No, Really

Author(s):  
Koritha Mitchell

This chapter examines Frances E. W. Harper’s Iola Leroy (1892) and Pauline Hopkins’s Contending Forces (1900), representative black domestic novels, the genre that 1980s and 1990s black feminism used to usher black women’s literature into the canon. Refusing to treat black domestic fiction as a response to black women’s exclusion from the cult of true womanhood, this chapter highlights the trope of homemade citizenship, which has been overlooked because readers assume artistic works either protest injustice or ignore the reasons for protest. Both novels revolve around racial uplift, and because they define it as collective practices of making-oneself-at-home, they highlight the importance of the community conversation to help black women claim their right to every aspect of success, including romantic love. [121 of 125 words]

2008 ◽  
Vol 32 (4) ◽  
pp. 347-361 ◽  
Author(s):  
NiCole T. Buchanan ◽  
Isis H. Settles ◽  
Krystle C. Woods

Drawing upon feminist analyses of double jeopardy and the cult of true womanhood, we examine race, rank, sexual harassment frequency, and psychological distress for Black and White female military personnel ( N = 7,714). Results indicated that White women reported more overall sexual harassment, gender harassment, and crude behavior, whereas Black women reported more unwanted sexual attention and sexual coercion; enlisted women reported higher rates of each subtype than officers. Black enlistees reported more sexual coercion than White enlistees, and enlistees reported more than officers, but there were no racial differences across officers. Black women reported more psychological distress following gender harassment than White women, and enlisted women reported more distress following gender harassment, unwanted sexual attention, and sexual coercion than officers. Although Black officers were less distressed at low levels of sexual coercion, as coercion became more frequent, their distress increased significantly, and at high levels, all groups were similarly distressed.


Author(s):  
Aisha A. Upton ◽  
Joyce M. Bell

This chapter examines women’s activism in the modern movement for Black liberation. It examines women’s roles across three phases of mobilization. Starting with an exploration of women’s participation in the direct action phase of the U.S. civil rights movement (1954–1966), the chapter discusses the key roles that women played in the fight for legal equality for African Americans. Next it examines women’s central role in the Black Power movement of 1966–1974. The authors argue that Black women found new roles in new struggles during this period. The chapter ends with a look at the rise of radical Black feminism between 1974 and 1980, examining the codification of intersectional politics and discussing the continuation of issues of race, privilege, and diversity in contemporary feminism.


2021 ◽  
pp. 053331642199776
Author(s):  
Suryia Nayak

This is the transcript of a speech I gave at an Institute of Group Analysis (IGA) event on the 28th November 2020 about intersectionality and groups analysis. This was momentous for group analysis because it was the first IGA event to focus on black feminist intersectionality. Noteworthy, because it is so rare, the large group was convened by two black women, qualified members of the IGA—a deliberate intervention in keeping with my questioning of the relationship between group analysis and power, privilege, and position. This event took place during the Covid-19 pandemic via an online platform called ‘Zoom’. Whilst holding the event online had implications for the embodied visceral experience of the audience, it enabled an international attendance, including members of Group Analysis India. Invitation to the event: ‘Why the black feminist idea of intersectionality is vital to group analysis’ Using black feminist intersectionality, this workshop explores two interconnected issues: • Group analysis is about integration of parts, but how do we do this across difference in power, privilege, and position? • Can group analysis allow outsider ideas in? This question goes to the heart of who/ what we include in group analytic practice—what about black feminism? If there ‘cannot possibly be one single version of the truth so we need to hear as many different versions of it as we can’ (Blackwell, 2003: 462), we need to include as many different situated standpoints as possible. Here is where and why the black feminist idea of intersectionality is vital to group analysis. On equality, diversity and inclusion, intersectionality says that the ‘problems of exclusion cannot be solved simply by including black [people] within an already established analytical structure’ (Crenshaw, 1989: 140). Can group analysis allow the outsider idea of intersectionality in?


2009 ◽  
Vol 17 (1) ◽  
pp. 129-152 ◽  
Author(s):  
Karen Flynn

Until the mid-1940s, young Black women who wanted to train as nurses in Canada were prohibited from doing so. The first cohort of Black Canadian registered nurses integrated Canadian nursing schools beginning in the early 1950s. I argue that despite entering an occupation that defined itself around Victorian ideals of “true womanhood,” an archetype that excluded Black women, these nurses were able to negotiate and secure a place in the profession. This research not only contributes to Canadian nursing, it also situates Canada, with respect to scholarly discussions about the Black Diaspora.


2020 ◽  
Vol 6 (1) ◽  
pp. 93-118
Author(s):  
TreaAndrea M. Russworm ◽  
Samantha Blackmon

This article, a Black feminist mixtape, blends music, interviews, and critical analysis in order to demonstrate some of the ways in which Black women have impactfully engaged with the video game industry. Organized as musical “tracks,” it uses lyrics by Black women performers as a critical and cultural frame for understanding some of the work Black women have done with video games. In prioritizing the personal as not only political but also instructive for how we might think about digital media histories and feminism, each mixtape track focuses on Black women's lived experiences with games. As it argues throughout, Black feminism as defined and experienced by the Combahee River Collective of the 1970s has been an active and meaningful part of Black women's labor and play practices with video games.


Author(s):  
Maria N. Rachwal

Ethel Stark (1910–2012) was one of the most important conductors and concert violinists in Canada in the Twentieth century. This article highlights how an Austro-Canadian Jewish woman who lived outside the constraints of conventional domesticity, both navigated through and defied the ideals of the “Cult of True Womanhood” and spearheads a movement of feminism in music. I argue that Stark’s exposure to Jewish cultural traditions of social justice and womanhood in her childhood formed a critical dimension of her feminist activism later in her life, and in particular in the founding of The Montreal Women’s Symphony Orchestra (1940).


2020 ◽  
Vol 40 (2) ◽  
pp. 234-257
Author(s):  
Chris Sheehy ◽  
Suryia Nayak

We use the method of conversation as a tool of living activist struggles to end social injustice. We draw on Black feminism to create an intersectionality of diverse activist voices across time and space. We insist on an intersectional acuity to analyse Global alienation, subjugation and exploitation. We use examples from activist contexts such as the Trade Union and Rape Crisis movements. Our conversation speaks of the tensions and risks of solidarity and organizing across difference. We use Gramsci’s idea of the ‘interregnum’ to look at the in-between space of protest and transformation. We argue that the ‘interregnum’ is an opportunity to build solidarity for Global justice. In the context of intersectional racism, we ask, can the racial grief of Black women speak? We like Lorde’s idea that ‘Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare’ (Lorde, 1988: 332). We argue that the relationship of Black feminism to oppression, constitutes its revolutionary potential, and this distinguishes Black feminist activist methodologies from other methodologies as the tool for Global social justice and peace.


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