scholarly journals A Geografia e a Cartografia Produzidas na Antiguidade: a contribuição dos clássicos The Geography and Cartography Produced in Antiquity: the Contribution of the Classics

2016 ◽  
Vol 25 (2) ◽  
pp. 60
Author(s):  
Douglas Colaço
Keyword(s):  
Middle Ages ◽  
Visual Arts ◽  
Graduate Program ◽  
The State ◽  
Classical Antiquity ◽  
State University ◽  
Geographical Knowledge ◽  
Greco Roman ◽  
The Middle Ages

Este texto é parte da pesquisa desenvolvida e defendida junto ao Programa de Pós-Graduação Stricto Sensu em Geografia pela Universidade Estadual do Oeste do Paraná. A pesquisa teve o seguinte título: “A unidade de perspectivas entre a geografia e a cartografia medievais: paralelos com as artes visuais”. Contudo, no capítulo I, buscou-se conhecer e compreender a Geografia (e a Cartografia) produzida na Antiguidade Clássica. Desse modo, na integralidade da pesquisa foi possível compreender alguns traços do pensamento geográfico e do cartográfico greco-romano, e comparar as variações conceituais e metodológicas em relação ao conhecimento geográfico e cartográfico produzidos na Idade Média. Sobre a Antiguidade Clássica, evidentemente, os pensadores gregos e romanos não foram os únicos, nem os primeiros, a produzir um conhecimento geográfico (e cartográfico), mas certamente, foram eles os primeiros a melhor sistematizar tais conhecimentos.AbstractThis text is part of the research developed and defended at the Graduate Program Stricto Sensu in Geography from the State University of Western Paraná. The research had the following title: "The unity of outlook between geography and medieval cartography: parallel with the visual arts." However, in Chapter I , I tried to know and understand the geography ( and Cartography ) produced in Classical Antiquity . Thus, in the whole of the research was possible to understand some aspects of geographical thought and the Greco-Roman cartographic, and compare the conceptual and methodological changes in relation to geographic and cartographic knowledge produced in the Middle Ages. On Classical Antiquity, of course, the Greek and Roman thinkers were not the only, nor the first, producing a geographical knowledge (and mapping), but certainly they were the first ones to better systematize such knowledge.  

Allegra Iafrate, The Long Life of Magical Objects: A Study in the Solomonic Tradition. The Magic in History Series. University Park, PA: The Pennsylvania State University Press, 2019, xi, 235 pp., 19 b/w images, 2 tables.

Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 252-254
Author(s):  
Albrecht Classen
Keyword(s):  
Early Modern ◽  
Middle Ages ◽  
Literary Texts ◽  
Modern World ◽  
State University ◽  
Eastern Culture ◽  
Historical Objects ◽  
History Of ◽  
Religious Objects ◽  
The Middle Ages

Throughout times, magic and magicians have exerted a tremendous influence, and this even in our (post)modern world (see now the contributions to Magic and Magicians in the Middle Ages and the Early Modern Time, ed. Albrecht Classen, 2017; here not mentioned). Allegra Iafrate here presents a fourth monograph dedicated to magical objects, primarily those associated with the biblical King Solomon, especially the ring, the bottle which holds a demon, knots, and the flying carpet. She is especially interested in the reception history of those symbolic objects, both in antiquity and in the Middle Ages, both in western and in eastern culture, that is, above all, in the Arabic world, and also pursues the afterlife of those objects in the early modern age. Iafrate pursues not only the actual history of King Solomon and those religious objects associated with him, but the metaphorical objects as they made their presence felt throughout time, and this especially in literary texts and in art-historical objects.

Mandelstam: The Realm of Unexpectedness

2021 ◽  
Vol 64 (2) ◽  
pp. 62-83
Author(s):  
Svetlana S. Neretina
Keyword(s):  
Middle Ages ◽  
Speech Act ◽  
Classical Antiquity ◽  
Logical Framework ◽  
Creation Process ◽  
The Real ◽  
Logical Construction ◽  
The World ◽  
The Creation ◽  
The Middle Ages

In the essay “Conversation about Dante,” Mandelstam described logic, which he defined as the “realm of unexpectedness,” which is unlike any everyday logical construction. Based on the analysis of Mandelstam’s text, it is assumed that we are talking about a tropology that arose in the Middle Ages, the principles of which can be derived from studies of St. Augustine’s treatise De Dialectica and Petrus Сomestor’s Historia Scholastica. It is this triple commonwealth (Augustine – Comestor – Dante, read by Mandelstam) that creates the multilayered logical framework of the work. Augustine created a completely different dialectic than in classical antiquity. Augustine considers dialectics as an art of discussion and describes the real steps that contribute to the emergence of speech, which corresponds to Mandelstam’s concept of conversation. According to Augustine, at the basis of any speech, is a trope-turn. In the article, attention is drawn to the sound nature of creation process. This logic, used in explaining the creation of the world according to the logos/word (tropology), assumes that, at the basis of the speech act, there is no the word as a unit of speech, but the sound itself – the sound, which was considered initially equivocal (ambiguous). In the process of pronounciation, the sound could turn into its opposite and could change the meaning of speech if the context has been changed. Dante expressed the meaning of tropology in practice. Mandelstam wrote that he had chosen Dante for the conversation (between poet and poet) “because he is the greatest and indisputable master of reversible and reversing poetic substance.” Mandelstam saw Dante as the Descartes of metaphor.

scholarly journals Pomeranian Pilgrimages in the Middle Ages. The State and Prospects of Research

2016 ◽  
pp. 129-168
Author(s):  
Marcin Majewski ◽  
Marian Rębkowski ◽  
Rafał Simiński
Keyword(s):  
Middle Ages ◽  
The State ◽  
The Middle Ages

scholarly journals Anton Nikitich Yasinsky and the formation of the Belarusian Medieval studies in the 1920s

2021 ◽  
pp. 33-44
Author(s):  
Oleg I. Maliugin
Keyword(s):  
Middle Ages ◽  
Scientific School ◽  
State University ◽  
Medieval Studies ◽  
History Of ◽  
Academy Of Sciences ◽  
The Middle Ages ◽  
Slavic Studies

The article is devoted to the study of the scientific and pedagogical activities of the famous Slavist A. N. Yasinsky in the last – Moscow-Minsk – period of his life based on the materials of the Belarusian archives. Revolutionary events of 1917–1921 forced him, like many other representatives of the capital’s intelligentsia, to look for work in new provincial universities. Since 1922 he has been teaching at the Belarusian State University, becoming one of the founders of Belarusian Medieval and Slavic studies. In 1928 he was elected an academician of the newly created Belarusian Academy of Sciences, where he continued his studies of both the Czech Middle Ages and the history of Belarus in the Middle Ages. However, external circumstances did not allow A. N. Yasinsky to create his own scientific school in Belarus, and his research of the 1920’s remained little known to specialists.

On the Latin Sources of Thèbes and Énéas

PMLA ◽  
1901 ◽  
Vol 16 (3) ◽  
pp. 375-387
Author(s):  
F. M. Warren
Keyword(s):  
Middle Ages ◽  
Twelfth Century ◽  
Western Europe ◽  
Romantic Love ◽  
Classical Antiquity ◽  
The Middle Ages

The French poems Troie, Thèbes, and Énéas, contemporaneous with one another in the sixth and seventh decades of the twelfth century, have many characteristics in common. They each repeat in a modernized form, and with incidents and details suited to their own age, the story of one of the great epics of classical antiquity, the Iliad, the Thebaid, and the Aeneid. They also combine with this traditional outline of adventure and conquest the narrative of romantic love and courtship, as conceived by Western Europe in the Middle Ages. And finally they each and all show an effort to attain some degree of excellence in style and composition. Thus they form a class by themselves, animated, as they are, by the same spirit and having the same purpose in view, and are the first exponents in the modern tongues of the ideals of chivalry. The sources of these poems, therefore, are an object of unusual interest to the student of mediaeval literature.

Georgia

2021 ◽  
pp. 188-200
Author(s):  
Zaza Skhirtladze
Keyword(s):  
Middle Ages ◽  
Visual Arts ◽  
Active Involvement ◽  
Surrounding World ◽  
Close Relationship ◽  
Common Interests ◽  
East And West ◽  
Confessional Unity ◽  
Local Traditions ◽  
The Middle Ages

Georgia’s location at the crossroads of East and West determined the character of its culture, expressed in architecture and the visual arts, among other spheres. Along with centuries-old original and uninterrupted local traditions, Georgia maintained a close relationship with the surrounding world and cultural circles throughout the Middle Ages. Particularly significant were aspirations of closeness to Byzantium and an active involvement in the Christian Orthodox commonwealth, based on common interests and confessional unity. All this is evident in the architecture and various artistic expressions of medieval Georgia, which are marked by a combination of original forms inspired by the Byzantine themes and elements.

Conclusion

2020 ◽  
pp. 201-208
Author(s):  
Conor McCarthy
Keyword(s):  
Middle Ages ◽  
The State ◽  
First Century ◽  
New Combinations ◽  
Twenty First Century ◽  
The Middle Ages

The Conclusion restates the book’s four key arguments. Firstly, legal exclusion in various related forms is a tactic of power. Secondly, legal exclusion is an enduring phenomenon, alive and well in disturbing new combinations in the twentieth and twenty-first century West. Thirdly, exclusion from law is a shared concern for the literature of outlawry and the literature of espionage, and hence a key theme in a range of writings about the state and its actions from the Middle Ages to the present day. Finally, the role of literature here is often to offer critique: in offering such critique it shares with law a demand for justice.

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