The Attunement Affektenlehre
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This chapter focuses on the theoretical texts of the attunement Affektenlehre. In the wake of debates surrounding both comic opera and instrumental music, theorists felt the need to offer a new explanatory mechanism for musical affect. They turned, in this endeavor, to the empirical phenomenon of sympathetic resonance, postulating a mechanical operation whereby the vibration of musical sound could stimulate the nerves of the human body; the interior of the listener was then said to be attuned to the affect through this non-representational, corporeal mode of transmission. Scrutinizing the details of these attunement theories, the chapter concludes with Hegel’s critique of sense-certainty.
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2008 ◽
Vol 31
(5)
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pp. 589-590
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1991 ◽
Vol 49
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pp. 38-39
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1990 ◽
Vol 48
(3)
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pp. 724-725
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1998 ◽
Vol 23
(4)
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pp. 382-387
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