The poetics of reconciliation in French literary work of the 20th century. From Marie Noël to Sylvie Germain

Author(s):  
Václava Bakešová

Because of the Holocaust, World War II is the focal point for capturing spiritual experience in the 20th-century literature. How did the transformation of French spiritual literature from the poet Marie Noël in the 1st half of the century to the novelist Sylvie Germain at its end come about? Using examples from their work, this paper shows both authors’ sources of inspiration and highlights the means of expressing spirituality of a person going through an inner struggle. Although the authors describe a dark night, both of them they have a desire to overcome it, to reconcile with God, with the world and with themselves.

Author(s):  
David A. Hamburg ◽  
Beatrix A. Hamburg

The growing destructive capacities of humanity make this the prime problem of the twenty-first century. How we cope with this problem will have a profound bearing on the world of our grandchildren. The twentieth century was the bloodiest ever. World War II caused at least 50 million deaths. Six million died in the Holocaust. At Hiroshima, one bomb caused 100,000 deaths. Now thousands of such bombs (smaller and more conveniently transportable tactical bombs) are housed in Russia. Many are poorly guarded, susceptible to theft and bribery. Others may be made elsewhere. Danger increases with the number of such weapons existing in the world.Why? There is a greater chance of error, theft, and bribery—and ultimately their use in war or terrorism. Therefore, we should diminish the numbers as much as we can and secure responsible stewardship for those that remain. Moreover, there are still thousands of nuclear weapons that are far more powerful than the smaller tactical weapons. Biological and chemical weapons are easier to make than nuclear warheads and therefore have special appeal to terrorists. Small arms and light weapons now cover the world wall-to-wall. They include highly lethal machine guns, mortars, automatic rifles, and rocket launchers. Altogether, the destructive capacity of humanity is almost beyond imagination. Moreover, there is an exciting effect of today’s vast weapons on political demagogues, religious fanatics, and ethnic haters—and plenty of them exist in the world. Incitement to hatred and violence can occur with radio, TV, the Internet, and many other media. Thus, we can more powerfully incite violence, utilize more lethal weapons, and do much more damage than ever imaginable before. No group is so small or so far away as to prevent it from doing immense damage anywhere. The time has come to move beyond complacency, fatalism, denial, and avoidance. We must urgently seek to understand and strengthen an array of institutions and organizations that have the capacity to use tools and strategies to prevent deadly conflict. The first author (D.A.H.) considered many such possibilities in his recent book, No More Killing Fields: Preventing Deadly Conflict. Overall, this gives humanity a greater range of possibilities than ever before for building a system for preventing war and genocide. It will not be easy.


2013 ◽  
Vol 21 (1) ◽  
pp. 34-43 ◽  
Author(s):  
Dusanka Dobanovacki ◽  
Milan Breberina ◽  
Bozica Vujosevic ◽  
Marija Pecanac ◽  
Nenad Zakula ◽  
...  

Following the shift in therapy of tuberculosis in the mid-19th century, by the beginning of the 20th century numerous tuberculosis sanatoria were established in Western Europe. Being an institutional novelty in the medical practice, sanatoria spread within the first 20 years of the 20th century to Central and Eastern Europe, including the southern region of the Panonian plain, the present-day Province of Vojvodina in Serbia north of the rivers Sava and Danube. The health policy and regulations of the newly built state - the Kingdom of Serbs, Croats and Slovenians/Yugoslavia, provided a rather liberal framework for introducing the concept of sanatorium. Soon after the World War I there were 14 sanatoria in this region, and the period of their expansion was between 1920 and 1939 when at least 27 sanatoria were founded, more than half of the total number of 46 sanatoria in the whole state in that period. However, only two of these were for pulmonary diseases. One of them was privately owned the open public sanatorium the English-Yugoslav Hospital for Paediatric Osteo-Articular Tuberculosis in Sremska Kamenica, and the other was state-run (at Iriski venac, on the Fruska Gora mountain, as a unit of the Department for Lung Disease of the Main Regional Hospital). All the others were actually small private specialized hospitals in 6 towns (Novi Sad, Subotica, Sombor, Vrbas, Vrsac, Pancevo,) providing medical treatment of well-off, mostly gynaecological and surgical patients. The majority of sanatoria founded in the period 1920-1939 were in or close to the city of Novi Sad, the administrative headquarters of the province (the Danube Banovina at that time) with a growing population. A total of 10 sanatoria were open in the city of Novi Sad, with cumulative bed capacity varying from 60 to 130. None of these worked in newly built buildings, but in private houses adapted for medical purpose in accordance with legal requirements. The decline of sanatoria in Vojvodina began with the very outbreak of the World War II and they never regained their social role. Soon after the Hungarian fascist occupation the majority of owners/ founders were terrorized and forced to close their sanatoria, some of them to leave country and some were even killed or deported to concentration camps.


Menotyra ◽  
2019 ◽  
Vol 26 (4) ◽  
Author(s):  
Nadezhda Usova

The article presents Lev Alperovich, a little-known to general public Belarusian painter of the beginning of the 20th century, who was Ivan Trutnev’s student in Vilnius Drawing School and a student of Ilya Repin in the Emperor’s Arts Academy in St. Petersburg. The works of Lev Alperovich that survived after the World War II are kept in the National Art Museum of the Republic of Belarus. The analysis of the painter’s biography and creative heritage reveals a new vector which was gradually emerging in Minsk at the beginning of the 20th century, i.e remoteness from the academic late “peredvizhniki” realism and the ambition to find a niche in the evolving Russian modern style or the European Art Nouveau style and symbolism. Relatively sparse artistic heritage of Alperovich – single and group portraits, genrepainting, everyday life scenes and staffage landscapes – allows the author to single out this painter as a Belarusian painting phenomenon of the 20th century.


2020 ◽  
Vol 8 ◽  
pp. 21-32
Author(s):  
Anita Chmielewska ◽  

A missing parent is an element that is often found in contemporary British-Jewish novels. These are mainly texts written by granddaughters of those who lived through World War II. The novels analyzed herein tend to be very similar in their depiction of parent figures, who appear to represent the remaining presence of post-trauma from the World War II era. The concept of survival during the Shoah may include various experiences but is mostly associated with those who directly experienced the Holocaust. Yet, British Jews are often those who fled the Jewish extermination before it happened and, as a result, are frequently excluded from the discussion of World War II survivorship


Author(s):  
Pavel E. Spivakovskii ◽  

The article analyzes how Joseph Brodsky and Olga Sedakova depict the posthumous existence of a human. Brodsky holds an agnostic view on the world, tending to a positivism. The poet concentrates on depicting the Homeric horror of the very fact of death and its inevitability. Olga Sedakova tends to the Christian view of the world, taking into account the experience of the catastrophes of the 20th century, literature after Auschwitz. Unlike the traditionalist image of Paradise, Sedakova sees in it not only ‘incredible happiness’, but also an experience of tragedy and compassion, which leads her to a very unconventional form of idyll.


2018 ◽  
Vol 63 (11) ◽  
pp. 56-83
Author(s):  
Piotr Łysoń ◽  
Stanisław Radkowski ◽  
Wacława Kraśniewska

The aim of the article is to present an author’s proposal to distinguish regions based on the analysis of historical borders (from the last 400 years, mainly the borders crossing Poland in the 19th and the 20th century) and to verify the hypothesis that those historical borders diversify our country in the sphere of perception and preservation of national heritage and in relation to the analysed social indicators. The study contains statistical data on the perception and preservation of national heritage generalised for the elaborated historically conditioned regions from the cyclic, multidimensional Social Cohesion Survey conducted by Statistics Poland in 2015. In addition, data on monuments of the National Heritage Board of Poland and population data based on National Official Register of the Territorial Division of the Country (TERYT) were also taken into account. The largest differences in relation to the country’s average values of the analysed indicators occurred in the western and northern territories of Poland, the Śląskie voivodship area in Poland before the World War II, as well as Galicia and the eastern part of Russian partition within the present borders of Poland — east of the Vistula, Narew and Pisa rivers.


2006 ◽  
Vol 37 ◽  
pp. 17-31 ◽  
Author(s):  
John-Paul Himka

Sixty years after its conclusion, World War II still fills the world's memory. Massive demonstrations in China last winter recalled Japanese atrocities during the war, while just over a month ago the world marked the sixtieth anniversary of the nuclear bombing of Hiroshima and Nagasaki. Monuments and museums continue to be erected to commemorate the Holocaust. And films on the war, as the recent success of Downfall demonstrates, continue to attract viewers. Some of the things that happened during World War II seem to us to be unforgettable.


Collections ◽  
2018 ◽  
Vol 14 (4) ◽  
pp. 477-496
Author(s):  
Joanna Kafarowski

A notable 20th-century female explorer, California-born Louise Arner Boyd (1887-1972) was also a world expert on Greenland. As it was in Boyd's time, Greenland remains a remote and little-known area of the world. She was showered with honors and respected by her polar colleagues. As a result of organizing and participating in seven hazardous Arctic expeditions between 1926 and 1955, she amassed a significant collection of maps, photographs, films, and books about this area. The majority of photographs and films were taken by Boyd, while many of the maps were based on information gathered during her Arctic adventures. Meticulous and detail oriented, Louise Arner Boyd was driven by her passion for the north. Boyd traveled to Greenland, photographing geographic landforms and gathering scientific information. Her expertise on Greenland was recognized by the American government during World War II and her collection put at the government's disposal. Contemporary Norwegian glaciologists still use her existing 1930s photographs to track environmental change. Today, the many accomplishments of Louise Arner Boyd have been forgotten, and her magnificent collection, which was an invaluable asset to the Allied effort during World War II, has been dispersed.


1962 ◽  
Vol 14 (3) ◽  
pp. 483-504 ◽  
Author(s):  
W. Donald Bowles

A Wave of rising expectations has engulfed the underdeveloped areas of the world, and in its wake there remains an intense desire for economic advancement and national recognition. Until recent years the relatively luxurious level of living in the West, particularly in the United States, served as a natural focal point in the search for a pattern of economic life that would lead to growth in these areas. Since World War II, and particularly since about 1955, when the USSR adopted a stepped-up “trade and aid” program among the less-developed areas, increasing attention has been directed to the Soviet pattern of growth and the Soviet answer to “imperialism.”


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