Conclusion

2018 ◽  
pp. 189-206
Author(s):  
Michael P. Roller
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Everyday Life ◽  
Symbolic Violence ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Semiotic Systems ◽  
Oppressed Group

The conclusion revisits the three major inquiries addressed in the text, drawing together the evidence and contexts provided in the previous seven chapters. The first investigates the role of objective settings, such as the systemic and symbolic violence of landscapes and semiotic systems of racialization in justifying or triggering moments of explicit subjective violence such as the Lattimer Massacre. The second inquiry, traces the trajectory of immigrant groups into contemporary patriotic neoliberal subjects. In other terms, it asks how an oppressed group can become complicit with oppression later in history. The third inquiry traces the development of soft forms of social control and coercion across the longue durée of the twentieth century. Specifically, it asks how vertically integrated economic and governmental structures such as neoliberalism and governmentality which serve to stabilize the social antagonisms of the past are enunciated in everyday life.

Music in the British Workplace: From Voice to a Technique of Control?

2020 ◽  
Author(s):  
Marek Korczynski
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Social History ◽  
Singing Voice ◽  
Industrial Noise ◽  
The Third ◽  
The Social ◽  
History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

scholarly journals The Lower Clergy and Popular Culture

2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Dániel Bárth
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Popular Culture ◽  
Everyday Life ◽  
Cultural Transmission ◽  
Cultural Practices ◽  
Local Communities ◽  
The Social ◽  
Written Form

The aim of this paper is to examine the role of the Christian lower priesthood in local communities in eighteenth–twentieth century Hungary and Transylvania in cultural transmission. The author intends to map out the complex and changing conditions of the social function, everyday life, and mentality of the priests on the bottom rung of the clerical hierarchy. Particular emphasis is placed on the activity of priests active at the focus points of interaction between elite and popular culture who, starting from the second half of the eighteenth century, often reflected both directly and in a written form on the cultural practices of the population of villages and market towns. The theoretical questions and possible approaches are centered around the complex relations of the priest and the community, their harmonious or conflict-ridden co-existence, questions of sacral economy, stereotypes of the “good priest” and the “bad priest” as shaped from above and from below, the subtleties of “priest-keeping”, the intentions related to preserving traditions and creating new customs, and the different temperaments of priests in relation to these issues.

The Role of Dogs in Everyday Life

2018 ◽  
Author(s):  
Renee B. Walker
Keyword(s):  
Everyday Life ◽  
Historical Fiction ◽  
Domestic Animal ◽  
Archaic Period ◽  
The Past ◽  
The People ◽  
The Social ◽  
The World

Dogs are the earliest and most widespread domestic animal in the world, and, thus, they are potentially an everyday matter for some peoples both in the past and in the present. Arriving with humans to the Americas at the end of the Pleistocene, dogs helped people hunt; protected their families; and carried wood, meat, and other household items. One strategy to explore the social and cultural reasons for humans keeping dogs is to use historical fiction to imagine the activities that dogs took part in and what those activities may have meant for the people around them. In this chapter, we join “Dog,” a male dog living during the Archaic period in the Southeast, and follow him throughout year.

Voluntary action, New Labour and the ‘third sector’1

2011 ◽  
Author(s):  
Pete Alcock
Keyword(s):  
Twentieth Century ◽  
Third Sector ◽  
First Century ◽  
Voluntary Action ◽  
Policy Intervention ◽  
Collective Interest ◽  
The Third ◽  
The Social ◽  
The Third Sector

This chapter charts the relationships between the state and the voluntary sector under the 1997–2010 Labour governments. The period inaugurated a new stage in the social welfare role of voluntary action, which has developed since the nineteenth century from leading provision, through complementarity and supplementarity with regards to state welfare programmes in the twentieth century, and into the partnership seen at the start of the twenty-first century. Charting the various initiatives and institutional innovations of these years, the chapter makes the case for a ‘strategic unity’ amongst all the key agents and agencies, who had a collective interest in maintaining and developing the third sector as a space for policy intervention and forward planning. Overall, it demonstrates the significance of adaptation and renewal within the sector, rather than decline or co-option.

Role Of Apocrypha and Saints’ Lives, Their Transmission and Readership in The history of Childhood and Family

2020 ◽  
Vol 48 (3-4) ◽  
pp. 45-52
Author(s):  
Marijana Vuković
Keyword(s):  
Everyday Life ◽  
History Of Childhood ◽  
Early Christian ◽  
The Past ◽  
The Social ◽  
History Of ◽  
Christian Literature ◽  
Religious Aspects

The article proposes to explore the potentials of examining Apocrypha and saints’ lives in pursuit of knowledge about children, childhood, and family in the past. It first stresses a necessity to accurately define Apocrypha and saints’ lives within early Christian literature. The transmission of Apocrypha and saints’ lives in their textual varieties, the number of manuscripts they appear in, and their absence of authorship also demand further discussion. Scholars additionally do not reach the consensus over their readership, reputation, and audience in the same period.   Although a great deal of potential remains in these genres for the pursuances named above, one has to bear in mind the restrictions. One has to be cautious when prying out social realities from hagiography. One also has to distinguish the theological and religious aspects from the social realities and realities of everyday life in such texts, as well as to pay attention to their literary and genre aspects. Finally, one may wish to trace varieties of individual texts in manuscripts, because they sometimes give different information about our matters of interest.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

scholarly journals Play! A Special Issue

Sexualities ◽  
2021 ◽  
pp. 136346072110136
Author(s):  
Caroline Bem ◽  
Susanna Paasonen
Keyword(s):  
Video Games ◽  
Sexual Pleasure ◽  
Special Issue ◽  
Sexuality Studies ◽  
The Past ◽  
Sexual Representation ◽  
The Social ◽  
Sexual Play ◽  
Sex Toys

Sexuality, as it relates to video games in particular, has received increasing attention over the past decade in studies of games and play, even as the notion of play remains relatively underexplored within sexuality studies. This special issue asks what shift is effected when sexual representation, networked forms of connecting and relating, and the experimentation with sexual likes are approached through the notion of play. Bringing together the notions of sex and play, it both foregrounds the role of experimentation and improvisation in sexual pleasure practices and inquires after the rules and norms that these are embedded in. Contributors to this special issue combine the study of sexuality with diverse theoretical conceptions of play in order to explore the entanglements of affect, cognition, and the somatic in sexual lives, broadening current understandings of how these are lived through repetitive routines and improvisational sprees alike. In so doing, they focus on the specific sites and scenes where sexual play unfolds (from constantly morphing online pornographic archives to on- and offline party spaces, dungeons, and saunas), while also attending to the props and objects of play (from sex toys and orgasmic vocalizations to sensation-enhancing chemicals and pornographic imageries), as well as the social and technological settings where these activities occur. This introduction offers a brief overview of the rationale of thinking sex in and as play, before presenting the articles that make up this special issue.

Unresolved Questions of German Medicine and Medical History in the Past and Present

1992 ◽  
Vol 25 (4) ◽  
pp. 407-423 ◽  
Author(s):  
Michael H. Kater
Keyword(s):  
Significant Influence ◽  
Weimar Republic ◽  
Third Reich ◽  
Second Empire ◽  
Sociology Of Medicine ◽  
The Third ◽  
The Past ◽  
Victim Status ◽  
The Third Reich

While in recent years a great deal has been written to clarify Germany's medical past, the picture is not yet complete in several important respects. In the realm of the sociology of medicine, for example, we still do not know enough about physicianpatient relationships from, say, the founding of the Second Empire to the present. On the assumption, based on the meager evidence available, that this relationship had an authoritarian structure from the physician on downward, did it have anything to do with the shape of German medicine in the Weimar Republic and, later, the Third Reich? Another relative unknown is the role of Jews in the development of medicine as a profession in Germany. Surely volumes could be written on the significant influence Jews have exerted on medicine in its post-Wilhelmian stages, as well as the irreversible victim status Jewish doctors were forced to assume after Hitler's ascension to power

scholarly journals Malaysia’s Vision 2020 and the Role of leadership in Economic Development

2017 ◽  
Vol 13 (8) ◽  
pp. 49
Author(s):  
Mahmoud Safy Mahmoud ◽  
Hoda Mitkees
Keyword(s):  
National Development ◽  
Point Of View ◽  
Social Aspects ◽  
Vision 2020 ◽  
New Economic Policy ◽  
Developed Country ◽  
The Past ◽  
The Social ◽  
Economic Growth Rates

Malaysia has adopted several developmental plans since 1969 starting with the New Economic Policy (NEP), passing by the National Development Plan (NDP) and ending with the Vision 2020 adopted in 1991 under the rule of Mahathir Mohammed (1981-2003), whereby Malaysia has aimed to become a developed country by 2020. Looking for the future, Malaysia 2020 should build upon the older developmental plans; however there are some new elements that need to be considered if Malaysia is to continue on its successful developmental path. This paper aims at focusing on the issues that still need to be considered in Vision 2020 from an outsider point of view. This paper addresses the questions of what Malaysia’s economic plans adopted in the past which were able to achieve high economic growth rates while preserving at the same time the social aspects. And the paper focuses on trade policy in Malaysia under Mahathir rule, identifying how was it shaped and how likely it will continue in 2020. The paper identifies the challenges likely to be faced by Malaysia in the coming period and how such issues should be tackled in Vision 2020.

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