Der Scheitel der Welt. Aline Valangin und das Onsernonetal

These considerations are devoted to literary pictures of the Onsernone Valley located on the Italian-Swiss border. It was here in the 1930s and 1940s that the Swiss writer Aline Valangin (1889– 1986) created an extraordinary oasis of freedom and peace in her estate in Comologno. She hosted famous figures such as Kurt Tucholsky, Elias Canetti, Ignazio Silone, or Wladimir Vogel, and provided shelter to many politically persecuted artists. The subject of detailed reflection is the question of the perception, experience and acquisition of the Ticino mountains both in works by Valangin and in biographical works about her; with a particular focus on narrative perspective — from the outside and the inside. Eveline Hasler in biographical novel Aline und die Erfindung der Liebe (2000) attempts to (re)construct an image of the Onsernone Valley as a specific “valley of poets”, presenting a subtle analysis of the interaction between the conservative inhabitants of the valley, attached to tradition, and the extravagant artists who found asylum and inspiration in the Ticino Alps. This novel is an example of a modern biography, which is characterized by narrative polyphony; the description of space becomes an important carrier of meanings and collective memory in the author’s concept. Aline Valangin sketches in her novels (Die Bargada, 1943 / Dorf an der Grenze, 1982) and short stories (Tessiner Erzählungen, 2018) an image of Onserone indigenous people’s everyday life in the thirties and forties, full of worries. Her stories include outsiders, misfits, social outcasts, guerrillas, smugglers, and exiles — and they all find haven in the Valley. Valangin’s works are also an important voice in the discussion of the essence of Swiss patriotism not only through strong criticism of Swiss immigration policy during World War II, but also by reflecting on the concept of the border as a place that unexpectedly proves to be a challenge and a particular kind of self-experience in the face of events that are tearing up the current existence.

Wierzchołek świata. Aline Valangin i dolina Onsernone

These considerations are devoted to literary pictures of the Onsernone Valley located on the Italian-Swiss border. It was here in the 1930s and 1940s that the Swiss writer Aline Valangin (1889– 1986) created an extraordinary oasis of freedom and peace in her estate in Comologno. She hosted famous figures such as Kurt Tucholsky, Elias Canetti, Ignazio Silone, or Wladimir Vogel, and provided shelter to many politically persecuted artists. The subject of detailed reflection is the question of the perception, experience and acquisition of the Ticino mountains both in works by Valangin and in biographical works about her; with a particular focus on narrative perspective — from the outside and the inside. Eveline Hasler in biographical novel Aline und die Erfindung der Liebe (2000) attempts to (re)construct an image of the Onsernone Valley as a specific “valley of poets”, presenting a subtle analysis of the interaction between the conservative inhabitants of the valley, attached to tradition, and the extravagant artists who found asylum and inspiration in the Ticino Alps. This novel is an example of a modern biography, which is characterized by narrative polyphony; the description of space becomes an important carrier of meanings and collective memory in the author’s concept. Aline Valangin sketches in her novels (Die Bargada, 1943 / Dorf an der Grenze, 1982) and short stories (Tessiner Erzählungen, 2018) an image of Onserone indigenous people’s everyday life in the thirties and forties, full of worries. Her stories include outsiders, misfits, social outcasts, guerrillas, smugglers, and exiles — and they all find haven in the Valley. Valangin’s works are also an important voice in the discussion of the essence of Swiss patriotism not only through strong criticism of Swiss immigration policy during World War II, but also by reflecting on the concept of the border as a place that unexpectedly proves to be a challenge and a particular kind of self-experience in the face of events that are tearing up the current existence.

Jaime Wright (1929-1999) e a defesa dos direitos humanos no contexto da resistência à ditadura militar no brasil | Jaime Wright (1929-1999) and the defense of human rights in the context of the military dictatorship resistance in Brazil

Este texto tem como objetivo analisar a vida e a obra de Jaime Nelson Wright (1927-1999), pastor presbiteriano, opositor do regime militar no Brasil e intelectual engajado na luta pela defesa dos direitos humanos. Foi uma das vozes que mais combateu a ditadura militar no interior do protestantismo brasileiro. Desde a deflagração do golpe em 1964, fez a opção político/religiosa de não aderir ao regime autoritário. Wright se vinculou ao movimento estudantil e dedicou-se ao amparo religioso/pastoral dos perseguidos políticos. Sua contribuição como intelectual, perpassa o campo religioso. Ele atuou junto aos organismos internacionais voltados para a defesa dos direitos humanos e fundamentais à vida e denunciou as atrocidades do regime militar no Brasil. Para a efetivação da pesquisa foram utilizadas as seguintes fontes: documentos e imagens disponibilizados pelo projeto Brasil: Nunca Mais; jornais da época: entrevistas e matérias; decretos e leis. Os dados revelados pelas fontes indicam que a vida e obra de Jaime Wright contribuíram decisivamente para o processo de redemocratização do Brasil. This text analyzes the life and work of Jaime Nelson Wright (1927-1999), a Presbyterian pastor, a fierce opponent of the military regime in Brazil, and intellectually engaged in the struggle for the defense of human rights. He was one of the voices that most fought the military dictatorship in the Brazilian Protestant movement. Since the outbreak of the coup in 1964, he made the political and religious choice of not joining the authoritarian regime. Wright joined the student movement and dedicated himself to the religious support of the politically persecuted. His contribution as a committed intellectual goes beyond the clerical field. He was involved with international organizations dedicated to the defense of human rights and the fundamental rights to life. He also exposed the military regime's atrocities. For the realization of the research were used the following sources: documents and images made available by the Project Brazil: Never Again; newspapers of the time: interviews and stories; decrees and laws. The data revealed by the sources, indicate the life and work of Jaime Wright contributed in a decisive way to the re-democratization process in the Brazilian society.

Oportūnists, ļefists, majakovskietis, šāds-tāds inteliģentiņš Linards Laicens PSRS: biogrāfiskais aspekts un „Limitrofija”

The article focuses on the part of Linards Laicen’s (1983–1937) biography marginalised in contemporary literary research – his life in the USSR. In literary studies, the main attention is paid to the writer’s early work; his move to the USSR is seen as a break in his writer’s creative growth, highlighting his obedience to the demands of socialist realism and schematism. The article outlines the most important aspects of Laicens’s biography, trying to construct his potential worldview and find the causal links to his arrival in the USSR. In 1932, Laicens was forced to emigrate to Moscow, where he spent the last five years of his life. Even though the Soviet government had tightened control over the artistic processes, Laicens continued to write according to his aesthetics, risking not only being censored but also politically persecuted. In 1935, Laicen’s last novel, “Limitrofija”, was published. It was written at a time when socialist realism was recognised as the only legitimate direction of art creation in the USSR. The article analyses the circumstances of the novel’s origin, poetics, features of modernism, sources of influence, publishing difficulties, and reception. After analysis of the documents available in the archives, correspondence, notes, publications, as well as the text of the novel itself, it is concluded that Laicens’s location in the USSR is not unambiguous/voluntary, and the novel “Limitrofija” is also part of his modernist and experimental literary contribution. This shows the continuity of Laicens’s creative search, although the USSR is dominated by political censorship and constant control and threats.

The Biography Of Abdulla Avloni, Representative Of Uzbek Literature Renaissance, From A New Perspective

This article provides a new scientific analysis of the biography of Abdulla Avloni, an enlightened poet, playwright, journalist, scientist, statesman and public figure who lived and worked in the late 19th and early 20th centuries. It is well known that in the Soviet era, educated, enlightened people were persecuted as enemies of the people. Those who were shot, family members were politically persecuted as relatives of the enemy of the people. Most writers, scientists were forced to change their biographies, to hide their genealogy. In works of art, the aristocracy is portrayed in a negative light. The article analyzes the changes made to Abdulla Avloni's biography for political reasons on the basis of scientific sources and memoirs.

'Against a Wall': Albania’s Women Political Prisoners’ Struggle to be Heard

Between 1944 and 1985, Enver Hoxha ruled socialist Albania as an isolated and paranoid Stalinist state. The regime held power through total party control and continual purges at all levels of society, persecuting approximately twenty per cent of the population (which stood at 3.4 million in 1990) as ‘enemies of the people’. Women and men were punished with internal exile, forced labour or prison, yet even now, twenty years after the communist rulers instituted neoliberal reforms as re-branded ‘democrats’ (in 1990), the victims of communist persecution are socially and structurally marginalised. Through the testimony and experiences of one anonymous woman who survived the communist prison system, this article examines the political, social and psychological factors that silence the voices of Albanian women who were politically persecuted.