Introduction

2017 ◽  
Author(s):  
GerShun Avilez
Keyword(s):  
Political Philosophy ◽  
African American ◽  
Mass Culture ◽  
Black Nationalism ◽  
Philosophical Tradition ◽  
Nation State ◽  
Black Power Movement ◽  
Universal Negro Improvement Association ◽  
The 1960S

This introductory chapter provides a background of Black Nationalism. Black Nationalism is a political philosophy that has played an integral part in African American social thought from the nineteenth century forward. There are two main threads of this philosophical tradition: classical and modern. Classical Black Nationalism is a political framework guided primarily by concerns with the creation of a sovereign Black state and uplifting and “civilizing” the race. With regards to Black Nationalist thought in the twentieth century, two moments loom large: Marcus Garvey's Universal Negro Improvement Association (UNIA) in the 1910s/1920s and the Black Power Movement in the 1960s/1970s. Modern Black Nationalism is characterized by two specific shifts away from the foundational ideas that governed the classical form. It departs from its predecessor in the general lack of an explicit emphasis on an independent Black nation-state. It also shifts attention to mass culture and Black working-class life.

Beauty and the Black Student Revolt

2018 ◽  
Author(s):  
Shirletta Kinchen
Keyword(s):  
African American ◽  
Black Women ◽  
Black Student ◽  
African American Students ◽  
Black Power ◽  
Black Power Movement ◽  
American Students ◽  
1960S And 1970S ◽  
The 1960S ◽  
Student Protest Movement

At the height of the Black Power movement, African American students, especially those attending predominantly white colleges and universities, demanded access to and inclusion in their institutions’ resources. Their demands included Black Studies and Black History programs, the end of racist practices by faculty and administrators, and more culturally sensitive programs that reflected their lived experiences. This essay examines how the Black Power movement sought to redefine the beauty aesthetic by exploring how African American students at Memphis State University in the late 1960s and early 1970s politicized the campus positions traditionally reserved for white students. In 1970 Maybelline Forbes was elected the first black homecoming queen at Memphis State. As athletic teams began to integrate during the 1960s and 1970s, black women struggled to penetrate the membership ranks of cheerleading squads, serve as homecoming queens, and join other spaces that excluded them. This essay demonstrates how these positions became contested spaces for the larger black student protest movement, thus offering a different perspective on how black activists engaged in protest on college campuses in the Black Power era.

scholarly journals Dialectics of the development of the Black rights movement in the United States in the 60s of the XX century on the example of its outstanding representatives

2021 ◽  
Vol 27 (2) ◽  
pp. 44-63
Author(s):  
A. A. Shumakov
Keyword(s):  
United States ◽  
African American ◽  
The United States ◽  
Black Nationalism ◽  
Malcolm X ◽  
Main Research ◽  
Political Views ◽  
Eldridge Cleaver ◽  
The 1960S ◽  
Definition Of

This paper examines and explores in detail the key theoretical aspects and leading ideological and political trends of The black rights movement in the United States in the 1960s. As the main sources, the author uses the works and speeches of its most famous representatives, such as: Martin Luther king, Malcolm X, Stokely Carmichael, Huey Percy Newton, Robert Seal, Eldridge cleaver, highlighting the main trends and dominant trends. Materialistic dialectics is suggested as the main research method. This makes it possible to consider the process of formation of the Movement for the rights of african americans directly in development. The author not only conducts a comparative analysis of various trends and ideological and political views of the most prominent representatives of this movement, but also does it in dynamics, explaining the nature and mechanism of qualitative changes taking place using the laws of materialistic dialectics. In particular, the opposing classical concepts of integrationism and black nationalism, which underlie the definition of the notorious ambivalence of african-american consciousness, were replaced in the second half of the 1960s by revolutionary black nationalism and revolutionary socialism, which negate the previous two and are simultaneously closely related to them. As a conclusion, the concept of understanding the qualitative transformations of The black rights Movement in the United States is proposed, and parallels are drawn with the current rise of the socio-racial movement, taking place within the same discursive Reld, which was finally formed in the 1960s and continues to dominate the protest-minded part of the african-american population to this day. This gives the author the opportunity to make a forecast for the future development of the situation in the United States and the scenario of the Movement.

FROM AN OUTCAST TO THE PROPHET: THE EVOLUTION OF MALCOLM X’S RELIGIOUS AND POLITICAL PHILOSOPHY

2021 ◽  
Vol 7 (2) ◽  
pp. 192-209
Author(s):  
Andrey A. Shumakov
Keyword(s):  
Political Philosophy ◽  
African American ◽  
Black Population ◽  
The Political ◽  
Malcolm X ◽  
Far Right ◽  
Related Factors ◽  
Political Views ◽  
American Society ◽  
The 1960S

The figure of the radical African-American preacher Malcolm X has always occupied and continues to occupy a special place in the history of the protest movement of the 1960s. This is due to a number of reasons, the main of which was the pronounced ambivalence and inconsistency of the political philosophy of this public figure, who was noted for both ultra-radical religious sermons and rather progressive revolutionary and national liberation ideas at the final stage of his life. The latter, in fact, made him one of the main characters of the “rebellious decade”. While the far-right radicalism of the Harlem preacher faded into the background and began to be perceived as some “mistakes and misconceptions” that were later rethought and overcome. The question of assessing the legacy and personality of Malcolm X has always caused a lot of controversy. On the one hand, his contribution to the development of the movement of the struggle of the Black population for their rights and the formation of the African-American mentality is undeniable; on the other — it can be said that in the academic environment for all this time they practically were not subjected to critical reflection. If, during his lifetime, the ideas of the Harlem preacher were perceived by the vast majority of Americans as frankly marginal, then after his tragic death in 1965, Malcolm X became one of the most popular and iconic figures in recent US history. Any criticism of him began to be perceived extremely painfully. In this article, the author tried to trace the process of formation and evolution of the ideological and political views of Malcolm X, which was the main goal of the study. The main difference from other works on this topic was that in this article, this phenomenon is considered in dynamics, the causes of transformations and the influence of related factors are noted. At the same time, the author tried to identify certain “variables and constants” of the religious and political philosophy of Malcolm X, not only fixing them, but assessing the degree and depth of changes. That led to rather unexpected conclusions on a number of issues, the main of which was the explanation of the reasons for the incredible popularity of Malcolm X in modern American society. The main method of research is materialistic dialectics, which allows considering the political philosophy of Malcolm X in dynamics in accordance with the principle of historicism. Special attention is paid to the issues of radicalism, the transformation of ideological and political views and attitudes to religion, the debunking of myths, stereotypical and hyperbolized ideas about this figure, and the key milestones of his biography. As for the specific historical methods, the historical-genetic and historical-typological approaches are used in this work.

Morrison's Beloved and its Two "Amadas": Postcolonial Signifying upon Translation within African-American Intertextualities

1969 ◽  
Author(s):  
José Endoença Martins
Keyword(s):  
African American ◽  
Main Idea ◽  
Black Nationalism ◽  
The Other ◽  
Source Text ◽  
Specific Source ◽  
Theoretical Foundations ◽  
Specific Concern

This article compares two different Brazilian translated versions of Toni Morrison's novel Beloved: the first published in 1994, the other in 2007, both as Amada. The analysis concentrates on the speech delivered by Baby Suggs, in which she exhorts her listeners to care for their bodies. The main idea behind this article is that Beloved and the Amadas converse or talk, thus performing signifyin(g), a concept which, in Henry Louis Gates's words, explains how intertextual conversation happens through “repetition and revision, or repetition with a signal of difference” (xxiv). Its general theoretical foundations include interconnections involving several instantiations of signifyin(g): between Black nationalism and negritude, postcolonialism and African Americanism. In its specific concern with translation, the conversation that the source keeps with the target texts involves two translation theories: fluency and resistance; two kinds of translating interventions: omission and addition; and three types of strategies: syntactic, semantic, and pragmatic. These distinct categories help readers grasp translation as a continuum by means of which a specific source text encounters its target equivalents and, then, returns to its origin. The original article is in English.

Foucault, Lenin, and Western Marxism

2019 ◽  
Vol 29 (2) ◽  
pp. 251-267
Keyword(s):  
Public Intellectual ◽  
Philosophical Tradition ◽  
Real Problem ◽  
Social Changes ◽  
Revolutionary Movement ◽  
History Of ◽  
The 1960S ◽  
Significant Figures ◽  
Marxist Tradition ◽  
Western Marxism

This article others a brief historical account of the complex relationship between Michel Foucault and certain theorists in the Western Marxist philosophical tradition. In the context of the history of the “short twentieth century,” Western Marxism is an intellectual trend based on an interpretation of non-Western revolutionary praxis (by Bolsheviks, Maoists, Guevaristas, etc.). Comparative analysis of several schematic portraits - of Lenin’s revolutionary intellectual, of traditional as opposed to organic intellectuals in Gramsci, and of Foucault’s public intellectual - shows that Foucault in a certain instances was not an external enemy of the Western Marxist tradition, but rather its internal critic. Foucault comes across as a revisionist who engaged in a debate with Lenin about the strategy of the revolutionary movement in France of the 1960s and the 70s. Foucault’s criticism of Leninism unexpectedly turns out to be consistent with the basic struggle of post-WWII Western Marxism to find an alternative to the Bolshevik experience of revolution. This deliberate concurrence makes Foucault one of the significant figures in the history of late Western Marxism, but this becomes a real problem for current historians of neo-Marxist thought when coupled with his generally anti-Marxist views. The article discusses two possible solutions to this problem devised by Perry Anderson and Daniel Bensaid. Anderson’s description of the role of Foucault in the fate of Western Marxism is limited to conceptual questions about the relationship between Marxism and (post) structuralism. Bensaid tries to explain how Foucault fits into the Marxist tradition by appealing to social changes, specifically the changing ideology of capitalist society (in the spirit of The New Spirit of Capitalism by Luc Boltanski and Ève Chiapello). Building on Bensaid’s work, the article shows the link between Foucault’s position on public intellectuals and the crisis of the revolutionary movement of the last half-century, in particular by reference to the famous “Iranian episode” in Foucault’s biography.

African and African American Religions in the Early Americas

2018 ◽  
Author(s):  
Jason Young
Keyword(s):  
African American ◽  
Belief Systems ◽  
Subsequent Development ◽  
Religious Practices ◽  
African American Religion ◽  
African Religion ◽  
1960S And 1970S ◽  
The 1960S ◽  
New Generation ◽  
The Relationship

This chapter chronicles the relationship between African religious practices on the continent and African American religion in the plantation Americas in the era of slavery and the transatlantic slave trade. A new generation of scholars who emerged in the 1960s and 1970s have demonstrated not only that African religious practices exhibit remarkable subtlety and complexity but also that these cultures have played significant roles in the subsequent development of religious practices throughout the world. Christianity, Islam, and traditional African religion comprised a set of broad and varied religious practices that contributed to the development of creative, subtle, and complex belief systems that circulated around the African Diaspora. In addition, this chapter addresses some of the vexed epistemological challenges related to discussing and describing non-Western ritual and religious practices.

The ‘civic religion’ of the Resistance in post-war Italy

Modern Italy ◽  
2000 ◽  
Vol 5 (2) ◽  
pp. 113-132 ◽  
Author(s):  
Stephen Gundle
Keyword(s):  
Mass Culture ◽  
Significant Degree ◽  
Artistic Representations ◽  
The First World War ◽  
Civic Religion ◽  
Post War ◽  
Economic Boom ◽  
The 1960S ◽  
High Degree ◽  
First World

SummaryThe problem of the legitimacy or otherwise of the Resistance tradition in post-war Italy has been addressed in recent years mainly in terms of the role of the partisan struggle and its political legacy. This article aims to assess the tradition in terms of commemorative practices, rituals, artistic representations and monuments. It seeks to evaluate whether the Resistance gave rise to a civic religion that may be compared to those which existed in the Liberal period, based on the heroic struggles and figures of the Risorgimento, and the Fascist period, which drew on the feelings of loss and injustice that followed the First World War. It is argued that, although the Resistance lacked, prior to the 1960s, a high degree of official sponsorship, it did acquire some of the features of a civic religion. Its appeal was mainly limited to the regions administered by the Left which had seen a significant degree of Resistance activity in 1943-5. Even here, however, it was difficult to sustain the tradition as a key feature of community life during and after the economic boom: the eclipse of public culture, the decline of public mourning and the development of commercial leisure and mass culture all served to deprive it of meaning. Although intellectuals, politicians and ex-partisans reacted to this situation, the visual and rhetorical languages associated with the commemoration of the Resistance became increasingly divorced from everyday life and dominant social values.

The Folk Fight Back: Protesting the Cancellation of Don Messer’s Jubilee in 1969

2021 ◽  
Author(s):  
Greg Marquis
Keyword(s):  
Popular Culture ◽  
New Brunswick ◽  
Mass Culture ◽  
Generation Gap ◽  
Folk Culture ◽  
Television History ◽  
Canadian Nationalism ◽  
The 1960S

This article examines part of the reaction to the 1969 cancellation of Canadian Broadcasting Corporation’s (cbc) television’s Don Messer’s Jubilee, one of the most popular Canadian-produced programs of the era. In addition to an exploration of television history and popular culture, it is also a look at the neglected topic of “square” Canada in the 1960s. Messer began fiddling at dances in rural New Brunswick in the 1920s and moved to radio and recording prior to becoming an unlikely national television star by 1961. After exploring possible classifications of the show’s music, the article explores themes in protest letters and petitions sent to the cbc. These included Canadian nationalism in opposition to American mass culture, Canadian folk culture, cbc elitism, Maritime regionalism, nostalgia, and the related themes of the generation gap and permissive society. The article concludes that fans viewed Messer as a custodian of Canadian folk culture that was being erased by the national broadcaster at a time of heightened nationalism.

Feral Hospitality: Thinking Outside the House With Kedi

Public ◽  
2020 ◽  
Vol 31 (61) ◽  
pp. 90-173
Author(s):  
Sara Swain
Keyword(s):  
Philosophical Tradition ◽  
Nation State ◽  
The People ◽  
Western European

Our current understandings of hospitality are largely informed by the Western European philosophical tradition. This tradition, however, restricts accommodation to the proprietary space of the human house, or to its equivalent, the nation state. Both can only offer a constrained, exclusive, and temporary welcome. This has significantly limited the possibilities for imagining and practicing hospitality. In order to challenge the perceived scarcity at the heart of hospitality’s spatial imaginary, this essay turns to Kedi, Ceyda Torun’s 2016 documentary about Turkish street cats. Using the film as a guide, it explores what hospitality can look like outside the house. By tending to the relationships between cats and the people of Istanbul, the film offers a glimpse of a more capacious, creaturely, and cosmopolitan alternative I call, “feral Hospitality.” This is an itinerant and performative hospitality that produces rather than consumes space.

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