scholarly journals The Soul’s Need to Connect with God through the Language of Art: Analysis from an Islamic Perspective

2018 ◽  
Vol 10 (2) ◽  
pp. 60
Author(s):  
Recep Dogan

Human beings express their emotions through the language of art; it is therefore both the spirit of progress and one of the most important means of developing emotions. Consequently, those who cannot make use of this means are incomplete in their maturation. Ideas and other products of the imagination can be given tangible form with the magical key of art. By means of art, humanity can exceed the limits of the earth and reach feelings beyond time and space. Beauty in the realm of existence can be recognized through art. Moreover, the great abilities inherent in human nature can be understood and witnessed in works of art. However, from an Islamic point of view, there are some restrictions on certain fields such as sculpture and painting. It is therefore imperative to analyse the notion of art in Islam and its philosophy and then reflect upon the need of the spirit to connect to God through the language of art while meeting some religious obstacles on the way.

2020 ◽  
Vol 11 (2) ◽  
pp. 153-161
Author(s):  
Khurin In'Ratnasari ◽  
Yovita Dyah Permatasari ◽  
Mar’atus Sholihah

Islamic religious education is very important for shaping character, especially in social society. In today's era, students tend not to care about society, therefore forming a good character is very important, especially in the social community in Islamic religious education itself, it teaches us that we are required to have good character as taught by the Prophet Muhammad; Allah SWT said, which means "and indeed you (Muhammad) have a noble character". Because of this, it can be concluded that the Prophet Muhammad, was sent to earth to improve the character of all human beings. Thus, the character of education from an Islamic point of view is needed, especially in Islamic educational institutions. So, from various problems related to morals which are ideally able to realize character education, especially in social society in an Islamic perspective in the form of mutual care. courtesy to parents. sense of responsibility and care for fellow human beings.


Philosophy ◽  
2013 ◽  
Author(s):  
Andrea Sauchelli

A great number of works of art, it is commonly claimed, are aesthetically valuable. Some philosophers have even argued that providing an aesthetically pleasing experience is their only proper function. However, some of these artworks display or invite us to adopt an immoral point of view. Even worse, they even seem to make immoral situations delightful and appealing. The following questions thus arise: Does the alleged immorality of these works count as an aesthetic or artistic defect? Can an immoral movie or novel ever be a great example of its kind? In addition to these concerns related to art evaluation, the connection between various forms of art and morality has been investigated by discussing the capacity of works of art to move us emotionally. More specifically, thinkers from different traditions and ages have remarked that works of art are clearly able, first, to stir our emotions in a particularly effective way, and, second, to invite us to act following certain ideas that have been made appealing by their beauty or other aesthetic qualities. Plato was the first in the Western tradition to evaluate in a systematic way whether, as a consequence of the previous considerations, we should supervise the storytellers who are supposed to educate our youth. Other philosophers, from Aristotle to more recent advocates of the value of the humanities, have argued in favor of the positive role that truly great works of art may have in our moral education. Contemporary philosophers are also interested in the role of imagination in fictional immoral contexts (can we engage with immoral works of art and be justified in so doing?). They are also interested in the role played by art in contributing to our well-being and flourishing as human beings. The great majority of recent works on the topic, however, are focused on an assessment of the arguments in favor or against ethical criticism, with a particular emphasis on the criticism of representational works of art. Other issues at the intersection of art and morality are the concept of the obscene, the value of pornography, and censorship.


Early China ◽  
2000 ◽  
Vol 25 ◽  
pp. 113-146 ◽  
Author(s):  
Paul Rakita Goldin

This article discusses the several previously unknown Confucian texts discovered in 1993 in a Warring States tomb at Guodian, near Jingmen, Hubei Province. I believe that these works should be understood as doctrinal material deriving from a single tradition of Confucianism and datable to around 300 B.C. Of the surviving literature from the same period, they are closer to the Xunzi than to any other text, and anticipate several characteristic themes in Xunzi's philosophy. These are: the notion of human nature (xing 性),and the controversy over whether the source of morality is internar or “external”; the role of learning (xue 學)and habitual practice (xi 習) in moral development; the content and origin of ritual (li 禮), by which human beings accord with the Way; the conception of the ruler as the mind (xin 心) of the state; and the psychological utility of music (yue 樂) in inculcating proper values.It is especially important for scholars to take note of these connections with Xunzi, in view of the emerging trend to associate the Guodian manuscripts with Zisi, the famous grandson of Confucius, whom Xunzi bitterly criticized.


2020 ◽  
Vol 60 (2) ◽  
pp. 189-199
Author(s):  
Pirooz Fatoorchi ◽  

The paper deals with an argument reported by Razi (d. 1210) that was used to attempt to refute the immateriality of human nature. This argument is based on an epistemic asymmetry between our self-knowledge and our knowledge of immaterial things. After some preliminary remarks, the paper analyzes the structure of the argument in four steps. From a methodological point of view, the argument is similar to a family of epistemological arguments (notably, the Cartesian argument from doubt) and is vulnerable to the same objection that can be raised against that form of reasoning. The last section points out that the argument can be used indirectly to highlight the weakness in some arguments for the claim that there is something immaterial in human beings.


Early China ◽  
2004 ◽  
Vol 29 ◽  
pp. 45-109 ◽  
Author(s):  
Judson B. Murray

TheHuainanziis a Former Han 前漢 dynasty (202 B.C.E.–9 C.E.) compendium of knowledge written at the court of Huainan and presented to Emperor Wu of the Han 漢武帝 in 139 by Liu An 劉安 (?179–122), the king of Huainan. Liu An was the grandson of the Han “progenitor” Gaozu 高祖 (Liu Bang 劉邦 r. 202–195), and he was the uncle of the reigning emperor Wu (r. 140–87). According to the author(s) of the text’s postface, “Yao lue” 要略 or “A Summary of the Essentials,” the work seeks to provide a comprehensive account or chronicle of thedao道 (conventionally translated as the “Way”), understood broadly to encompass the cosmos (tiandi天地 or “Heaven and Earth”), human beings (ren人) and their affairs (shi事), and the relationship between them. The account of thedaopresented in its chapters is not, however, purely descriptive. TheHuainanziis foremost a political treatise containing instructions worthy of a sage-king (shengwang聖王) to be employed by the ruler as the proper model or standard by which to govern the empire.


Antichthon ◽  
2014 ◽  
Vol 48 ◽  
pp. 77-94
Author(s):  
Lazar Maric

AbstractThis article analyses the ‘politics of humanity’ in Cicero’s philosophical and rhetorical works, the practice of projecting and shifting the moral and political boundary that separates the ‘human’ from the ‘inhuman’, the ‘inept at being human’, and the ‘undeserving of being human’. This practice has many affinities with the relatively modern phenomenon of ‘dehumanisation’. In the first part, the emphasis is on Cicero’s humanism, in particular his ideas on human nature as they appear inDe Officiis. Here I also show the impact of this practice on Roman ideas of self-fashioning, ‘sincerity’ and social performance. In the second part, I observe the way in which Cicero’s political and legal theory fits within this ideological project. I further argue that Cicero’s humanism provided a conceptual background to the rhetorical dehumanisation of his political enemies, that is, to the claims in his invective that these men could no longer be considered as proper human beings. My final suggestion is that the goal of this practice, at least some of the time, was to make a case for excluding these individuals from the state’s legal system and thus depriving them of its protections.


2021 ◽  
Vol 9 (3) ◽  
pp. 135-157
Author(s):  
Dhanesh M.

This paper aims to look at one of the fundamental factors of human beings—the appreciation of things. Calling it ‘the aesthetic faculty’ this paper tries to see how it is inevitable to the way human beings as a species function. This paper aims to propose this idea of an ‘aesthetic faculty’ as a potential basis for our community life in its diverse operations in terms of cultural spaces and their semantics. Viewing the socio-systemic life from the point of view from the aesthetic faculty reveals how appreciation and evaluation are inevitable to human life and how an ideological ground cannot actually affect life without addressing this basic human faculty. This paper tries to take the term ‘aesthetic’ vis-a-vis ‘appreciation’ to a different semantic world altogether so that it is no longer a matter of artistic engagements alone, but something more fundamental and formative than that.


2019 ◽  
pp. 40-60
Author(s):  
Youpa Andrew

This chapter shows that Spinoza is committed to a type of moral realism. By “moral realism” is meant a theory of the way of life that is best for us as human beings, a theory based on a view on which good and bad are objective properties. By “objective property” is meant a property whose instance(s) does (do) not directly depend on anyone’s desires, emotions, or beliefs about its existence and nature. The author argues that, for Spinoza, the properties of goodness and badness are objective properties. Instances of goodness do not directly depend on someone’s desires, emotions, and beliefs about the existence and nature of goodness. The same holds for badness. His argument for this reading hinges on the conception of human nature that Spinoza appeals to in his definition of “virtue” (4D8). This conception of human nature serves as the foundation for the objectivity of the properties of goodness and badness, and the author contends that it is this that makes Spinoza a type of moral realist.


2003 ◽  
Vol 45 (3) ◽  
pp. 1-23 ◽  
Author(s):  
Mark Earls

‘This paper is born out of a feeling that something is not right with the way the word ‘consumer’ is used nowadays. This word must surely be one of the most frequently used in the lexicon of advertising, marketing and research language. Yet it has not been subject to the huge attention or to the rigour of analysis as has the word ‘brand’ This paper is charged with the same sense of dissatisfaction. A feeling that there is more to be said about the subject. A frustration with the current models (including that proposed by Valentine and Gordon's insightful paper) for missing some big and important truths about how human beings are. And the belief that these ‘missing truths’ might contribute to a significantly more insightful and effective approach to marketing and market research. In particular, it is suggested that the most important characteristic of mankind is that of a herd-animal, not a lone individual. This point of view is supported by learnings from a range of fields. The evidence for the herd perspective (and against the individualist one) is necessarily woven together like a patchwork that encompasses all of the key issues. It is able to shed new light on many phenomena which researchers and planners repeatedly encounter and debate (like rapidly changing and stable markets, the value and mechanics of mass advertising and the debate about relationships between behaviour and attitudes. The paper concludes with an examination of the challenges this perspective offers to all researchers.


2017 ◽  
Vol 8 (3) ◽  
pp. 648-653
Author(s):  
Kubra Baysal

Published in 1766, The Vicar of Wakefield: A Tale is the only novel by Irish writer Oliver Goldsmith, who starts his literary adventure as a hack writer. Reflecting the story through the parson’s point of view in retrospection with his memories depicting the idyllic life and subsequent misfortunes he experiences with his family, the novel catches the soul of the eighteenth century readers and the following ones with its sentimental and moralistic elements taking them back to the sphere of human nature. Despite the contradicting ideas on the work that it is thought “to be both a success and a failure, satiric and sentimental, coherent and disunified” all at the same time (Merritt 3), carrying not only the reminiscence of the writer’s personal life but also projecting the mid-eighteenth century England with references to different aspects of life, the novel receives popularity “for its gentle irony, and for its wisdom as well as its sense of absurdity” (Jeffares 6). This paper will focus on The Vicar of Wakefield through its thematic and stylistic qualities, representative aspects of the eighteenth century England, namely literary, social and political elements clearly observed within narration and Goldsmith’s distinct satirical style, which pave the way for the novel through centuries up to the modern readers as an amalgam of different influences and traditions.


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