Sounding Structure, Structured Sound
The chapter addresses compositional strategies in works by Arvo Pärt unifying his different creative periods. The impetus of early Flemish polyphony, which is present in the Symphony No. 3 (1971) and in the first tintinnabuli pieces (1976) is predicted in some of his earliest compositions: Pärt sought equality between the horizontal and vertical dimensions and the maximal structural reduction of composition since his serial works in 1963. The other focus of this chapter is on the specific relation of verbal text and music. The similar mathematical method for structuring music around the accents and number of syllables in words, such as is common in Pärt’s text-based tintinnabuli compositions, is difficult to find in any other examples of composed music, but the connection is prevalent in liturgical chanting. One parallel comes from Conrad Beissel (1691–1768)—the founder of a pietistic community in Pennsylvania and the author of a singular system of harmony for his hymns.