Introduction

2017 ◽  
Author(s):  
Brian Hughes
Keyword(s):  
Twentieth Century ◽  
Grass Roots ◽  
Physical Attack ◽  
Early Twentieth Century ◽  
The Everyday ◽  
The Subject ◽  
Irish Revolution

This chapter outlines the key themes and concepts that will be at stake in the book. The Irish Revolution (c. 1913–23) has been the subject of a vast and growing historiography. Ambushes and assassinations by IRA guerrillas and reprisals and counter-reprisals by Crown forces have dominated much of the discourse. More recently, the ‘everyday’ acts of violence that characterised so much revolutionary activity in Ireland have found a place in the literature. This book adds to that understanding of experiences at the grass-roots level. In this chapter, some key parameters for the study are outlined and an ‘anatomy of violence’ is developed, ranging from the impersonal threat to the physical attack on the person, to frame and contextualize the nature of the activity under observation. This chapter also explores some precedents for violence and civilian behaviour in revolutionary Ireland found during nineteenth and early twentieth century agrarian agitation.

Before Midnight

2010 ◽  
Author(s):  
Rahul Sagar
Keyword(s):  
Twentieth Century ◽  
Foreign Policy ◽  
International Relations ◽  
Foreign Relations ◽  
Prime Minister ◽  
Early Twentieth Century ◽  
The Subject ◽  
Jawaharlal Nehru

This chapter examines ideas about war, peace, and international relations over the century preceding independence, of which there were many more and in greater depth than widely supposed. It outlines how and why Indians first began to articulate views on the subject, and subsequently analyses these ideas. It proposes that, contrary to the opinion of some scholars, Indians thought carefully about the nature of international relations. Most importantly, it emphasizes the plurality of views on the subject, and explains how and why proponents of pragmatism in foreign relations came to be sidelined in the period immediately preceding independence. Several of the personalities developing notions of what a foreign policy for India should involve as of the early twentieth century, including India’s first Prime Minister, Jawaharlal Nehru, became important actors in formulating and implementing foreign policy post-independence.

scholarly journals Ezra Pound's Poetry between Victorianism and Modernism: A Historical-Biographical Analysis

2021 ◽  
Vol 21 ◽  
pp. 826-832
Author(s):  
Kizhan Salar Abdulqadr ◽  
Roz Jamal Omer ◽  
Ranjdar Hama Sharif
Keyword(s):  
Twentieth Century ◽  
Ezra Pound ◽  
Literary Analysis ◽  
English Verse ◽  
Early Twentieth Century ◽  
Critical Approaches ◽  
The Subject ◽  
Academic Discussion ◽  
Biographical Analysis

This paper examines the short poems of Ezra Pound, a group of works that have long been the subject of academic discussion in the field of literary analysis. Although Ezra Pound is typically considered a Modernist poet, some clear elements of Victorianism can be discerned within his revolutionary forms of poetry. The paper will offer a historical and biographical background to Pound's work before moving on to an analysis and discussion of the poet's short poems. While previous studies of Ezra Pound's poetry have adopted various critical approaches, we believe that this is the first study that compares the influence of Modernism and Victorianism on the work of this important figure in English verse of the early twentieth century.

REPRESENTATION, STRUCTURE AND AGENCY: DIVORCE IN THE FRENCH SOUDAN DURING THE EARLY TWENTIETH CENTURY

1999 ◽  
Vol 40 (3) ◽  
pp. 389-410 ◽  
Author(s):  
RICHARD ROBERTS
Keyword(s):  
Twentieth Century ◽  
Legal Action ◽  
The Third ◽  
Structure And Agency ◽  
Early Twentieth Century ◽  
Representation Structure ◽  
The Subject ◽  
French Soudan ◽  
Domestic Affairs

On 5 October 1905, Baia Bari of Gassin village went before the tribunal de province of Segu seeking a divorce from her husband, Tiemoko Boaré of Koila. Both Baia Bari and Tiemoko Boaré were Muslims. Baia Bari claimed that Tiemoko Boaré had mistreated her and that she was prepared to return the bridewealth. In addition, Baia Bari sought the return of 27,000 cowries she claimed Tiemoko Boaré had taken from her, although she did not present any ‘proof’. Tiemoko Boaré agreed to the divorce but denied having taken the money. The court pronounced the divorce and called for Tiemoko Boaré to recover the bridewealth he and his kin had provided to Baia Bari's kin. The court dismissed Baia Bari's claim for the return of 27,000 cowries, because she had failed to produce evidence of the alleged ‘loan’. Neither Baia Bari nor Tiemoko Boaré appealed the court's verdict.How Baia Bari came to bring suit for divorce against her husband for mistreatment and how the provincial court, presided over by the leading African notables of Segu, saw fit to intervene in the domestic affairs of the Boaré household is the subject of this article. The data provided in the ‘Register of Civil and Commercial Judgements Rendered by the Provincial Court of Segu during the Third Quarter of 1905’ are not detailed enough for us to ‘hear’ Baia Bari's complaints about marital mistreatment. Nor does the register tell us anything about how the members of the court understood the evidence of mistreatment, which they accepted, and Baia Bari's claim for the return of 27,000 cowries, which they rejected. Despite the sparse annotation of this case, Baia Bari's legal action raises at least two questions. First, from where did the provincial court ‘receive’ the authority to intervene in the domestic affairs of the Boaré household? Second, why did Baia Bari turn to the provincial court to seek the dissolution of her marriage?

scholarly journals Sacco and Vanzetti, Mary Donovan and transatlantic radicalism in the 1920s

2020 ◽  
Vol 44 (165) ◽  
pp. 131-146
Author(s):  
Niall Whelehan
Keyword(s):  
Twentieth Century ◽  
Second Generation ◽  
Revolutionary Era ◽  
Early Twentieth Century ◽  
Political Relationships ◽  
The World ◽  
Irish Revolution ◽  
Murder Trial

AbstractIn 1927 the Italian anarchists Nicola Sacco and Bartolomeo Vanzetti were executed in Boston following a murder trial that was widely denounced for its anti-labour and anti-immigrant bias. From 1921 the campaign to save the two men powerfully mobilised labour internationalism and triggered waves of protests across the world. This article examines the important contributions made by Irish and Irish-American radicals to the Sacco-Vanzetti campaign. Mary Donovan was a leading member of the Sacco-Vanzetti Defense Committee, and a second-generation Irish union organiser and member of Boston's James Connolly Club. In the 1920s she travelled to Ireland twice and appealed to Irish and Irish American labour to support the campaign. At the same time, Donovan and many of the activists considered here held ambiguous personal and political relationships with Ireland. Transnational Irish radicalism in the early-twentieth century is most commonly considered in nationalist terms. Taking a distinctly non-Irish cause – the Sacco-Vanzetti case of 1920–7 – allows us to look from a different perspective at the global Irish Revolution and reveals how radical labour currents reached into Irish and Irish-American circles during the revolutionary era, though the response to the campaign also indicates a receding internationalism in the immediate aftermath of Irish independence.

Edna St. Vincent Millay and Anne Sexton: The Disruption of Domestic Bliss

2004 ◽  
Vol 38 (1) ◽  
pp. 67-88 ◽  
Author(s):  
ARTEMIS MICHAILIDOU
Keyword(s):  
Twentieth Century ◽  
Gender Stereotypes ◽  
New Woman ◽  
American Poetry ◽  
Anne Sexton ◽  
Early Twentieth Century ◽  
The New Woman ◽  
The Subject ◽  
And Gender ◽  
Second Wave

Popular perceptions of Edna St. Vincent Millay do not generally see her as a poet interested in so-called “domestic poetry.” On the contrary, Millay is most commonly described as the female embodiment of the rebellious spirit that marked the 1920s, the “New Woman” of early twentieth-century feminism. Until the late 1970s, the subject of domesticity seemed incompatible with the celebrated images of Millay's “progressiveness,” “rebelliousness,” or “originality.” But then again, by the 1970s Millay was no longer seen as particularly rebellious or original, and the fact that she had also contributed to the tradition of domestic poetry was not to her advantage. Domesticity may have been an important issue for second-wave feminists, but it was discussed rather selectively and, outside feminist circles, Millay was hardly ever mentioned by literary critics. The taint of “traditionalism” did not help Millay's cause, and the poet's lifelong exploration of sexuality, femininity and gender stereotypes was somehow not enough to generate sophisticated critical analyses. Since Millay seemed to be a largely traditional poet and a “politically incorrect” feminist model, second-wave feminists preferred to focus on other figures, classified as more modern and more overtly subversive. Scholarly recognition of Millay's significance within the canon of modern American poetry did not really begin until the 1990s.

scholarly journals The origins of marketing practice in Britain: from the ancient to the early twentieth century

2017 ◽  
Vol 9 (4) ◽  
pp. 467-487 ◽  
Author(s):  
Richard A. Hawkins
Keyword(s):  
Twentieth Century ◽  
Historical Development ◽  
Design Methodology ◽  
The State ◽  
Marketing Practice ◽  
Content Type ◽  
Early Twentieth Century ◽  
History Of ◽  
The Subject

Purpose The purpose of this paper is to explore the development of marketing practice in Britain from the ancient to the early twentieth century. It builds upon the author’s chapter in the 2016 Routledge Companion to the History of Marketing. Design/methodology/approach This paper is based on a review of secondary history and archaeology literature supplemented by digitised historic newspaper and magazine advertising. The literature is frameworked using a modified version of Fullerton’s 1988 periodization which has been extended to include the medieval and Roman eras. Findings One of the significant findings of this paper is the key role the state has played in the development of marketing practice in Britain, the construction of pavements being a good example. Originality/value Apart from Nevett’s 1982 history of British advertising and the author’s Routledge Companion to the History of Marketing chapter, this is the first survey of the historical development of British marketing practice. It assembles and presents in a useful way important information. This paper will be of interest to marketing historians, especially students and researchers new to the subject.

scholarly journals On the Russian Concept of Lād, 1830–1945

2019 ◽  
Vol 25 (4) ◽  
Author(s):  
Philip Ewell
Keyword(s):  
Twentieth Century ◽  
Harmonic Function ◽  
English Language ◽  
Primary Role ◽  
National Museum ◽  
Tonal Music ◽  
High Stakes ◽  
Early Twentieth Century ◽  
History Of ◽  
The Subject

Universally translated into English as “mode,” the Russian term лад (“lād”) first appeared in 1830 as a translation from German Tonart, which is usually translated into English as “tonality.” To Tchaikovsky a lād was, in fact, a tonality, but by century’s end lād had come to signify its pre-tonal cousin, mode. Boleslav Yavorsky’s work on the subject in the early twentieth century gave lād new post-modal and post-tonal meaning with respect to quasi-tonal and post-tonal music. In this article, I delve deeply into the history of this uniquely Russian concept, from its inception to its highly modified mid-twentieth century form. Rather than trying to find an English equivalent, I leave “lād” in its transliterated form, which disentangles it from inaccurate translations. I examine a 1945 Chopin analysis by Yavorsky’s student, Sergei Protopopov, which outlines new interpretations for Russian lād. Sketches for this analysis, from the Russian National Museum of Music, provide a backdrop for a reexamination of basic tonal constructs such as cadence, phrase, form, harmonic function, and melodic diminution. I then look at a famous 1930 conference on Yavorsky’s theories as an example of the high stakes involved in creating a Marxist musical science, in which lād played a primary role. I also briefly discuss Yavorsky’s theories as a counterweight to Hugo Riemann’s encroaching functionality, which was brought to Russia by Gregori Catoire in the early twentieth century. It is my hope that this work on lād will fill in many gaps for the English-language reader, and possibly spur further studies on this uniquely Russian concept.

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