошлого. Автор объясняет значимость праздника для населения страны сохранением традиционных ценностей и смыслов, а региональные особенности празднования и процессов коммеморации - различными факторами исторического, экономического, политического, социокультурного порядка. Празднование 70-летнего и 75-летнего юбилеев Победы отразило позитивное изменение общественного сознания в постсоветской России, что проявилось в увеличении интереса к историческому наследию, усилении чувства благодарности ветеранам и гордости за их подвиг, осознании причастности каждого к историческим событиям славного прошлого страны. День Победы, выполняя главные функции праздника, поддерживает преемственность традиций, объединяет различные социальные группы, воспитывает уважение к историко-культурному наследию и патриотизм. This article examines the Soviet and post-Soviet tradition of Victory Day celebrations and analyzes their role in modern Russian socio-cultural space. It is based on materials from the Omsk Region, including the results of surveys, data from the mass media and official sources, as well as the author’s personal observations. The author describes the central place of Victory Day in the modern holiday calendar and its important role in uniting the Russian nation by memorializing a common historical past. The author considers the role of the holiday in preserving traditional values and meanings, and describes the regional features of the celebration and the processes of commemoration as shaped by various historical, economic, political, and socio-cultural factors. The celebration of the 70 th and 75 th post-Soviet anniversaries of the victory reflected a positive change in public consciousness that was manifested in greater interest in the historical heritage, an increased sense of gratitude toward veterans and pride in their accomplishment, and an awareness of everyone’s involvement in the historical events of the country’s glorious past. Victory Day, performing the main functions of a holiday, supports the continuity of tradition, unites various social groups, and promotes patriotism and respect for the historical and cultural heritage


2021 ◽  
pp. 5-20
Author(s):  
Ani MATEVOSYAN

Abstract: This research tackles essential elements of Syrian state-building processes through a structural analysis incorporating several theories and concepts including but not limited to colonialism, nationalism, military interventions, institutional development, minority rule, and eventually neocolonialism. The article reveals how minority rule and different implications of military interventions shaped today’s Syria, as well as addresses some of the current issues such as the absence of domestic political consolidation. The primary aim of this research is to contextualize the role of France—as a former colonizer, within the state-building process of Syria by examining different phases of Syria’s historical past. An examination of Syria’s political developments proved that having inherited a colonial past, the current state of Syria has also inherited an unavoidable legacy of political instability from its colonial past. Keywords: Syria, Middle East, State-Building, Colonialism, Military Interventions.


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