The Artistic Performances in the Works of Elin Pelin

2021 ◽  
Vol 23 (6) ◽  
pp. 598-603
Author(s):  
Bilyana Nikolova ◽  
Keyword(s):  

The research presents the creative world in the stories of Elin Pelin. The period of his development as a writer is tracked. The characters are presented with their positive and negative features. Described are the dialogue, which is a distinctive feature of the author’s stories, the role of the landscapes without which the development of the action is unthinkable, and the atmosphere in the Bulgarian village.

2021 ◽  
Vol 1 (1) ◽  
pp. 97-118
Author(s):  
Theo van Leeuwen

The paper presents a framework for the distinctive feature analysis of movement and mobility in texts, performances and semiotic artefacts, showing its applicability to the analysis of meaning-making in dance, music, animated and live action film and video, and product design. Emphasis is placed on the role of movement and mobility in identity design. Identity design is realized by the style in which movements are performed and can be analysed in terms of the gradable distinctive features present in any movement – direction, expansiveness, velocity, force, angularity, fluidity, directedness and regularity. The paper includes a historical dimension, focusing on the development of movement and mobility as semiotic resources, and argues for the pioneering role of modernist artists in this development.


1999 ◽  
Vol 3 (1) ◽  
pp. 59-81 ◽  
Author(s):  
Juan Carlos Acuña-Fariña

This paper seeks to redefine apposition, a term that is often used in the literature with a remarkable lack of precision. Starting from paradigmatic instances of apposition (Romulus, the legendary founder; Santiago, the capital of Galicia), the main resemblances to the paradigm are analysed in an attempt to measure the validity of a general syntactic relation that is often put on a par with co-ordination and dependency. Paradigmatic appositions and other related nominal patterns are shown to be structures of nonrestrictive modification (i.e. not really appositions) which are best understood in reference to the concept of a Local Domain. The second unit of these structures has its scope in the local domain of the first unit, of which it is an expansion, not in the larger domain of the sentence. By contrast, most instances of non-nominal apposition (e.g. He ran – absolutely raced – up the hill; Burton-Roberts, 1975) are seen as true appositions, as defined in this paper, namely as structures whose two units relate independently to a Sentence Domain without forming a superordinate node in it. Crucial to the distinction between the Local and the Sentence domains is the role of intonation boundaries. These are strongly obligatory only with those structures which have been considered paradigmatic appositions in the literature (Romulus, the legendary founder), and their role is to isolate the second unit within them from the remainder of the sentence, thus preventing it from having a function in it. The intonation boundaries are also responsible for the most distinctive feature of these structures, namely the predicative relationship binding the two units together (Dupont, 1985; Koktová, 1985; Longrée, 1987; Forsgren, 1988).


1993 ◽  
Author(s):  
AN Andersen ◽  
P Jacklyn

Termite mounds are a distinctive feature of Australia's Top End, and the role of termites is crucial to ecosystems in this part of the world. It is estimated that more than 100 species of termites inhabit the Top End, but little is known about many of these. Termites of the Top End is an attractively illustrated, popular guide for anyone interested in these fascinating insects, and will be useful to students, amateur naturalists and researchers alike. Detail is provided on the six species most likely to be encountered and recognised.


2021 ◽  
Vol 16 (2) ◽  
pp. 114-124
Author(s):  
S. O. Makhtyuk

The paper demonstrates the connection between law and economics. The criminal procedure is considered from new positions of economic regulation. The main narrative of the work is the possibility and necessity of perceiving criminal proceedings as a system that exists not only according to the laws of jurisprudence. The importance of the synthesis of criminal procedural law and economics is dictated by the modern level of development of scientific knowledge, technologies and ideas. The traditional division of sciences is gradually giving way to complex, interdisciplinary research. The activity of subjects of criminal proceedings is no exception. The existing reality dictates: the investigation of criminal cases is a criminal procedural services provided by the investigation, prosecutor’s office and court on behalf of the state. Interaction with the consumers of these services in the person of citizens and the organization, the order and mechanism of cooperation of the competent authorities themselves with each other — this understanding makes the use of economic laws justified for the most effective criminal proceedings. The presented study makes it possible to re-evaluate the qualitative volume of criminal proceedings and offers a topical discourse on the role of seemingly completely different sciences in solving the problems of criminal justice. A distinctive feature of the work is the use of modern opinions, sources and materials in the preparation of the theses outlined in it.


Author(s):  
Aida Ruslanovna Gasharova

The article considers the role of Lezgin folk riddles in the educational process. A distinctive feature of riddles as a folklore genre is the exceptional power of emotional impact on the listener. Initially, they developed and were popular among adults, but gradually moved into the category of genres of children's folklore. Their educational and cognitive value lies in the intellectual development and learning function of children of preschool and primary school age. In this regard the study of riddles has a scientific and practical-pedagogical value.


Author(s):  
Joshua Horowitz

This chapter takes a closer look at the role of the accordion in klezmer music. Like the pioneering Italian American virtuoso accordionists, Jewish musicians felt equally at home playing classical and folk music. The select analysis of early accordion playing styles and stylistic characteristics sheds light on the interaction and interplay of klezmer musicians with their surrounding worlds—Old and New. A distinctive feature of the early “klezmer sound” was the accordion's imitation of the human voice heard in liturgical, paraliturgical, and Yiddish song. By the late 1930s, the accordion was often used for chordal accompaniment (rather than as a solo instrument). It was an integral element of the popular Hasidic bands of the 1960s and the “klezmer ensembles” that embraced the new Israeli music as well as earlier “Palestinian” music. Although it was often deemed “an outsider,” for the revivalists of the 1980s and beyond, the accordion has been characteristic of the klezmer style.


Author(s):  
I. V. Ushchapovska ◽  
Ye. V. Nehaienko

During the last centuries, modern English literature’s methodology developed many techniques. Due to the work of numerous translators, we can evaluate the effectiveness of this toolkit. However, despite the prevalence and availability of research materials, some aspects remain unexplored. There is a completely underestimated branch, which is narratology. Despite several similar features, studies prove that narrators can be different. The main characteristic to distinguish them is the point of view. It is worth noting that every narrative contains a combination of three points of view: narrator’s, character’s, and author’s. Considering the role of the parameter in fiction, it possible to compare it with the conductor because it determines the rules according to which the work will be organized. The purpose of the proposed research is to consider the phenomenon of narrative from a limited third person in English literature, in particular, to analyze the sources of its origin, a description of its characteristics, delineation of conceptual boundaries, and the analysis of its application. A narrative from a third person is recognizable in the text. Its distinctive feature is represented with third-person pronouns. An advantage of this point of view is the ability to give more information to the reader about the outer world. It lies far beyond the perspective of the first person. In the twentieth century, the narrative from a limited third person gained popularity. Its application implies that the narrator tells the story from the perspective of one character, unlike a narrative from an omniscient third person. This approach causes the effect of closeness, while not limited to the inner experiences


Author(s):  
Adam Ledgeway

Discontinuous structures produced by edge-fronting represent one distinctive feature of Latin regarding Romance. This difference follows from the head parameter: whereas Romance is consistently head-initial, Latin fluctuates between different settings as a result of its occupying an intermediate position in the gradual shift from head-finality to head-initiality. In turn, this difference in the head parameter is responsible for the observed variation in edge-fronting, since its setting determines the application of antilocality in constraining movement. Concretely, if head-finality is the output of a roll-up operation raising the complement to the specifier to the left of its head, suspension of antilocality constitutes a sine qua non for head-final languages like Latin. In Romance, by contrast, the head parameter is aligned with the head-initial setting such that roll-up (hence antilocal) movement never arises. This investigation thus derives from the different settings of the head parameter a concomitant parametrization in the role of antilocality.


2020 ◽  
Vol 3 (2) ◽  
pp. 109-202
Author(s):  
Asma Wati ◽  
Sholih Muadi ◽  
George Towar Ikbal Tawakkal

The purpose of this study is to find out that violence and religiosity can actually run side by side where both are able to make the figure of Bejingan have a different social strata from other communities. Violence is a characteristic of Bejingan in resolving conflicts in society while religiosity as a culture that has become ingrained in the community. To provide an understanding of the life of Bejingan in the community, this article explores how Bejingan lives in a standard of violence that has become a distinctive feature and cultural religiosity adopted in the community of Pamekasan Madura Regency. the method used in this study is qualitative with a case study approach where the researcher reveals in depth related to the life of Bejingan in Pamekasan Regency. The results obtained from this research are that Bejingan has long lived in stikma where its existence is always associated with violence and crime, whereas furthermore the role of Bejingan in the sphere of society has many benefits and benefits where security, conflict between citizens and the welfare of the community are influenced by the figure of Bejingan. Furthermore, the Bejong lives in a balanced balance of religiosity and violence where life is influenced by good relations between gods by practicing worship while still maintaining self-esteem in the distinctive characteristics of the heroism possessed. The scientific contribution of this article discusses the extension of the lives of local figures who have conflicting but side-by-side characteristics. Considering that the phenomenon that describes Bejingan is a conflict between culture and religion, then how can the conflict be balanced and go hand in hand. Then further research needs to be done.


1994 ◽  
Vol 9 ◽  
pp. 85-109 ◽  
Author(s):  
Gerrit J. Dimmendaal

Abstract. The Nilotic family, a group of languages spoken in East Africa allows a uniform subgrouping on the basis of Neogrammarian principles of shared innovations. Nevertheless, there is also evidence for wave-like innovations cutting across intragenetic boundaries. For example, the original contrast between implosive and plosive stops, only retained in three Nilotic languages synchronically, must have been lost independently in different subgroups. Interestingly, implosion has been retained as a distinctive feature in Nilotic languages bordering on other languages where this feature also occurs. This distributional fact suggests that language contact and bilingualism favoured not only the innovation but also the retention of certain phonetic properties of sound systems. A more speculative aspect of the present contribution concerns sound change in expressive words. There is some evidence that separate mechanisms may be operative in such words.


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