Conclusion

2020 ◽  
pp. 234-242
Author(s):  
Christopher W. Calvo
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Gilded Age ◽  
Industrial Capitalism ◽  
Laissez Faire ◽  
Full Century

Summarizing the developments in nineteenth-century academic economics, this chapter draws comparisons and discovers new connections between America’s first full century of economists. German historical economics is discussed in the context of nineteenth-century protectionism and industrial capitalism of the Gilded Age. Parallels are found between antebellum and post–Civil War expressions of opposition toward finance. And special attention is paid to the evolution of conservative economics during the middle decades of the nineteenth century, and ultimately the ascendancy of laissez-faire capitalism in the conservative economic mind.

Phocion Howard Examines the Northern Pacific Railroad, 1873

2008 ◽  
Vol 7 (4) ◽  
pp. 443-451 ◽  
Author(s):  
Lewis Saum
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Gilded Age ◽  
Gold Rush ◽  
Black Hills ◽  
Pacific Railroad ◽  
Economic Collapse ◽  
Northern Pacific ◽  
Civil War Era ◽  
The Moment

Editor's note: In its October 2004 issue, this journal published a vivid account by Lewis Saum, the well-known historian of the nineteenth-century press, of the dispatches and misadventures of Chicago reporter James “Phocion” Howard during the Black Hills gold rush of 1875. A complete product of an age when news correspondents made no pretence of detachment and no effort to avoid becoming part of their stories, Howard, through what he wrote and what he did, was the sort of reporter who contributed mightily to the image of the post-Civil War era as a Gilded Age. This brief account follows Howard back a little in time, to 1873, when he was noisily bursting illusions along the line of the Northern Pacific Railroad just at the moment when that line's bankruptcy hurled the country into its worst economic collapse in decades.

Reimagining the “Lost Men” of the Gilded Age: Perspectives on the Late Nineteenth Century Presidents

2002 ◽  
Vol 1 (3) ◽  
pp. 225-257 ◽  
Author(s):  
Charles W. Calhoun
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Civil War ◽  
Progressive Era ◽  
Gilded Age ◽  
Bright Light ◽  
Late Nineteenth Century ◽  
The Past ◽  
Dark Ages ◽  
Late Nineteenth

For much of the twentieth century, scholars treated the Gilded Age and the Progressive Era as starkly contrasting phases in the unfolding of the American story: the post-Civil War dark ages followed by the bright light of the early twentieth century. More recently, historians have recognized the oversimplification if not downright wrongheadedness of that dichotomy. The past few decades have witnessed an explosion of studies on a variety of topics with coverage dates roughly from the 1870s to the 1920s. Most of these newer works underscore the continuities between the two periods and the relatively seamless evolution of forces and institutions.

The Gilded Age, 1865–1900

2019 ◽  
pp. 99-128
Author(s):  
Gillis J. Harp
Keyword(s):  
Nineteenth Century ◽  
Social Theory ◽  
Gilded Age ◽  
Evangelical Protestantism ◽  
Conservative Evangelical ◽  
Laissez Faire

Richard Hofstadter argued that the new laissez-faire conservatism that became dominant during the last third of the nineteenth century was different from its predecessors in several respects, including in its secularism. Some popular preachers still attempted to accommodate laissez-faire principles and socially conservative evangelical Protestantism. A few conservatives refused to accept much of the new conservatism. These Protestant clerical intellectuals (both northern and southern) dissented from conservatism’s new orientation and offered a social theory still rooted in Protestant theology. This chapter highlights where these old-fashioned dissidents differed from their fellow conservatives and seeks also to describe their alternative conservative vision. Their story serves to clarify just how significant a shift occurred among conservatives during the Gilded Age and illuminates the last gasp of a more theocratic tradition among American Protestants.

The American Civil War and the Gilded Age, 1861 to the End of the Nineteenth Century.

1995 ◽  
Vol 82 (1) ◽  
pp. 256
Author(s):  
Renqiu Yu ◽  
Shengmao Yang ◽  
Xuyi Liu ◽  
Zhemin Ding
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Gilded Age ◽  
American Civil War

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

The Identification and Study of Indian Shell Middens in Eastern North America: 1643–1861

1986 ◽  
Vol 6 (3) ◽  
pp. 227-243 ◽  
Author(s):  
Andrew L. Christenson
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
North America ◽  
East Coast ◽  
Eastern North America ◽  
Shell Midden ◽  
Shell Middens ◽  
Work Done

Although the interest in shell middens in North America is often traced to reports of the discoveries in Danish kjoekkenmoeddings in the mid-nineteenth century, extensive shell midden studies were already occurring on the East Coast by that time. This article reviews selected examples of this early work done by geologists and naturalists, which served as a foundation for shell midden studies by archaeologists after the Civil War.

Prologue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Antebellum America ◽  
Women Slaves ◽  
Military Planning ◽  
The Future ◽  
Future War

This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but also women, slaves, immigrants, and common soldiers. These imaginings shaped politics, military planning, and the economy. The prologue identifies the two prevailing temporalities of antebellum America, anticipations and expectations, and calls for more historical attention to the diverse temporalities of past people.

Epilogue

2018 ◽  
Author(s):  
Cassandra L. Yacovazzi
Keyword(s):  
Nineteenth Century ◽  
Popular Culture ◽  
Civil War ◽  
Popular Media ◽  
The Public ◽  
Monastic Life ◽  
The Common ◽  
Public Imagination ◽  
Maria Monk ◽  
People Today

Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.

The Roman Aura in Henry James’s Daisy Miller: A Study (1878)

2018 ◽  
Author(s):  
John Carlos Rowe
Keyword(s):  
Nineteenth Century ◽  
Roman Empire ◽  
Civil War ◽  
Global Power ◽  
Anglo American ◽  
And Gender ◽  
Classical Culture

Concentrating on Henry James’s Daisy Miller, this chapter reveals its author engaging in arguments over the decline and fall of the Roman Empire among nineteenth-century Anglo-American writers and over the best means of using Rome’s example as a warning to contemporaries. The novella’s Roman setting and frequent references to classical culture both extend Anglo-American Romantics’ emphasis on the Roman failure to develop a comprehensive democracy and allow James to pursue his own interest in post-Civil War America as an emerging global power. Departing from earlier interpretations of Rome’s importance within Daisy Miller, this chapter argues that James employs the character of Daisy to reconceive Rome’s relevance to central issues of class and gender. If James rejects aspects of contemporary American feminism embodied by such classically inspired artists as Harriet Hosmer and Maria Louisa Lander, he nevertheless makes his unsophisticated heroine, Daisy, into a means of expressing his democratic vision.

Looking Backward 2000-1887

2009 ◽  
Author(s):  
Edward Bellamy
Keyword(s):  
Nineteenth Century ◽  
Democratic Society ◽  
The Political ◽  
Industrial Capitalism ◽  
Ideal Society ◽  
The Past ◽  
Utopian Fiction ◽  
Socialist Utopia ◽  
Year 2000 ◽  
The Ideal

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.

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