scholarly journals Library resource sharing and the Medical Library Center of New York

2020 ◽  
Vol 108 (1) ◽  
Author(s):  
Patricia E. Gallagher
Keyword(s):  
New York ◽  
Resource Sharing ◽  
Significant Contribution ◽  
Medical Library ◽  
Start Up ◽  
Library Resource ◽  
History Of ◽  
Founding Director ◽  
The Creation ◽  
Publishing Technology

The creation of the Medical Library Center of New York (MLCNY) was a significant contribution to the history of health sciences librarianship as a model for cooperative, democratic, and practical solutions to the issues of storage and resource sharing. The MLCNY’s founding director, Erich Meyerhoff, was a key figure in the successful start-up and ongoing operations of the center, which operated from 1960–2003 and served the greater New York area and beyond. This essay traces the evolution of the center including the creation of the Union Catalog of Medical Periodicals and the demise of the center occasioned by changes in scholarly publishing, technology, and constituent needs.

The Museum of Primitive Art, 1940–1982

Entitled ◽  
2019 ◽  
pp. 41-69
Author(s):  
Jennifer C. Lena
Keyword(s):  
New York ◽  
Small Group ◽  
Detailed Analysis ◽  
Metropolitan Museum ◽  
Ideal Case ◽  
Metropolitan Museum Of Art ◽  
Art Collection ◽  
History Of ◽  
The Creation

This chapter discusses the creation of the Museum of Primitive Art (MPA). The history of Michael C. Rockefeller's primitive art collection provides an ideal case study of the process of artistic legitimation. Through a detailed analysis of the complete organizational archive—including memos, publications, journals, and administrative paperwork—one can observe this process in detail. The small group of MPA administrators fought to promote artistic interpretations of the objects in the collection against the established view that they were anthropological curiosities. However, these objects were removed from their sites of production and early circulation and left in the care of American curators and tastemakers to make of them what they will; in Rockefeller's case, he leveraged them to produce capital he used in a struggle with other collectors and museum administrators. What he did not do is redistribute those resources toward living artists or register much hesitation about moving those objects to New York. Nor did he have to acknowledge the labor done by earlier advocates of these arts in black internationalist movements. Nevertheless, Rockefeller's triumph was the eventual inclusion of his collection in the Metropolitan Museum of Art (Met), as the Michael C. Rockefeller Wing.

Conclusions

2020 ◽  
pp. 249-252
Author(s):  
Marta Celati
Keyword(s):  
Fifteenth Century ◽  
Final Section ◽  
Significant Contribution ◽  
Political Theories ◽  
History Of ◽  
Humanist Tradition ◽  
The Creation ◽  
The Ideal

The final section sums up the main innovative findings of this whole study. It points out how starting from the second half of the fifteenth century the development of a ‘thematic genre’ of literature on conspiracies was influenced by, but at the same time contributed to, the phenomenon of the literary fashioning of the profile of the ideal ruler, who now corresponded to the figure of a princeps. This literature also contributed to the creation of a new language and symbology of power through the multifunctional reworking of the classical legacy. This evolution culminated in Machiavelli’s attention to the issue of political plots in this work, with an approach that proves to be partly inspired by the previous cultural horizon, but already prominently projected towards an utterly new conceptual world. This analysis, besides providing a missing chapter on the background of Machiavelli’s work, more generally, underlines the significant contribution made by the humanist tradition, through its various literary expressions, to the development of modern political theories and to the history of our culture.

GERRIT BOS, TRANS., Ibn al-Jazzar on Sexual Diseases and Their Treatment, Sir Henry Wellcome Asian Series (London and New York: Kegan Paul International, 1997). Pp. 417. $130.25 cloth.

2001 ◽  
Vol 33 (4) ◽  
pp. 611-613
Author(s):  
Avner Giladi
Keyword(s):  
New York ◽  
History Of Medicine ◽  
Middle Ages ◽  
Significant Contribution ◽  
Medical Texts ◽  
The West ◽  
Prolific Author ◽  
Critical Editions ◽  
Cultural Domain ◽  
History Of

With the series of critical editions and studies of Arabic medical texts from the Middle Ages he has published in recent years, Gerrit Bos has made a significant contribution to the history of medicine in the Islamic world. He has dedicated special attention to the work of Abu Jaעfar Ahmad ibn Abi Khalid ibn al-Jazzar of Qayrawan, a 10th-century physician and prolific author of medical texts. Ibn al-Jazzar was famous and influential not only within his own Arabic– Islamic cultural domain but also—thanks to widely circulated translations of his works into Greek, Latin, and Hebrew—among Christian and Jewish physicians in the East as well as the West. (For Bos's publications on Ibn al-Jazzar's writings see p. 406).

scholarly journals Коллекция Пегги Гуггенхайм

2021 ◽  
pp. 270-279
Author(s):  
O.A. Yartseva
Keyword(s):  
New York ◽  
20Th Century ◽  
Significant Contribution ◽  
Art Scene ◽  
History Of ◽  
First Time ◽  
20Th Century Art

The article is devoted to the history of a unique collection made by famous American patron and curator Peggy Guggenheim. For several decades, she has been gathering works by European Cubists, Abstractionists and Surrealists, creating the huge collection of the 20th century art. But she made the most significant contribution to the development and popularization of modernism by organizing the «Art of this Century» gallery in New York. This gallery hosted for the first time exhibitions of artists who later became known as abstract expressionists. Their work loudly declared itself on the international art scene and won worldwide recognition. В фокусе внимания автора статьи — история создания уникального собрания произведений искусства ХХ века, принадлежавшего известной американской меценатке и куратору Пегги Гуггенхайм. На протяжении нескольких десятилетий она коллекционировала картины европейских кубистов, абстракционистов и сюрреалистов. Но самый значительный вклад в развитие и популяризацию модернизма она внесла, организовав в Нью-Йорке галерею «Искусство этого века», в которой впервые были проведены выставки художников, позже ставших классиками абстрактного экспрессионизма США, магистрального направления, громко заявившего о себе на международной художественной сцене и завоевавшего всемирное признание.

Online Video Tutorials and Interlibrary Resource Sharing

2016 ◽  
pp. 61-88
Author(s):  
Arieh Down Ress ◽  
Jaclyn A. McLaughlin ◽  
Cynthia Bertuca
Keyword(s):  
New York ◽  
Resource Sharing ◽  
Information Dissemination ◽  
Professional Staff ◽  
Online Video ◽  
Digital Era ◽  
Library Resource ◽  
Video Tutorials ◽  
Library Resources ◽  
The University

The advent of online video sites has made possible a new and powerful way to disseminate information: the online video tutorial. The Western New York Library Resources Council (WNYLRC), in conjunction with the University at Buffalo Libraries, developed a project that sought to explore the possibilities of this tool for librarians. In WNYLRC's Knowledge Base Tutorials On-Demand Program, tutorials were researched, scripted and produced to enhance the training of librarians and professional staff, to answer general questions, and to provide detailed information about library software and platforms. This chapter will describe the design, implementation, and outcomes of this program, as means to lay a foundation for future work in the area of video tutorials, library resource sharing and information dissemination. The ramifications of platforms such as YouTube and the new kinds of literacy that are growing as a result are essential to the future of libraries in the digital era.

scholarly journals Curating The American Algorists: Digital Art and National Identity

Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 106
Author(s):  
Taylor
Keyword(s):  
New York ◽  
National Identity ◽  
Los Angeles ◽  
Resource Sharing ◽  
American Art ◽  
Digital Art ◽  
College And University ◽  
The Sublime ◽  
History Of ◽  
The Aesthetic

This essay details the curating strategies and central premise behind the 2013 traveling exhibition The American Algorists: Linear Sublime. This group exhibition, which showcased the artwork of Jean-Pierre Hébert, Manfred Mohr, Roman Verostko, and Mark Wilson, marked the 20th anniversary of New York Digital Salon. In organizing this exhibit, I attempted to expand the discourse of digital art curation by linking the Algorists, a group formed at the Los Angeles SIGGRAPH conference in 1995, to the broader narrative of American art. Through the exhibition catalogue, I constructed a detailed history of the Algorists and connected the movement’s narrative to ideas of national identity and myth. To cultivate this nexus, I interpreted the Algorists’ unique approach to linear abstraction through the various theories of the sublime active within the history of American art. Ultimately, this case study reveals the incongruities of aligning this group of digital artists—who shared a decidedly internationalist outlook—with a national narrative. While the Algorists resisted parochial characterizations, the concept of the sublime provided a useful vehicle for theorizing the aesthetic response to computer-generated abstraction. The travelling exhibition also offered a potential model, based on effective partnerships and resource sharing, for small college and university galleries.

scholarly journals A journey in collections management : the creation of a finding aid for the Black Star Ephemera Collection at the Ryerson Image Centre

2021 ◽  
Author(s):  
Lauren N Potter
Keyword(s):  
New York ◽  
Twentieth Century ◽  
New York City ◽  
York City ◽  
Collections Management ◽  
Significant Events ◽  
History Of ◽  
Textual Material ◽  
The Creation

This applied project involved the creation of a finding aid for the Black Star Ephemera Collection held at the Ryerson Image Centre (RIC) at Ryerson University in Toronto. This little known and un-catalogued collection was originally part of the Black Star Agency photographic collection founded in New York City in 1935. Black Star is a well known photo agency that has served as a resource for the picture press during the twentieth century, providing photographs of significant events, people, and places. This ephemeral collection is made up of all the textual material originally used by the agency to organize and support the photographic collection. In addition to the finding aid this paper discussed the significance of this collection and its relationship to the history of photojournalism as well as providing a summary of the rational and methodology for the applied project.

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