The Alfredian Project and its Aftermath: Rethinking the Literary History of the Ninth and Tenth Centuries

2009 ◽  
Author(s):  
MALCOLM GODDEN
Keyword(s):  
Pastoral Care ◽  
Literary History ◽  
English Literature ◽  
Memorial Lecture ◽  
Mass Education ◽  
History Of ◽  
The Impact

This lecture presents the text of the speech about the Alfredian project and its aftermath delivered by the author at the 2008 Sir Israel Gollancz Memorial Lecture held at the British Academy. It explains the details of King Alfred's programme of mass education and to deliver near-universal literacy in English, and evaluates the impact of Pastoral Care on English literature.

The Jewel-Harding Controversy

1974 ◽  
Vol 6 (4) ◽  
pp. 320-341
Author(s):  
Peter S.J. Milward
Keyword(s):  
Literary History ◽  
English Literature ◽  
Ecclesiastical History ◽  
History Of ◽  
Gabriel Harvey

I cannot oucrslipp some without manifest iniury. that descrue to haue their names enrolled in the first rancke of valiant Confuters: worthy men, but subiect to imperfections, to errour. to mutual reproofe; some more, some lesse, as the manner is. Harding, and lewell, were our Aeschines, and Demosthenes: and scarsely any language in the Christian world, hath affoorded a payre of aduersaries, equiualent to Harding, and lewell; two thundring and lightning Oratours in Jiuinity.These words, occuring as they do in Gabriel Harvey's Pierces Supererogation (1593), cannot but sound strange to modern ears. The language is, of course, somewhat peculiar, as we might expect from a contemporary of Shakespeare's, and in particular from so pedantic a writer as Gabriel Harvey. But apart from that, the reference of his words—with their apparently exaggerated praise—seems oddly misplaced. If he had spoken of More and Tyndale, or even of Whitgift and Cartwright, his praise might have appeared more intelligible. But who today has heard of Jewel or Harding, at least in terms of literature? Neither of them receives so much as a mention in The Oxford Companion to English Literature, or even in Baugh's voluminous Literary History of England, no doubt because they are regarded as belonging to a brief episode in ecclesiastical history. Yet Harvey speaks of them, in openly literary terms, as “two thundring and lightning Oratours in diuinity,” and even dares to compare them with the great Athenian orators, Aeschines and Demosthenes. So the question arises: Was he merely deluding himself with a spirit of exaggeration—a spirit not unknown in Shakespeare's England? Or was he, after all, recording a widespread feeling among Shakespeare's contemporaries which has somehow vanished like a bubble on the river of time?

scholarly journals In a Melting Pot of Autobiography: Pickthall’s With the Turk in Wartime and the Cause of Islam

2021 ◽  
Vol 5 (4) ◽  
pp. 2-16
Author(s):  
Ebtisam Ali Sadiq
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary History ◽  
English Literature ◽  
Literature Analysis ◽  
Melting Pot ◽  
Near Eastern ◽  
The Past ◽  
History Of ◽  
To Receive

Marmaduke Pickthall, a half-forgotten British novelist of the early twentieth century, has come back to the spotlight over the past few years. His Near Eastern novels and short stories have started to receive attention in contemporary scholarship but not his two autobiographies. This essay aims at tackling the more neglected piece of the two, With the Turk in Wartime, that deserves attention because of its intricate amalgamation of several features of the genre of autobiography as manifested across its history within the tradition of English literature. Analysis finds that Pickthall’s autobiography has some Romantic, Victorian, and Modern elements as well as some old characteristics of the genre elaborately interwoven into its structure. The study also traces the use that Pickthall makes of this unique autobiography and how the commingling of diverse elements allows him to turn a usually subjective genre into a public cause and dedicate it to the service of Islam. This essay highlights both the diversity that the literary history of the genre lends to Pickthall’s autobiography and the socio-political service it renders to the faith that the author has long esteemed and will ultimately convert to not long after writing this autobiography.

Literary Histories

2015 ◽  
Author(s):  
Seth Lerer
Keyword(s):  
Eighteenth Century ◽  
National Identity ◽  
Literary History ◽  
English Literature ◽  
Medieval Literature ◽  
Heinrich Heine ◽  
Early Nineteenth Century ◽  
The World ◽  
History Of ◽  
Literary Histories

Literary history has had a mixed history among the readers and the writers of the European traditions. For William Warburton, an eighteenth-century ecclesiast and critic, literary history was “the most agreeable subject in the world.” However, the early nineteenth-century German poet Heinrich Heine describes literary history as a “morgue where each seeks out the friend he most loved.” The complex connotation of literary history stems in part from the modern European understanding of the place of literature in the formation of national identity. This article examines how the history of medieval literature was received during the Renaissance. It first looks at the regulations of late Henrician reading, particularly the 1543 Act for the Advancement of True Religion, before focusing on Miles Hogarde and his poetry. It then discusses Richard Tottel’sMiscellanyin the context of English literature and its past, along with the poetry of love and loss that follows Tottel.

Invader Fictions: National Literature after Translation

2021 ◽  
pp. 204-208
Author(s):  
Rebecca C. Johnson
Keyword(s):  
Literary History ◽  
National Literature ◽  
Literary Canon ◽  
Reading Practices ◽  
National Conversation ◽  
History Of ◽  
Literary Histories ◽  
The Moment ◽  
The Impact ◽  
Modern Arabic

This chapter discusses how translation has affected literature. When we assess criticism of translated literature as part of the larger national conversation about the novel's purpose, the formation of the national literary canon comes to resemble a process of negotiating the foreignness that lies within it and not solely a process of casting the foreign out. In doing so, we ascribe historicity to the formation of national literary history itself, reformulating not just the position of Arabic in an imagined world literary canon but also the modern Arabic literary canon. Translation helped to shape a category of national literature that belonged in turn to a comparative process. Reading the history of the novel in translation forces us to recast national literary histories, to read the nation in translation. To locate foreign literature within national literary history at the moment of its formation is only possible if one uncovers the impact that translations had on “original” writing, discourses and institutions of modernity, and reading practices. Understanding that history challenges us to read novels' depiction of even national environments or characters in the comparative critical context in which they were written and to see “national realism” as a mode that was canonized through comparative and translational methodologies and as perhaps the culmination of a history of translation.

The Indulekha Moment and the Malayalam Literary Canon: On the Literary History of the Early Twentieth-century Novels in Kerala, South India

2021 ◽  
Vol 13 (1) ◽  
Author(s):  
Sruthi Vinayan ◽  
◽  
Merin Simi Raj ◽  
Keyword(s):  
Twentieth Century ◽  
Literary History ◽  
The Novel ◽  
Literary Canon ◽  
Colonial Modernity ◽  
Early Twentieth Century ◽  
History Of ◽  
Literary Histories ◽  
The Impact ◽  
Point Of Departure

This article analyses the politics of the literary canon of the early twentieth century Malayalam novels with particular focus on the impact of the novel Indulekha (1889) in literary history. The inception of novel as a literary genre is widely regarded as a point of departure for Malayalam literature leading to the development of modern Malayalam, thereby shaping a distinct Malayali identity. Interestingly, the literary histories which established the legacy of Malayalam prose tend to trace a linear history of Malayalam novels which favoured the ‘Kerala Renaissance’ narrative, especially while discussing its initial phase. This calls for a perusal of the literary critical tradition in which the overarching presence of Indulekha has led to the eclipsing of several other works written during the turn of the twentieth-century, resulting in a skewed understanding of the evolution of the genre. This article would explicate in detail, on what gets compromised in canon formation when aesthetic criteria overshadow the extraliterary features. It also examines how the literary history of early Malayalam novels shaped the cultural memory of colonial modernity in Kerala.

scholarly journals In a Melting Pot of Autobiography: Pickthall’s With the Turk in Wartime and the Cause of Islam

2021 ◽  
Author(s):  
Ebtisam Ali Sadiq
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary History ◽  
English Literature ◽  
Literature Analysis ◽  
Melting Pot ◽  
Near Eastern ◽  
The Past ◽  
History Of ◽  
To Receive

Marmaduke Pickthall, a half-forgotten British novelist of the early twentieth century, has come back to the spotlight over the past few years. His Near Eastern novels and short stories have started to receive attention in contemporary scholarship but not his two autobiographies. This essay aims at tackling the more neglected piece of the two, With the Turk in Wartime, that deserves attention because of its intricate amalgamation of several features of the genre of autobiography as manifested across its history within the tradition of English literature. Analysis finds that Pickthall’s autobiography has some Romantic, Victorian, and Modern elements as well as some old characteristics of the genre elaborately interwoven into its structure. The study also traces the use that Pickthall makes of this unique autobiography and how the commingling of diverse elements allows him to turn a usually subjective genre into a public cause and dedicate it to the service of Islam. This essay highlights both the diversity that the literary history of the genre lends to Pickthall’s autobiography and the socio-political service it renders to the faith that the author has long esteemed and will ultimately convert to not long after writing this autobiography.

scholarly journals Finest frugt - om ‘den Vartou Kjællingepræst’: En guide til Grundtvig-Studier 1948-2008, I

2009 ◽  
Vol 60 (1) ◽  
pp. 20-85
Author(s):  
Aage Jørgensen
Keyword(s):  
World War Ii ◽  
Literary History ◽  
Turning Point ◽  
History Of Ideas ◽  
Anglo Saxon ◽  
World War ◽  
History Of ◽  
The Many ◽  
The Impact ◽  
Opening Section

Finest frugt - om ‘den Vartou Kjællingepræst En guide til Grundtvig- Studier 1948-2008,I[Fruit of the finest - concerning ‘the Vartov Old Biddies ’pas torA guide to Grundtvig-Studier 1948-2008, I]By Aage JørgensenAs early as 1948, the Grundtvig Society of 8 September 1947 launched an annual journal, Grundtvig-Studier (Grundtvig Studies). Since then, the journal has published a significant part of the subsequent research on Grundtvig, including important debate on the many Grundtvig dissertations that have appeared since World War II. This anniversary article reviews the content of the sixty volumes that have hitherto been issued. Despite its cross-disciplinary character, the material is here presented in a traditionally systematised format.The opening section deals with studies in bibliography, diplomatics and biography, and is followed by a series of fairly lengthy sections characterising: (1) material pertaining to the history of ideas and concerned with Grundtvig’s views on life and history together with his relation to Romantic philosophy, Northern mythology and the contemporary way of thinking as a whole; (2) material relating to literary history and aesthetics, with emphasis upon a series of exemplary contributions by particular authors (Gustav Albeck, Helge Toldberg, Jørgen Elbek, Flemming Lundgreen-Nielsen, Sune Auken and, as regards the influence of Anglo-Saxon upon Grundtvig, S. A. J. Bradley); and (3) the theological material, with focus especially upon the impact of Kaj Thaning’s designation of 1832 as a decisive turning-point in Grundtvig’s life, and upon Grundtvig’s relationship to Luther, Kierkegaard and mystic tradition. The exploration of Grundtvig's hymns and sermons is treated in separate sections; and finally there is a section concerned with illustration of his political endeavours. For reasons of space, contributions to the journal on Grundtvig’s educational deliberations and their significance for Danish schools, especially the folk high schools, together with the overall subsequent reception of his thinking (within Denmark and out in the wider world) will be reserved for discussion in Grundtvig-Studier 2010.

Introduction

2021 ◽  
pp. 1-19
Author(s):  
Julianne Werlin
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Literary History ◽  
English Literature ◽  
Historical Analysis ◽  
History Of The Book ◽  
The Past ◽  
History Of ◽  
Material History ◽  
Century Literature

This book is an experiment in conjoining two approaches to early modern English literature which, despite a seemingly obvious affinity, are rarely pursued together: the material history of texts and Marxist historical analysis. No trend in scholarship on sixteenth- and seventeenth-century literature in the past three decades has been more important than the rise of research on media, not confined to the history of the book or even manuscript, but encompassing communications as a whole. A wide variety of phenomena, including but by no means limited to methods of papermaking and bookbinding, readers’ habits of annotation, and the development of the postal system, have been shown to be relevant to early modern textual and literary history....

Sign in / Sign up

Export Citation Format

Share Document