An Archaeology of Structural Violence

2018 ◽  
Author(s):  
Michael P. Roller
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Structural Violence ◽  
Recent Past ◽  
Company Town ◽  
The Unconscious ◽  
Mining Company ◽  
Anthracite Coal ◽  
Material History ◽  
Shifting Boundaries

Using evidence of historical changes in landscape, community life, and material culture from a coal mining company town in the Anthracite Coal Region of Northeast Pennsylvania, Michael Roller introduces an archaeological approach to the structural violence on workers, citizens, and consumers that developed across the twentieth century. The study begins with an analysis of a moment of explicit violence at the end of the nineteenth century, an event known as the Lattimer Massacre, in which as many as nineteen immigrant miners were shot by a posse of local businessmen. From this touchstone, material history and theoretical contexts across the twentieth century are documented in a manner both locally specific and broadly generalizable. Historical archaeology is used strategically, opportunistically, and dialectically, supported, amplified, and illuminated by archival and ethnographic research, spatial analysis, and social theory. In the process, attention is brought to contradictions, ironies, and absences in our understandings of this formative era in labor history. This study illuminates the development of systematized violence and soft forms of social control enacted by the collusion of state and capital through materialities such as infrastructure, urban redevelopment, mass consumerism, governmentality, biopolitics, and the shifting boundaries of sovereign power. Varied in its use of sources, the study returns again and again to the material life and the shifting landscapes of the company towns and shanty enclaves of the region, as well as the violence of the Massacre. This archaeology of the recent past shows us the unconscious material foundations for present social troubles.

An Archaeology of the Twentieth Century in the Anthracite Coal Region of Northeast Pennsylvania

2018 ◽  
pp. 7-30 ◽  
Author(s):  
Michael P. Roller
Keyword(s):  
Twentieth Century ◽  
Karl Marx ◽  
Structural Violence ◽  
Giorgio Agamben ◽  
Theoretical Concepts ◽  
Anthracite Coal ◽  
Research Questions ◽  
The Relationship ◽  
Coal Region

Chapter 1 provides a broad theoretical, historical, and ethnographic context to the research, and an overview of the major research questions addressed in the book. Topics such as the approach to the structural violence of everyday life in the twentieth century, the relationship between migrants and the sovereignty of political states, racialization, and the labor needs of late industrial capitalism are addressed. Relevant theoretical concepts from scholars such as Giorgio Agamben, Walter Benjamin and Karl Marx are introduced here. The ethnographic and discursive context of immigrant discrimination in the present, and the manner in which it informs the broad trajectory of the research is presented. Lastly, the manner in which interdisciplinary data is applied to this research is also presented.

scholarly journals Faux materials and aspirational identity: Celluloid combs and working class dreams in the Pennsylvania anthracite region

2019 ◽  
Vol 25 (1) ◽  
pp. 93-107
Author(s):  
V. Camille Westmont
Keyword(s):  
Working Class ◽  
Material Culture ◽  
Social Consequences ◽  
Western World ◽  
Company Town ◽  
Status Signaling ◽  
Synthetic Materials ◽  
Anthracite Coal ◽  
The Social ◽  
Cultural Connotations

The introduction of synthetic and semi-synthetic materials in the late 19th and early 20th centuries opened a world of new possibilities for consumer objects. The abundance of new goods ushered in a new age of consumption: one in which identities were not only expressed through material culture, but could be actively made through material culture. One avenue that has not been thoroughly explored is the role of synthetic and semi-synthetic objects in negotiating both association with and distance from different forms of identity in the archaeological record. This article explores the cultural connotations underlying a small find recovered from a working class household in the anthracite coal company town of Eckley, Pennsylvania. Using the example of a celluloid lice comb, the author discusses the ways that mass production fundamentally changed status signaling in the Western world at the beginning of the 20th century and offers thoughts on improving our interpretations of the social consequences of objects within historical archaeological research.

Jorie Graham's _____ s

PMLA ◽  
2003 ◽  
Vol 118 (2) ◽  
pp. 239-253
Author(s):  
Thomas J. Otten
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Interpersonal Relationships ◽  
Word Length ◽  
Contemporary Culture ◽  
Line Segments ◽  
Rhetorical Patterns ◽  
Material History ◽  
Late Twentieth ◽  
Late Twentieth Century

Jorie Graham's blanks offer the chance to see how lyric intersects with the historical vicissitudes of material culture. The word-length line segments in Graham's poems function as both a graphic representation of lyric and as a reflection of late-twentieth-century material culture, a way of writing the surfaces and textures of everyday life. While reducing to the simplest expression the alienating distance that gives the lyric I its definitive privacy, the blank also replicates the nebulous substances of late-century technology—latex, spray paint, Formica. Such substances become a material idiom of mediation, a repertoire of images that shape our understanding of interpersonal relationships, which in contemporary culture are both void of definition and thick with significance. While much lyric criticism defines the genre in terms of transhistorical rhetorical patterns, the example of Graham's blanks suggests that lyric must also be considered as an intimate material history.

Leroi-Gourhan and the Field of Ethnology

Paragraph ◽  
2020 ◽  
Vol 43 (1) ◽  
pp. 10-44
Author(s):  
Christopher Johnson
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Intellectual History ◽  
Natural Environment ◽  
Human Sciences ◽  
Arctic Circle ◽  
Ethnographic Fieldwork ◽  
Language Technology ◽  
Formative Experience ◽  
Post War

The work of French ethnologist and prehistorian André Leroi-Gourhan (1911–86) represents an important episode in twentieth-century intellectual history. This essay follows the development of Leroi-Gourhan's relationship to the discipline of ethnology from his early work on Arctic Circle cultures to his post-war texts on the place of ethnology in the human sciences. It shows how in the pre-war period there is already a conscious attempt to articulate a more comprehensive form of ethnology including the facts of natural environment and material culture. The essay also indicates the biographical importance of Leroi-Gourhan's mission to Japan as a decisive and formative experience of ethnographic fieldwork, combining the learning of a language with extended immersion in a distinctive material and mental culture. Finally, it explores how in the post-war period Leroi-Gourhan's more explicit meta-commentaries on the scope of ethnology argue for an extension of the discipline's more traditional domains of study to include the relatively neglected areas of language, technology and aesthetics.

Exhausted Commodities: The Material Culture of Music

2000 ◽  
Vol 25 (1) ◽  
Author(s):  
Will Straw
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Economic Value ◽  
Social Institutions ◽  
Digital Information ◽  
Contemporary Practice ◽  
Flea Market ◽  
Musical Styles

Abstract: The twentieth century ended with the widespread conversion of cultural artefacts into digital information. Less attention has been granted to the ways in which cultural artefacts accumulate in the form of "things"-tangible books, recordings, and other objects whose economic value has often withered. This article examines the question of cultural waste and looks at those commercial and social institutions (such as the flea market and garage sale) which have evolved in order to keep old cultural commodities circulating. The recycling of old musical styles within contemporary practice is examined as one means of retrieving and revalorizing cultural waste. Résumé: La transposition massive d'artefacts culturels sous forme digitale a marqué la fin du 20e siècle. En revanche, on a porté moins d'attention à l'accumulation de ces artefacts sous forme de «choses»-livres, enregistrements et autres objets matériaux dont la valeur marchande a fortement diminué dans bien des cas. Cet article examine la question de détritus culturels, et jette un regard sur les institutions commerciales et sociales (telles que le marché aux puces et la vente de garage) qui ont évolué afin de garder les vieux biens culturels en circulation. En outre, l'article examine le recyclage d'anciens styles musicaux dans la pratique contemporaine, à titre d'exemple de récupération et de remise en valeur de détritus culturels.

Past

2018 ◽  
Author(s):  
Barbara Kellerman
Keyword(s):  
Twentieth Century ◽  
Business Schools ◽  
First Century ◽  
Recent Past ◽  
Lao Tzu ◽  
Leadership And Management ◽  
The Third ◽  
The Enlightenment ◽  
Agents Of Change ◽  
The Many

The chapter focuses on how leadership was taught in the distant and recent past. The first section is on five of the greatest leadership teachers ever—Lao-tzu, Confucius, Plato, Plutarch, and Machiavelli—who shared a deep belief in the idea that leadership could be taught and left legacies that included timeless and transcendent literary masterworks. The second section explores how leadership went from being conceived of as a practice reserved only for a select few to one that could be exercised by the many. The ideas of the Enlightenment changed our conception of leadership. Since then, the leadership literature has urged people without power and authority, that is, followers, to understand that they too could be agents of change. The third section turns to leadership and management in business. It was precisely the twentieth-century failure of business schools to make management a profession that gave rise to the twenty-first-century leadership industry.

Poet of the Medieval Modern

2021 ◽  
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Middle Ages ◽  
Early Medieval ◽  
Far Right ◽  
Early Middle Ages ◽  
History Of ◽  
Catholic History ◽  
In Parenthesis ◽  
Stone Sculpture

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.

scholarly journals Introduction: Know Thyself

2018 ◽  
pp. xii-20
Author(s):  
Richard G.T. Gipps ◽  
Michael Lacewing
Keyword(s):  
Twentieth Century ◽  
Social Life ◽  
Free Association ◽  
Inner Life ◽  
Aesthetics And Politics ◽  
Central Concept ◽  
The Unconscious ◽  
The Temple

This Handbook examines the contributions of philosophy to psychoanalysis and vice versa. It explores the most central concept of psychoanalysis—the unconscious—in relation to its defences, transference, conflict, free association, wish fulfilment, and symbolism. It also considers psychoanalysis in relation to its philosophical prehistory, the recognition and misrecognition afforded it within twentieth-century philosophy, its scientific strengths and weaknesses, its applications in aesthetics and politics, and its value and limitations with respect to ethics, religion, and social life. The book explains how psychoanalysis draws our attention to the reality of central aspects of the inner life and how philosophy assists psychoanalysis in knowing itself. This introduction elaborates on the phrase ‘know thyself’, the words inscribed at the Temple of Delphi, and illustrates the connection between matters philosophical and psychoanalytic in relation to the Delphic command by highlighting their mutual concern with truth and truthfulness.

scholarly journals Dissociation and the Unconscious Mind: Nineteenth-Century Perspectives on Mediumship

2020 ◽  
Vol 34 (3) ◽  
pp. 537-596
Author(s):  
Carlos S. Alvarado
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
William James ◽  
General Interest ◽  
The Unconscious ◽  
History Of ◽  
Memory States ◽  
Hippolyte Taine ◽  
Unconscious Mind

There is a long history of discussions of mediumship as related to dissociation and the unconscious mind during the Nineteenth Century. After an overview of relevant ideas and observations from the mesmeric, hypnosis, and spiritualistic literatures, I focus on the writings of Jules Baillarger, Alfred Binet, Paul Blocq, Théodore Flournoy, Jules Héricourt, William James, Pierre Janet, Ambroise August Liébeault, Frederic W.H. Myers, Julian Ochorowicz, Charles Richet, Hippolyte Taine, Paul Tascher, and Edouard von Hartmann. While some of their ideas reduced mediumship solely to intra-psychic processes, others considered as well veridical phenomena. The speculations of these individuals, involving personation, and different memory states, were part of a general interest in the unconscious mind, and in automatisms, hysteria, and hypnosis during the period in question. Similar ideas continued into the Twentieth Century.

scholarly journals Тhe Symbol of the swastika as the concentration values: сause inversion symbol

2013 ◽  
pp. 140-149
Author(s):  
Mariya Yarkina
Keyword(s):  
Twentieth Century ◽  
The Unconscious ◽  
Graphic Symbols ◽  
The Subject ◽  
And Inversion ◽  
Rational Knowledge

In the process of studying the transformation and inversion of symbols, it becomes clear that the analytic context of socio-cultural axiology, which permits the identification of mechanisms for the formation of values ​​with the help of symbols, is of particular importance for the understanding of the symbol. Since the symbol is the sphere of the functioning of the unconscious, suggestive-emotional influence on a person, he is able to embody those values ​​and achievements that have not yet become the subject of logical and rational knowledge. From the standpoint of history, the swastika is the most ancient and widespread of all graphic symbols. Traditionally, the swastika has a "light" semantic load. The use of this symbol by the Nazis made it the most recognizable element of the twentieth century. with a reputation directly opposite to its ancient meaning. "The Big Soviet Encyclopedia" directly says about the inversion of the symbol: "Hitler and the German fascists made a swastikas with their emblem. Since then, it has become a symbol

Sign in / Sign up

Export Citation Format

Share Document