scholarly journals "A Jewish Maestra and a Lady too": Reflections on Femininity in the Career of Ethel Stark

Author(s):  
Maria N. Rachwal

Ethel Stark (1910–2012) was one of the most important conductors and concert violinists in Canada in the Twentieth century. This article highlights how an Austro-Canadian Jewish woman who lived outside the constraints of conventional domesticity, both navigated through and defied the ideals of the “Cult of True Womanhood” and spearheads a movement of feminism in music. I argue that Stark’s exposure to Jewish cultural traditions of social justice and womanhood in her childhood formed a critical dimension of her feminist activism later in her life, and in particular in the founding of The Montreal Women’s Symphony Orchestra (1940).

2021 ◽  
Vol 7 (2) ◽  
pp. 151-160

In the early twentieth-century, the concepts of Hindutva, Samyavada or Nationalism and national identity, reconstructed amid currents of globalization and neo-colonialism. During this period, the calls for an independent India reached its height. While, Mohandas Gandhi and Jawaharlal Nehru believed modern India’s strength depended on incorporating the solidarities of all Indians as they stood on the precipice of the postcolonial age, Veer Vinayak Damodar Savarkar (1883-1966), an ethnocentric nationalist, held that a strong Hindu nation was the only way to guarantee India’s security against the Muslim other and the British imperialism. Being the philosopher of Hindutva, Savarkar represented the ethno-nationalistic component to Hindu nationalism and looked to cultural motifs in order to unify the “true” people of India. He, therefore, wrote glorified histories of India and its millennia-old cultural traditions in his essays. This article analyzes and historically contextualizes the timing and the rhetorical style of V. D. Savarkar’s infamous extended essay “Essentials of Hindutva”. Received 9th December 2020; Revised 2nd March 2021; Accepted 20th March 2021


Author(s):  
Ana Mª Manzanas Calvo

From Anthony Burgess’s musings during the Second World War to recent scholarly assessments, Gibraltar has been considered a no man’s literary land. However, the Rock has produced a steady body of literature written in English throughout the second half of the twentieth century and into the present. Apparently situated in the midst of two identitary deficits, Gibraltarian literature occupies a narrative space that is neither British nor Spanish but something else. M. G. Sanchez’s novels and memoir situate themselves in this liminal space of multiple cultural traditions and linguistic contami-nation. The writer anatomizes this space crossed and partitioned by multiple and fluid borders and boundaries. What appears as deficient or lacking from the British and the Spanish points of view, the curse of the periphery, the curse of inhabiting a no man’s land, is repossessed in Sanchez’s writing in order to flesh out a border culture with very specific linguistic and cultural traits.


Author(s):  
Jeffrey M. Burns

This chapter argues that independence, innovation, bold action, and openness to change—traditions uniquely nurtured in California from its beginnings—shaped Catholic experience in the Golden State. It presents a treatment of the formative California missions that focuses on the “first dissenter,” Fray José Maria Fernandez, a critic of the exploitation of Indians in the late 1790s who was persecuted by enemies (and later by many historians) as mad or brain-damaged, yet endured in his advocacy work. In the twentieth century, California Catholics engaged issues of great importance for the whole church; the local church engaged in vigorous dialogue that addressed questions of work and social justice with a directness and intensity rarely witnessed in eastern cities, where ethnic tribalism so often undermined concerted action, especially action that called the church to account for failures to practice its own social teachings.


Author(s):  
David Miller

The idea of social democracy is now used to describe a society the economy of which is predominantly capitalist, but where the state acts to regulate the economy in the general interest, provides welfare services outside of it and attempts to alter the distribution of income and wealth in the name of social justice. Originally ’social democracy’ was more or less equivalent to ’socialism’. But since the mid-twentieth century, those who think of themselves as social democrats have come to believe that the old opposition between capitalism and socialism is outmoded; many of the values upheld by earlier socialists can be promoted by reforming capitalism rather than abolishing it. Although it bases itself on values like democracy and social justice, social democracy cannot really be described as a political philosophy: there is no systematic statement or great text that can be pointed to as a definitive account of social democratic ideals. In practical politics, however, social democratic ideas have been very influential, guiding the policies of most Western states in the post-war world.


Author(s):  
Margaret Schabas

Keynes is best known as an economist but, in the tradition of John Stuart Mill and William Stanley Jevons, he also made significant contributions to inductive logic and the philosophy of science. Keynes’ only book explicitly on philosophy, A Treatise on Probability (1921), remains an important classic on the subject. It develops a non-frequentist interpretation of probability as the key to sound judgment and scientific reasoning. His General Theory of Employment, Interest and Money (1936) is the watershed of twentieth-century macroeconomics. While not, strictly speaking, a philosophical work, it nonetheless advances distinct readings of rationality, uncertainty and social justice.


Author(s):  
Christina Taylor Gibson

Composer and conductor Carlos Chávez was a dominant force in Mexican musical life during the middle of the twentieth century. His most influential post was as director of the Symphony Orchestra of Mexico [OrquestaSinfónica, OSM], which he led from 1928 to 1948. While leading the OSM, Chávez successfully broadened concepts of classical music to include symphonic, contemporary works by Mexican composers. At the same time, he began an international guest-conducting career that continued into the final years of his life. Although best known for a handful of nationalist works composed in the 1920s and 1930s, Chávez’s compositions demonstrate a diversity of esthetic interests, from avant-garde abstraction to popular genres; regardless of the approach used in a given work, Chávez’s intellectualism and care are evident.


Author(s):  
Shahla Talebi

Since the early twentieth century, Iranians have lived through several critical moments with significant socioeconomic and religiopolitical consequences for the nation and beyond. These include, though not limited to, the Constitutional Revolution (1905–11); Oil Nationalization Movement (1952–53) led by Prime Minister Mohammad Mossadegh; 1979 Revolution (1978–79); and 2009 post-presidential election uprisings—the so-called Green Movement, not to mention the recent protests in severaltowns and cities against economic disparity and corruption (late Dec. 2017 and early Jan. 2017–2018). Never merely about the internal conditions, these movements have always been linked with and responded to the interference of, or anxieties about the role of, foreign powers. This chapter elucidates how Iranians’ sense of indignity at living under tyranny, their concern about national sovereignty, socioeconomic disparity, and the lack of political voice have motivated their resistance. The mytho-historical referent of Karbala, intertwined with modern liberal discourses, nationalist sentiments, and the leftist notion of social justice have simultaneously fueled these movements and led to internal conflicts. Nevertheless, the dreams of a better tomorrow or the desire for freedom from tyranny linger on, anticipating new awakenings.


2001 ◽  
Vol 60 ◽  
pp. 218-221
Author(s):  
Kathleen Banks Nutter

More than half a century ago, “No Documents, No History” was the rallying cry of women's historian and archivist Mary Ritter Beard. In that spirit, the Sophia Smith Collection (SSC) at Smith College in Northampton, Massachusetts, sponsored a two-day conference from September 22–23, 2000, to celebrate the opening of eight collections that document the incredible achievement of six women and two organizations in the collective struggle for social change throughout the twentieth century. In the papers of Mary Metlay Kaufman, Dorothy Kenyon, Constance Baker Motley, Jessie Lloyd O'Connor, Frances Fox Piven, and Gloria Steinem, and in the records of the National Congress of Neighborhood Women and the Women's Action Alliance can be found primary documents associated with the ongoing quest for social justice. The potential impact of movement history based on such archival holdings is immense. As conference organizer Joyce Clark Follet noted in her opening remarks, such documentation can change the way we think about the past, thus changing the way we think about the future.


Sign in / Sign up

Export Citation Format

Share Document