James David Corrothers and Henry Demarest Lloyd

2020 ◽  
pp. 78-93
Author(s):  
Richard Yarborough
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
Social Reform ◽  
Financial Support ◽  
Late Nineteenth Century ◽  
Employment Opportunities ◽  
Political Views ◽  
Late Nineteenth ◽  
Labor Conflicts ◽  
The Relationship

Tracing the relationship between the African American poet James David Corrothers and the influential political theorist Henry Demarest Lloyd, this chapter provides an example of interracial patronage that nuances our sense of black-white relations in late-nineteenth-century Chicago. As a man of means and a leading progressive activist, Lloyd supplied Corrothers with both financial support and also access to the emerging world of social reform. His impact on Corrothers’s political views is traced through the younger man’s letters to Lloyd in which he addresses the “free silver” debate, labor conflicts, African emigration, and the “Negro Problem” broadly. Moreover, the correspondence reveals the challenges confronting Corrothers as he struggled to launch a writing career while earning a living in a city offering limited employment opportunities for blacks.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

The Negro Buildings

2018 ◽  
Author(s):  
Nathan Cardon
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
Late Nineteenth Century ◽  
New Negro ◽  
Black Professionals ◽  
Racial Science ◽  
Late Nineteenth ◽  
The Creation ◽  
Southern Society ◽  
African American Leaders

Chapter 2 examines the creation of and role played by the Negro Buildings at the Atlanta and Nashville fairs. These African American–run buildings gave southern black professionals and clerics an opportunity to voice their own story of the South’s past, present, and future. The buildings presented an image of a “New Negro” who was well versed in the modern techniques of industry and agriculture. The Negro Building exhibits presented black southerners as a progressive and future-oriented people who challenged much of the evolutionary thinking and racial science of the late nineteenth century. At the same time, the Negro Buildings make clear the ways some African American leaders embraced the language of progress and civilization to accommodate white southern society.

scholarly journals THE INTERACTION BETWEEN LANDSCAPE ARCHITECTURE AND URBAN DEVELOPMENT. DO WE HAVE A COMMON GOAL? / KRAŠTOVAIZDŽIO ARCHITEKTŪROS IR URBANISTIKOS SĄVEIKA – AR TURIME BENDRĄ TIKSLĄ

2015 ◽  
Vol 7 (1) ◽  
pp. 6-19 ◽  
Author(s):  
Vaiva Deveikienė
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Urban Development ◽  
Urban Design ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Late Nineteenth Century ◽  
Common Goal ◽  
Late Nineteenth ◽  
The Relationship

The article analyses the problem of the relationship and interaction between urban design and landscape architecture. This refers to the period of the modern city from the late nineteenth century to the present day. There are presented and discussed urbanization processes and examples of solutions with emphasis on problems arising from the relationship between a city and nature as well as those related to urban landscape and sustainability of urban landscaping in the twentieth century. Straipsnyje analizuojama urbanistikos ir kraštovaizdžio architektūros santykio ir sąveikos problema. Aprėpiamas moderniojo miesto laikotarpis – nuo XIX a. antrosios pusės iki nūdienos. Pateikiama XX a. urbanizacijos procesų ir sprendinių pavyzdžių, aptariama akcentuojant miesto santykio su gamta, želdynais, t. y. gyvo, tvaraus miesto kraštovaizdžio, formavimo problematiką.

The implications of illegitimacy in late-nineteenth-century Iceland: the relationship between infant mortality and the household position of mothers giving birth to illegitimate children

2000 ◽  
Vol 15 (3) ◽  
pp. 435-461 ◽  
Author(s):  
ÓLÖF GARĐARSDÓTTIR
Keyword(s):  
Nineteenth Century ◽  
Infant Mortality ◽  
Premarital Sex ◽  
Late Nineteenth Century ◽  
Sexual Permissiveness ◽  
Late Nineteenth ◽  
Premarital Sexual ◽  
High Degree ◽  
Sex Attitudes ◽  
The Relationship

In his article ‘Premarital sexual permissiveness and illegitimacy in the Nordic Countries’, Richard F. Tomasson discusses high illegitimacy rates in preindustrial Iceland. He points out that during the nineteenth century children born out of wedlock were proportionally more numerous in Iceland than in other European countries. In Tomasson's view high illegitimacy rates in Iceland were due to liberal attitudes towards premarital sex – attitudes that were deeply rooted in traditional Nordic society. In his words, ‘The Ancient Scandinavians accorded women higher status, and along with this went liberal attitudes toward premarital sex relations, illegitimacy, and divorce. Such attitudes often appear to be a concomitant of a high degree of equality between the sexes.’

Introduction

2016 ◽  
Author(s):  
Marion Thain
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Late Nineteenth Century ◽  
High Modernism ◽  
Late Nineteenth ◽  
The Relationship ◽  
Made In

Starting with the idea of the late nineteenth century as a locus of ‘lyric crisis’, the introduction outlines established scholarly narratives of the relationship between poetry and modernity in the nineteenth century, and describes how the book will challenge these through its attention to aestheticist poetry. It goes on to explain the remit and choices made in the structure of the book (which is organized around three parts, each of which contains three chapters), and ends by situating the book’s methodology in relation to the fields of lyric studies and lyric theory. The overall aim of the book is stated as the analysis of the relationship between lyric and modernity prior to the better known story of poetic modernisation that occurs within high modernism in the first half of the twentieth century.

Gothic Aesthetics

2018 ◽  
Author(s):  
Andrew Smith
Keyword(s):  
Nineteenth Century ◽  
Fin De Siecle ◽  
Late Nineteenth Century ◽  
Sensation Fiction ◽  
Early Nineteenth Century ◽  
Spiritual World ◽  
Late Eighteenth ◽  
Fin De Siècle ◽  
Late Nineteenth ◽  
The Relationship

This chapter examines the relationship between late eighteenth- and early nineteenth-century gothic, the sensation fiction of the middle decades of the nineteenth century, fin-de-siècle gothic works and modernism. It argues that in the late nineteenth century a distinctive, but implicit, gothic aesthetic developed which was characterised by a concern with divided selves, fragmented narratives and science. It also shows that this aesthetic was distinguished by optimistic narratives about adaptability and the presence of a mystical or spiritual world.

Sign in / Sign up

Export Citation Format

Share Document