Rembrandt’s Art as Gift

Author(s):  
Michael Zell

This chapter examines Rembrandt’s embrace of gift exchange over his career and analyzes the works he created to function as gifts among favored patrons, collectors, and intimates. Rembrandt’s gifts to important patrons and other figures in the 1630s largely conform to the conventions and courtesies expected of gift transactions. From the late 1640s through the 1660s, as Rembrandt’s primary supporters shifted to liefhebbers, gentlemen-dealers, and cultured members of the burgher class, however, he intensified his engagement and became more experimental with gift giving. Through highly distinctive prints designed to circulate as gifts, Rembrandt enlisted the gift economy to nurture ties with his inner sanctum, harnessing the ethics of gift giving to cultivate a unique position in the Dutch art world.

2021 ◽  
Author(s):  
Michael Zell

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a love of art


2019 ◽  
Vol 34 (6) ◽  
pp. 493-509
Author(s):  
Niels Thygesen

This article contends that a new perspective on the economy – a gift economy – would be beneficial to the development of sustainability. The principles and practices of the gift economy (giving, receiving and reciprocating) are exemplified by a case study of the Danish island of Samsø, which has used it to achieve environmental sustainability, improve its economic situation and generate social value. In order to illustrate the values and principles that underpin the gift economy, the article shows the underlying exchange mechanisms used in this modern version of ‘gift-giving’ and contrasts them to using money as the medium of exchange. One of the mainstays of the gift economy is the willingness and obligation to reciprocate, and the case study highlights some of the original ways of organising that have emerged from the gift economy on Samsø and how significantly they differ from organising and managing by budgets. As such, the article attempts to reframe the understanding of the economy and, in particular, to qualify and illustrate the potential of the organising principles behind the gift economy and encourage readers to conduct further research and engage in initiatives that will make a positive contribution to the development of sustainability.


Author(s):  
Bo Kristian Holm

In analyzing the role of gift and giving in Martin Luther’s theology, one almost inevitably has to deal with the contrast between Marcel Mauss’s description of archaic gift economy, where gifts and exchange are interconnected and gift exchange a total social fact, and Derrida’s critique of Mauss for talking of anything else but the gift, since only a gift uncontaminated by exchange deserves the proper name “gift.” Accordingly, any reading of Luther relating Luther’s theology to the reciprocity of giving seems, from the outset, to grasp anything but the cornerstone of his theology: the justification by faith alone apart from works of the law. Nevertheless, scholars in the early 21st century have been discussing Luther as a theologian of the gift. Some defend a position according to which Luther’s theology can only be rightly understood by maintaining that the divine gift is free and pure. Others argue that Luther’s mature theology allows for an integration of some kind of exchange as a vital part of the very doctrine of justification. In both cases, social anthropological gift studies can function as a lens for highlighting the heart of Luther’s theology, either negatively by presenting the absolute opposite of Luther’s understanding of divine giving in justification and creation or positively by revealing the very heart of the same. The young Luther vehemently criticized a piety regulated by economic principles and understood divine righteousness in contrast to human principles for righteousness. However, he soon began integrating reciprocal aspects from the traditional definition of righteousness into his doctrine of justification. This was possible due to an emphasis on the divine self-giving, revealed in Christ and slowly elaborated to cover Luther’s understanding of the whole Trinity. In this move, Luther seemed to have been influenced by Roman popular philosophy, which was widespread in the late renaissance, but biblical passages emphasizing reciprocal justice also played an important role. Advocators for understanding Luther’s theology from the perspective of inter-human gift exchange will argue that Luther’s theology of the gift is intimately related to his use of the figure of communicatio idiomatum, which allows the giver to share his attributes with the receiver.


2021 ◽  
Author(s):  
Michael Zell

This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.


2003 ◽  
Vol 44 (3) ◽  
pp. 293-324 ◽  
Author(s):  
MARCEL HENAFF

This study intends to reread Max Weber's Protestant Ethic with the following question in mind: where is the Catholic ethic with respect to “the spirit of capitalism”? The few short comments that Weber makes on this topic nevertheless suggest an interesting notion which he had developed in earlier texts, i.e., the “religious ethic of brotherhood”. I intend to show here that this notion could be further illuminated by the findings of the anthropology of gift giving since Marcel Mauss. This would enable us to understand how the problem of grace, so central to the debate between Protestants and Catholics, is linked to the history of the transformations in the gift giving practices; we will also discover that this problem was at the origin of the schism. While such a hypothesis leads to a different reading of Weber, it is confirmed by a work of the historian B. Clavero which brings out the complex links that existed in 16th century Catholic Spain between the order of business and that of charity. Besides the antagonism that has marked the two Christian traditions in the West, what seems to be at issue is the way in which economic practices weight on the social bond. These questions invite us to rethink the connections between them.


1981 ◽  
Vol 15 (2) ◽  
pp. 231-238
Author(s):  
Judie Newman

Emerson's essay on “Gifts” perceptively highlights the ambivalence felt in gift-giving or receiving, an ambivalence which lies at the heart of Saul Bellow's most recent novel, Humboldt's Gift. The importance of literal gift-giving has been insufficiently recognised as a factor which governs the action of the novel, our understanding of which is enhanced by an examination and application of the sociological analysis of gift-exchange.Gift-exchange has been most extensively studied in relation to the North-West Coast American Indians, notably the Kwakiutl, in whose culture the “potlatch” is a central activity. The term “potlatch” is applied to a variety of gift-giving ceremonies, involving both the giving away of quantities of possessions and their wilful destruction. The whole of a man's worldly goods may be dispersed or destroyed in this fashion, in an attempt to maintain status. To eclipse a rival chief, for example, a man may destroy all his own accumulated wealth. While in theory the “gift” is spontaneous and disinterested, in practice it is based on political or economic self-interest.The gift of property implies an obligation in the recipient which, if not fulfilled, results in his loss of face.


1995 ◽  
Vol 36 (2) ◽  
pp. 209-243 ◽  
Author(s):  
Ilana F. Silber

Focusing upon donations to monasteries in the medieval Western world, this paper expands upon extant discussions of religious gift-giving in the ‘great traditions’ , and of its relation to more archaic forms of gift-exchange, hitherto largely based on non-Western and mostly Asian anthropological material. While displaying many of the social functions familiarly associated with the gift in archaic or primitive societies, donations to monasteries are shown to have also entailed a process of immobilisation of wealth not extant in the gift circuit of ‘simpler’ societies. While donations to monasteries clearly attested to the impact of otber-wordly religious orientations, they also entailed a range of symbolic dynamics very different from, and even incompatible with, those analysed by Jonathan Parry with regard to the other-wordly ‘pure’ gift. The paper then brings into relief the precise constellation of ideological ‘gift-theory’, socio-economic ‘gift-circuit’, and macrosocietal context, which enabled this specific variant of the gift-mechanism to operate as a ‘total’ social phenomenon in the two senses of that term suggested, though not clearly distinguished and equally not developed, in Mauss’ pathbreaking essay on the gift.


1995 ◽  
Vol 36 (1) ◽  
pp. 121-140 ◽  
Author(s):  
Barbara M. Cooper

Wedding gift exchange from the turn of the century to the present has served as a medium through which women in the Maradi valley of Niger could assert their worth, create social ties and respond to a shifting political economy. Rather than exploring the implications of ‘bridewealth’ and ‘dowry’ in isolation, this paper sees wedding prestations as an ongoing and evolving dialogue in which women's roles and worth are contested, the nature of wealth is redefined and the terms of marriage are negotiated. The crisis in domestic labor which arose with the decline of slavery in the early decades of the century gave rise to informal unions through which the labor of junior women could be controlled. Women responded to these informal marriages by staging highly visible ceremonies which established the worth and standing of the bride. With the growth of an increasingly urban-centered commercial and bureaucratic economy, women have been drawn into a desperate ‘search for money’ to continue to meet their obligations in the gift economy. While the outward form of wedding gift exchange appears unchanged, the importance of cash to the acquisition of goods, services, and productive resources has radically altered both the content and the significance of gift exchange. Gifts no longer embody wealth in people derived from ability within an agro-pastoral economy. Instead they reveal the giver's access to the resources of the state and the market. Women's eroding position within the economy since 1950 has drawn them further and further into gift exchange, both in order to build a safety net in the form of exchange value stored in a woman's dowry and to secure the social ties which can ensure their continued access to increasingly contested resources.


2021 ◽  
Vol 11 (3) ◽  
pp. 546-555
Author(s):  
E. Р Martynova ◽  

Introduction: the work is written in the discourse of economic anthropology. The relevance of the institute of gift-giving among the Ob-Ugric peoples is determined by the interest in the study of their traditional culture, as well as the desire to determine its role and functions in the modern global world. Objective: to consider and analyze different types of gift exchange and related communications among the Ob-Ugric people in the past and in modern practices. Research materials: the author’s field materials collected among different groups of Ob-Ugric people; works of authors of the second half of the XIX – beginning of the XX centuries, containing descriptions of trade deals with the participation of the indigenous population of the Ob North. Results and novelty of the research: on the materials about the Ob Ugrians the kinship and friendship gifts connected with the custom of guesting, exchange of gifts in the rites of transition, gift exchange with spirits, gift exchange with the authorities during the period of integration into the system of Russian statehood and elements of gift exchange relations in trade are studied. The essence of the institution of gift-exchange is revealed through the theoretical developments of the classics of economic anthropology, first of all, M. Moss. Gift-giving in Khanty and Mansi culture has both real and symbolic value. The first one is equivalent to the value of things or services, and the second is determined by the fact that gifts are perceived as a pledge of success and prosperity in the future. The gift was a peculiar mechanism of maintaining ties both between different collectives within the community and with the outside world, including otherworldly forces.


2005 ◽  
Vol 85 ◽  
pp. 126-175 ◽  
Author(s):  
Maria Hayward

The exchange of gifts at the New Year was a very significant social, political and financial event at the court of Henry VIII, just as it would have been at the courts of his English predecessors and European contemporaries. The process of gift exchange, including who made, received and gave gifts, was recorded each year in the gift roll. This article presents a detailed analysis of the 1539 gift roll, now in the Folger Shakespeare Library, Washington, DC, in the context of the other extant rolls for 1528, 1532 and 1534. Areas for discussion include a consideration of the range and significance of the gifts given and received by Henry and the role of the goldsmiths who made the king's gifts, including the weight, style and shape of the pieces commissioned. The article is supported by a full transcript of the 1539 gift roll, which is accompanied by extensive references comparing this gift roll to the other surviving gift rolls.


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