scholarly journals AUTOBIOGRAFÍA / AUTOFICCIÓN EN EL ÁMBITO HISPÁNICO. FRONTERAS Y ESTUDIOS RECIENTES

Author(s):  
Álvaro LUQUE AMO

En la teoría literaria sobre escritura autobiográfica y autoficcional ha predominado cierta confusión en el empleo de las etiquetas y solamente en los últimos años parece haberse generalizado una distinción definitiva entre ambos discursos narrativos. Este artículo tiene como objetivo establecer un recorrido de la evolución experimentada por la dicotomía autobiografía / autoficción. Para ello parto de los orígenes de lo autoficcional, analizo la evolución de este debate y finalmente me centro en las últimas publicaciones de relevancia. La intención es dar a conocer nuevas ideas, todavía poco discutidas en el ámbito hispánico, que desarrollan y amplían los planteamientos de autores asentados en este campo de estudio.    Abstract: In the literary theory on autobiographical writing and autofiction, there has been a certain degree of confusion in the use of labels; only recently, a clear distinction has been drawn between them both. This article aims to establish a path of evolution for the dichotomy autobiography / autofiction. I will start from the origins of autofiction, will later analyse the evolution of the theoretical debate, and will finally focus on the latest relevant publications. Therefore, the article will make known new ideas, still little discussed in the Hispanic sphere, which develop and extend the approaches of authors based in this field of study.

Author(s):  
Laura Marcus

The years of childhood have become increasingly central to autobiographical writing. Historians have linked this development to the new ideas about life-stages that emerged in the early modern period. Philippe Ariès (1914–84) made a key contribution in 1960 with a book on the child and family life in the ancien régime, known in English as Centuries of Childhood. ‘Family histories and the autobiography of childhood’ considers how genealogy (the tracing of family history) and the shaping of family relations by cultural and social forces have been central concerns for many modern autobiographers. It also looks closely at the relationship between child and parent and at the impact of mixed cultures.


2013 ◽  
Vol 7 (3) ◽  
pp. 346-370
Author(s):  
Chiel van den Akker

Abstract The problem how to ascertain the truth about the past is as old as history itself. But until the work of Louis Mink, no clear distinction was made between questions concerning the truth of statements on the past and questions concerning the truth of historical narratives as a whole. A narrative, Mink argues, is not simply a conjunction of statements on the past. Therefore its truth cannot be a function of the truth of its individual statements. The problem of narrative truth is according to him thus: although each statement (or set of statements) asserting a relation between events is subject to confirmation and disconfirmation, the combination of interrelations as established by the historical narrative is not, even though such combination of interrelations represents a real combination in past reality and is claimed to be true. As if to further complicate the problem, Mink maintains that history shares its form with fiction. Three and a half decades after Mink formulated the problem of narrative truth, it has not been dealt with in a satisfying manner. Mink does not solve nor dissolve the problem he posed. That task is taken up in this essay. It will move us away from the vocabulary of literary theory towards a pragmatist account of narrative truth.


2008 ◽  
Vol 25 (3) ◽  
pp. 253-265
Author(s):  
Gordon Cox ◽  
Stephanie Pitts

The invitation to provide a review of the articles published in our five year editorship prompts us to evaluate the aims and purposes of music education research, and to consider the function of journals such as BJME in bridging the artificial divide between academics and professionals. We identify four themes that were prominent in the volumes we edited: the roles and identities of music teachers; pupil perspectives; blurring of boundaries between home, school and community; and music in higher education. Surveying articles related to these themes, we consider the questions they raise for future research, addressing the day-to-day realities of teaching alongside the exploration of new ideas which extend music education as a significant field of study.


Author(s):  
Soheil Ahmed

Abstract Reading Wordsworth’s Prelude implicates us immediately in the politics of autobiographical writing — which deliberately elides, to use Felicity Nussbaum’s words, “the subject’s fragmentations and discontinuities.” But at the same time, one cannot help suspecting that the seemingly reasonable expectation of factual correctness in autobiography can also mask a deep denial of these essential fragmentations and discontinuities in the name of truth. Wordsworth’s revisions of the Prelude afford an insightful means of understanding these issues: here the imperatives of narrative self-constitution far outweigh the imperatives of literal facts. But the misdating of crucial events — such as the composition of the Glad Preamble — do not detract from its validity as autobiographical writing, but rather gives evidence of the self-problematising nature of origins. In fact, the interest in works such as the Prelude lies not in how closely they adhere to historical particularities, but how tenaciously their metaphoric transcendence resists reduction back to these historical particularities. Romantic subjectivity makes no clear distinction between self and the outer world of phenomena — and also it seems between self and self. This becomes abundantly clear in Wordsworth’s appropriation of Dorothy’s experience. In the Prelude this process is traceable eminently through the process of textual revisions as the present study argues.


2016 ◽  
Vol 75 (3) ◽  
pp. 133-140
Author(s):  
Robert Busching ◽  
Johannes Lutz

Abstract. Legally irrelevant information like facial features is used to form judgments about rape cases. Using a reverse-correlation technique, it is possible to visualize criminal stereotypes and test whether these representations influence judgments. In the first step, images of the stereotypical faces of a rapist, a thief, and a lifesaver were generated. These images showed a clear distinction between the lifesaver and the two criminal representations, but the criminal representations were rather similar. In the next step, the images were presented together with rape scenarios, and participants (N = 153) indicated the defendant’s level of liability. Participants with high rape myth acceptance scores attributed a lower level of liability to a defendant who resembled a stereotypical lifesaver. However, no specific effects of the image of the stereotypical rapist compared to the stereotypical thief were found. We discuss the findings with respect to the influence of visual stereotypes on legal judgments and the nature of these mental representations.


1958 ◽  
Vol 3 (12) ◽  
pp. 364-365
Author(s):  
MARTIN T. ORNE
Keyword(s):  

1978 ◽  
Author(s):  
Carol Taylor Fitz-Gibbon
Keyword(s):  

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