scholarly journals Apat na Taong Pagsikat ng Nakapapasong Araw: Musika sa Filipinas sa Panahon ng Hapon, 1942–1945

Plaridel ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 1-24
Author(s):  
Raul Casantusan Navarro
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
East Asia ◽  
Basic Education ◽  
The Philippines ◽  
Education Level ◽  
World War ◽  
Children's Songs ◽  
Imperial Japan ◽  
And Control

World War II in the Philippines was as much a treacherous mind game as it was physical. While it brought almost total devastation to the cultural heritage bequeathed by the country’s colonial past, it sought to create, albeit in the spiritual-emotional realm, a template of Asian-ism that the Filipinos were to live by as a supposed member of the Imperial Japan-colonized Greater East Asia Co-Prosperity Sphere. Songs, organizations, programs, speeches, religion and many other activities and things that could be used to sway the Americanized Filipino psyche were employed in this devastating “game of thrones”. This study questions how music and related propaganda materials were used to pacify and control the conquered Filipino nation. Music, to a degree, was symptomatic of the progress of the occupation, from the initial settling down of the Japanese soldiers to the seemingly quiet acceptance of many locals in occupied areas. In these stages of the war, imposed music crept into the consciousness of the conquered—from Japanese children’s songs at the basic education level to the concert platforms with music composed by Filipino musicians heralding the Greater East Asia Co-Prosperity theme.

East Asian Exceptionalism to Western Populism and Migration Crisis

2018 ◽  
pp. 196-210
Author(s):  
John Lie
Keyword(s):  
World War Ii ◽  
East Asia ◽  
East Asian ◽  
Northeast Asia ◽  
Historical Account ◽  
World War ◽  
Post World War Ii ◽  
The World ◽  
Migration Crisis ◽  
And Migration

In the 2010s, the world is seemingly awash with waves of populism and anti-immigration movements. Yet virtually all discussions, owing to the prevailing Eurocentric perspective, bypass East Asia (more accurately, Northeast Asia) and the absence of strong populist or anti-immigration discourses or politics. This chapter presents a comparative and historical account of East Asian exceptionalism in the matter of migration crisis, especially given the West’s embrace of an insider-outsider dichotomy superseding the class- and nation-based divisions of the post–World War II era. The chapter also discusses some nascent articulations of Western-style populist discourses in Northeast Asia, and concludes with the potential for migration crisis in the region.

scholarly journals Antonio Morassi, Giulio Carlo Argan, Roberto Longhi e la riscoperta del Caravaggio di casa Balbi a Genova (1939-1952)

2020 ◽  
Vol 1 ◽  
pp. 351-369
Author(s):  
Giulio Zavatta
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
Saint Paul ◽  
World War ◽  
Published Report ◽  
The World

Antonio Morassi’s archive and photographic library kept in the Department of Philosophy and Cultural Heritage of Ca’ Foscari University in Venice preserves a series of documents relating to the rediscovery of the Caravaggio of Casa Balbi, which took place during the World War II. Antonio Morassi had a look to the Conversion of Saint Paul in the Genoese palace of Balbi and studied it to publish it. The picture that Morassi sent to the publishers was however showed to Giulio Carlo Argan, who was also writing a monograph about Caravaggio. Argan pledged to acknowledge the discovery to Morassi. But, Argan published report about the painting in an article in 1943. However, Roberto Longhi intervened, denying that it was a Caravaggio pain- ting. Morassi, who discovered this painting, published it on the Emporium magazine only in 1947, after World War II, is therefore not often recognized as the discoverer of this masterpiece.

The Japanese Invasion

Jazz in China ◽  
2018 ◽  
pp. 67-78
Author(s):  
Eugene Marlow
Keyword(s):  
United States ◽  
World War Ii ◽  
Manifest Destiny ◽  
The United States ◽  
The Philippines ◽  
Pearl Harbor ◽  
World War ◽  
Prisoner Of War ◽  
Internment Camps

During World War II, the Japanese constructed prisoner of war camps in fifteen countries, including China. These camps numbered approximately 240. The Japanese—whose attack on Pearl Harbor in 1941 brought the United States into World War II— saw their global role as manifest destiny, particularly with respect to China. Militarist Japan's attempt to conquer China began by seizing Manchuria in 1931 and became a full-fledged invasion from 1937 [when they attacked Shanghai] to 1945. This chapters shows that American jazz musicians—all of whom were playing in Shanghai—were not immune to the Japanese invasion and occupation. Some landed in internment camps in China and the Philippines.

Introduction: The Search for Meaning in Defeat and Victory

2020 ◽  
pp. 1-24
Author(s):  
Barak Kushner
Keyword(s):  
World War Ii ◽  
United Nations ◽  
East Asia ◽  
San Francisco ◽  
The Political ◽  
Search For Meaning ◽  
World War ◽  
The United Nations ◽  
Political Spectrum

World War II dragged on in East Asia for three more months than in Europe, where the Allies declared victory on May 8, 1945. The formation of the United Nations was announced in San Francisco on June 26, 1945, and soon it became clear that Japan’s imperial demise would be entirely different from the Nazi collapse. World War II fractured the political spectrum in East Asia: the result was a cacophony of groups vying for postimperial authority in a situation where nothing was preordained and where no result was inevitable....

Introduction

2019 ◽  
pp. 1-10
Author(s):  
David J Ulbrich
Keyword(s):  
United States ◽  
World War Ii ◽  
East Asia ◽  
Culture Media ◽  
The United States ◽  
Future Research ◽  
Pacific Basin ◽  
Military Operations ◽  
World War ◽  
The Pacific

The introduction to this anthology connects a diverse collection of essays that examine the 1940s as the critical decade in the United States’ ascendance in the Pacific Rim. Following the end of World War II, the United States assumed the hegemonic role in the region when Japan’s defeat created military and political vacuums in the region. It is in this context that this anthology stands not only as a précis of current scholarship but also as a prospectus for future research. The contributors’ chapters eschew the traditional focus on military operations that has dominated the historiography of 1940s in the Pacific Basin and East Asia. Instead, the contributors venture into areas of race, gender, technology, culture, media, diplomacy, and institutions, all of which add nuance and clarity to the existing literature of World War II and the early Cold War.

Legaspi, Cesar Torrente (1917–1994)

2018 ◽  
Author(s):  
Eileen Legaspi Ramirez
Keyword(s):  
World War Ii ◽  
Working Class ◽  
Subject Matter ◽  
The Philippines ◽  
Farm Workers ◽  
World War ◽  
Art Educator ◽  
Internal Migrants ◽  
Early Image ◽  
Seasonal Farm Workers

Cesar Legaspi was a Filipino painter known as one of the 13 Moderns, a group of emergent artists whose work, according to artist-art educator Victorio Edades, was an alternative to the classicism and nostalgia-laced realism popular during the pre-World War II juncture of American colonialism in the Philippines. Along with peers Hernando Ocampo and Vicente Manansala, Legaspi was part of a generation of artists whose early image making engaged with questions of distortion, and the liberties artists could take in construing reality. In the early 1950s, these painters were regarded as the neo-realist triumvirate. While they produced works dealing with the same everyday subject matter as conservative artists of the period, they unselfconsciously took from other stylistic traditions that they encountered through research and peer exchanges. In doing so, they worked towards more individuated ways of rendering subjects, finding affinities with Cubism, Surrealism, and Expressionism. In the post-World War II period, the Neo-Realists manifested a cynicism toward the urbane, which they resolved visually in different ways. A well-known work of Legaspi’s from this period, Gadgets II (1949), depicts the mutant fusing of man and machine in an age where the industrial was both feared and mythologized. This work, alongside pieces imaging the working class (including stevedores, grave diggers, beggars, seasonal farm workers, and internal migrants) is associated with his early proletarian or proto-social realist phase.

scholarly journals The Separation and Reunification of Germany: Rethinking a Natural Experiment Interpretation of the Enduring Effects of Communism

2020 ◽  
Vol 34 (2) ◽  
pp. 143-171 ◽  
Author(s):  
Sascha O. Becker ◽  
Lukas Mergele ◽  
Ludger Woessmann
Keyword(s):  
World War Ii ◽  
Natural Experiment ◽  
West Germany ◽  
Extensive Literature ◽  
World War ◽  
East And West Germany ◽  
Cautious Interpretation ◽  
East And West ◽  
And Gender ◽  
And Control

German separation in 1949 into a communist East and a capitalist West and their reunification in 1990 are commonly described as a natural experiment to study the enduring effects of communism. We show in three steps that the populations in East and West Germany were far from being randomly selected treatment and control groups. First, the later border is already visible in many socio-economic characteristics in pre-World War II data. Second, World War II and the subsequent occupying forces affected East and West differently. Third, a selective fifth of the population fled from East to West Germany before the building of the Wall in 1961. In light of our findings, we propose a more cautious interpretation of the extensive literature on the enduring effects of communist systems on economic outcomes, political preferences, cultural traits, and gender roles.

scholarly journals Human in the world of culture: the great patriotic war in the historical and cultural heritage of northeast of Russia (on the example of Yakutia)

2019 ◽  
Vol 72 ◽  
pp. 03009
Author(s):  
Saassylana Sivtseva ◽  
Olga Parfenova
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
World War ◽  
Public Places ◽  
The Public ◽  
The World ◽  
Great Patriotic War ◽  
Architectural Structures ◽  
Human Losses

The historical and cultural heritage, expressed in monuments, architectural structures, dedicated to the Great Patriotic War, today is significant. The purpose of the article is to determine the role of society in perpetuating the memory of the Great Patriotic War. The authors conclude that the events of World War II find a lively response from the public. At the same time, new tendencies in commemorative practices are traced - tragic pages of history that until recently were “uncomfortable” (and in Soviet times banned for research), such as human losses, extremely high mortality of the civilian population from hunger, forcibly transferred to special settlements, - began to be reflected in the construction of monuments, memorable places. The location of these monuments is specific - they were erected at a certain distance from public places, at the territories of churches (victims of famine, victims of political repressions), which is associated with the predicted ambiguity of their perception.

scholarly journals The “Right to Wage War” against Empire: Anticolonialism and the Challenge to International Law in the Indian National Army Trial of 1945

2019 ◽  
Vol 44 (2) ◽  
pp. 420-443
Author(s):  
Mithi Mukherjee
Keyword(s):  
World War Ii ◽  
International Law ◽  
World War ◽  
British Colonial ◽  
Indian National Army ◽  
Imperial Japan ◽  
Radical Claim ◽  
The Right ◽  
Colonial Government

This Article treats the Indian National Army Trial of 1945 as a key moment in the elaboration of an anticolonial critique of international law in India. The trial was actually a court-martial of three Indian officers by the British colonial government on charges of high treason for defecting from the British Indian Army, joining up with Indian National Army forces in Singapore, and waging war in alliance with Imperial Japan against the British. In this trial, the defense made the radical claim that anticolonial wars fought in Asia against European powers were legitimate and just and should be recognized as such under international law. The aim of this Article is to draw attention to the understudied role of anticolonial movements in challenging the premises of international law in the aftermath of World War II.

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