scholarly journals KARKEI NERBYSHEV'S ARCHIVE: PERSPECTIVES OF STUDY AND PUBLICATION

2022 ◽  
pp. 79-82
Author(s):  
Л. В. Челтыгмашева
Keyword(s):  
Literary Studies ◽  
The Novel ◽  
Unpublished Works

Актуальность заявленной темы связана с неполной изученностью творчества хакасского писателя Каркея Нербышева. Статья подготовлена на основе анализа материалов творческого наследия писателя, хранящихся в Рукописном фонде ХакНИИЯЛИ. В настоящее время в Рукописном фонде института находятся рукописи стихотворений, авторские подстрочные переводы на русский язык рассказов, очерков и первой книги романа «У Синих утёсов», письма, записки от коллег, писателей из других регионов, читателей, односельчан, жителей Хакасии, школьников, друзей, родственников. Отдельного внимания требуют неопубликованные произведения К. Нербышева: пьеса «Обаллыг Карбай хызы» и вторая часть романа «У Синих утесов». В статье обосновывается мысль о том, что издание данных материалов необходимо для последующих литературоведческих исследований произведений и популяризации творчества писателя Каркея Нербышева. The relevance of the stated topic is associated with the incomplete study of the work of the Khakass writer karkei Nerbyshev. The article was prepared on the basis of the analysis of the materials of the writer's creative heritage stored in KhRILLH Manuscript Fund. Currently, the Institute's Manuscript Fund contains manuscripts of poems, author's interlinear translations into Russian of stories, essays and the first book of the novel "At the Blue Cliffs', letters, notes from colleagues, writers from other regions, readers, fellow villagers, residents of Khakassia, schoolchildren, friends, relatives. The unpublished works of K. Nerbyshev require special attention: the play "Oballyk Karbai khyzy" and the second part of the novel "At the Blue Cliffs". The article substantiates the idea that the publication of these materials is necessary for subsequent literary studies of works and the popularization of the work of the writer karkei Nerbyshev.

scholarly journals KARKEI NERBYSHEV'S ARCHIVE: PERSPECTIVES OF STUDY AND PUBLICATION

2022 ◽  
pp. 79-82
Author(s):  
Л. В. Челтыгмашева
Keyword(s):  
Literary Studies ◽  
The Novel ◽  
Unpublished Works

Актуальность заявленной темы связана с неполной изученностью творчества хакасского писателя Каркея Нербышева. Статья подготовлена на основе анализа материалов творческого наследия писателя, хранящихся в Рукописном фонде ХакНИИЯЛИ. В настоящее время в Рукописном фонде института находятся рукописи стихотворений, авторские подстрочные переводы на русский язык рассказов, очерков и первой книги романа «У Синих утёсов», письма, записки от коллег, писателей из других регионов, читателей, односельчан, жителей Хакасии, школьников, друзей, родственников. Отдельного внимания требуют неопубликованные произведения К. Нербышева: пьеса «Обаллыг Карбай хызы» и вторая часть романа «У Синих утесов». В статье обосновывается мысль о том, что издание данных материалов необходимо для последующих литературоведческих исследований произведений и популяризации творчества писателя Каркея Нербышева. The relevance of the stated topic is associated with the incomplete study of the work of the Khakass writer karkei Nerbyshev. The article was prepared on the basis of the analysis of the materials of the writer's creative heritage stored in KhRILLH Manuscript Fund. Currently, the Institute's Manuscript Fund contains manuscripts of poems, author's interlinear translations into Russian of stories, essays and the first book of the novel "At the Blue Cliffs', letters, notes from colleagues, writers from other regions, readers, fellow villagers, residents of Khakassia, schoolchildren, friends, relatives. The unpublished works of K. Nerbyshev require special attention: the play "Oballyk Karbai khyzy" and the second part of the novel "At the Blue Cliffs". The article substantiates the idea that the publication of these materials is necessary for subsequent literary studies of works and the popularization of the work of the writer karkei Nerbyshev.

Reading Beyond the Code

2018 ◽  
Keyword(s):  
Relevance Theory ◽  
Literary Studies ◽  
The Novel ◽  
Human Communication ◽  
Communicative Acts ◽  
Face To Face ◽  
Code Model ◽  
Wide Range ◽  
Central Claim

This book explores the value for literary studies of relevance theory, an inferential approach to communication in which the expression and recognition of intentions plays a major role. Drawing on a wide range of examples from lyric poetry and the novel, nine of the ten chapters are written by literary specialists and use relevance theory both as an overall framework and as a resource for detailed analysis. The final chapter, written by the co-founder of relevance theory, reviews the issues addressed by the volume and explores their implications for cognitive theories of how communicative acts are interpreted in context. Originally designed to explain how people understand each other in everyday face-to-face exchanges, relevance theory—described in an early review by a literary scholar as ‘the makings of a radically new theory of communication, the first since Aristotle’s’—sheds light on the whole spectrum of human modes of communication, including literature in the broadest sense. Reading Beyond the Code is unique in using relevance theory as a prime resource for literary study, and is also the first to apply the model to a range of phenomena widely seen as supporting an ‘embodied’ conception of cognition and language where sensorimotor processes play a key role. This broadened perspective serves to enhance the value for literary studies of the central claim of relevance theory: that the ‘code model’ is fundamentally inadequate to account for human communication, and in particular for the modes of communication that are proper to literature.

COMPARATIVE LITERATURE: EAST AND WEST STUDIES

2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  
Keyword(s):  
Comparative Literature ◽  
Professional Ethics ◽  
Research Work ◽  
Literary Studies ◽  
The Novel ◽  
World Science ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideal ◽  
The Ideal

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.

“A GREAT PART TO PLAY”: GENDER, GENRE, AND LITERARY FAME IN GEORGE MOORE’S A MUMMER’S WIFE

2001 ◽  
Vol 29 (2) ◽  
pp. 285-301 ◽  
Author(s):  
Joellen Masters
Keyword(s):  
Great Part ◽  
Literary Studies ◽  
The Novel ◽  
George Moore ◽  
Literary Fame

An actor is one who repeats a portion of a story invented by another.— George Moore, “Mummer-Worship” (1891)THE COMPLEXITIES OF GEORGE MOORE’S CHARACTER, his reactions to Victorian life, and his experimentation with literary styles and genres make him a persistently marginal, albeit intriguing, character in literary studies. “[H]is best work,” Lloyd Fernando has observed, “rests to this day in an artistic as well as social limbo which resists complete definition” (10). A Mummer’s Wife (1885), his second novel, has been studied for Moore’s debt to French novelists, in particular Flaubert, or for the author’s reaction to the British circulating libraries’ power.1 In response to controversy over A Mummer’s Wife’s perceived crudeness, Moore claimed “I have a great part to play — I am fighting that Englishman [sic] may exercise a right which they formerly enjoyed, that of writing freely and sanely” (qtd. in Hone 114), even appointing himself “un ricochet de Zola en Angleterre.”2 Without exception then, author and scholars regard A Mummer’s Wife as a transitional work, the book that brought naturalism into the British tradition. The novel, however, suspended in that artistic and social limbo, has not come under scrutiny for additional and alternative readings.3

Oportūnists, ļefists, majakovskietis, šāds-tāds inteliģentiņš Linards Laicens PSRS: biogrāfiskais aspekts un „Limitrofija”

2021 ◽  
pp. 98-109
Author(s):  
Ilze Ļaksa-Timinska
Keyword(s):  
Socialist Realism ◽  
Literary Studies ◽  
The Novel ◽  
Main Attention ◽  
Soviet Government ◽  
Literary Research ◽  
Constant Control ◽  
Politically Persecuted ◽  
Sources Of Influence

The article focuses on the part of Linards Laicen’s (1983–1937) biography marginalised in contemporary literary research – his life in the USSR. In literary studies, the main attention is paid to the writer’s early work; his move to the USSR is seen as a break in his writer’s creative growth, highlighting his obedience to the demands of socialist realism and schematism. The article outlines the most important aspects of Laicens’s biography, trying to construct his potential worldview and find the causal links to his arrival in the USSR. In 1932, Laicens was forced to emigrate to Moscow, where he spent the last five years of his life. Even though the Soviet government had tightened control over the artistic processes, Laicens continued to write according to his aesthetics, risking not only being censored but also politically persecuted. In 1935, Laicen’s last novel, “Limitrofija”, was published. It was written at a time when socialist realism was recognised as the only legitimate direction of art creation in the USSR. The article analyses the circumstances of the novel’s origin, poetics, features of modernism, sources of influence, publishing difficulties, and reception. After analysis of the documents available in the archives, correspondence, notes, publications, as well as the text of the novel itself, it is concluded that Laicens’s location in the USSR is not unambiguous/voluntary, and the novel “Limitrofija” is also part of his modernist and experimental literary contribution. This shows the continuity of Laicens’s creative search, although the USSR is dominated by political censorship and constant control and threats.

CYRANO DE BERGERAC AS A PREDECESSOR OF SCIENCE FICTION PROSE

2021 ◽  
pp. 113-124
Author(s):  
Natalia Pakhsaryan ◽  
◽  
Keyword(s):  
Science Fiction ◽  
17Th Century ◽  
Literary Studies ◽  
The Novel ◽  
Cyrano De Bergerac ◽  
Similarities And Differences ◽  
Century Literature

The article considers the genre of Cyranoʼs novel «Another world», widely discussed in both domestic and foreign literary studies. It explores the elements of science fiction in contrast to those of the miraculous, as they appear in the 17th-century literature, and identifies the features of utopianism and the peculiarities of scientific forecasting in the work. Both parts of «Another world» are examined in their similarities and differences from one another, as well as combination of universalism and topical issues of the novel with narrative irony and burlesque.

scholarly journals (Im) posibilidad de escribir el trauma. El silencio en El profundo Sur de Andrés Rivera

Anclajes ◽  
2021 ◽  
Vol 25 (1) ◽  
pp. 167-180
Author(s):  
Cristian Ignacio Vidal Barría ◽  
◽  
Keyword(s):  
Buenos Aires ◽  
Historical Trauma ◽  
Literary Text ◽  
Literary Studies ◽  
Historical Event ◽  
The Novel ◽  
Fictional Narrative ◽  
Current Discussion ◽  
Literary Writing ◽  
A Current

The questions around literary writing and its possibilities for representing violence and historical trauma is a current discussion in both philosophical and literary studies. This article addresses these complexities and examines, through a reading of the novel El profundo Sur (1999) by Argentine writer Andrés Rivera, the possibilities of the literary text as a device that tries to represent or depict violence and trauma through a fictional narrative. The novel takes as its setting and historical reference the massacre of workers in Buenos Aires in 1919, also known as the “Semana Trágica”. Rivera, whose aesthetics is marked by the use of the ellipsis, elaborates a reflection on language, fiction, and the reconstruction of a historical event through literature.

scholarly journals Death and the Machine: J. G. Ballard’s Crash

2017 ◽  
Vol 27 (1) ◽  
pp. 161-180
Author(s):  
Pedro Groppo
Keyword(s):  
Literary Studies ◽  
The Novel

J. G. Ballard’s novel Crash represents one of the author’s most sustained efforts to explore a delusion centered on trauma and the possibility of acceptance of death. Crash’s uncompromising vision that embraces transgression and taboo allows for a rich exploration of issues seldom discussed in literary studies. In this paper, I provide a reading of Ballard’s novel under the perspective of death in life, situating it within the context of Ballard’s other work, mainly The Atrocity Exhibition, Concrete Island and the Harley Cokliss’s film of Crash! that predated the novel.

scholarly journals “Own” and “alien” space in the novel “Dead Men Walking” by Steve Lyons

2021 ◽  
pp. 79-86
Author(s):  
Evgenii Vadimovich Vasil'ev
Keyword(s):  
Comparative Analysis ◽  
Literary Text ◽  
Literary Studies ◽  
The Novel ◽  
Historical Method ◽  
Long Time ◽  
The Subject

The subject of this research is the peculiarities of organization of space in the novel “Dead Men Walking” by Steve Lyons from the perspective opposition “own – alien”. The research employs the cultural-historical method and comparative analysis. The article examines the peculiarities of perception of space in the novel. The basic conflict is association with intervention of the alien civilization on the planet of people. Emphasis is placed on the fact that the war erases the boundaries of “own” and “alien”, each of parties to the conflict has reason to believe that the planet is “their own”. The characters of the novel are divided into “living” and “dead”, which complicates the conflict and organization of space even more. Space in the literary text is the subject of multiple scientific articles. However, the works dedicated to examination of space in S. Lyons’ novel are not featured in modern literary studies, which defines the scientific novelty of this research. The conclusion is drawn that  for humanity and for alien civilization space is simultaneously “own” and “alien”, since other civilization existed on the planet for a long time prior to the arrival of humans. Moreover, the organization of space is complicated by the arrival of human forces of rom other planet, who were unfamiliar with the concept of “own” space at all, which affects the course of war and determines the fate of the characters in the novel. Such approach demonstrates that the concept of “own” and “alien” in the novel is vague due to the fact that it is impossible to unambiguously attribute the planet neither to “own” nor “alien” space.

scholarly journals Mot ett bredare arketextualitetsbegrepp: den augustinsk-lutherska diskurstypen i Birgitta Trotzigs Dykungens dotter

2021 ◽  
Vol 2021 (1) ◽  
pp. 9-36
Author(s):  
Krzysztof Bak
Keyword(s):  
Twentieth Century ◽  
Theory And Practice ◽  
Christian Theology ◽  
Literary Studies ◽  
The Novel ◽  
Twentieth Century Literature ◽  
Literary Genres ◽  
Discourse Organization ◽  
High Degree ◽  
Century Literature

This article has three aims, all of them related to the theory and practice of intertextuality. Firstly, the article makes an attempt to reconstruct the Augustinian-Lutheran type of discourse. A number of modern theologians and historians of philosophy have observed that the main currents within Christian theology have their basis in a specific discourse organization of textual utterances. With reference to these observations, the article maps out some dominant features of Augustine’s and Luther’s discoursive practices. The type of discourse thus reconstructed contains grammatical, logical-argumentative, narrative and rhetoric-figurative characteristics, and – as a matter of fact – it manifests a high degree of applicability in the field of literary studies. Secondly, the article applies the reconstructed type of discourse to analyze a masterpiece of Swedish twentieth-century literature, the novel Dykungens dotter (The Marsh King’s Daughter, 1985) by Birgitta Trotzig (1929–2013). In several interviews, Trotzig makes evidently contradictory remarks on Augustine and Luther. She dissociates herself from their anthropology at the same time as she hints that their view of human conditions has made a deep impression on her. The article’s application intends to throw light on this precarious hermeneutic situation. The intense presence of the Augustinian-Lutheran type of discourse in the novel made apparent through the application indicates that an interpretation of Trotzig’s writings by means of Augustinian-Lutheran intertexts is hermeneutically motivated in spite of her own negative declarations. Thirdly, the article makes use of the reconstructed type of discourse in order to examin Gérard Genette’s notion of architextuality. There is a theoretical incongruence in his notion. On an explicit definitory level, architextuality includes all types of discourse and modes of enunciation. On a conteptual level, however, the notion of architextuality is constructed on the pattern of literary genres. The article’s application demonstrates that Genette’s notion requires some corrections to live up to its definitory commitments. The Augustinian-Lutheran architext comes into conflict with some of Genette’s linguisticly construed structuralistic categories and demands a more discoursive and hermeneutic way of thinking.

Sign in / Sign up

Export Citation Format

Share Document