Understanding South Asian Cultural Production: In Search of a New Historical and Hermeneutic Awareness

2012 ◽  
pp. 11-42
Author(s):  
Federico Squarcini
Keyword(s):  
South Asian ◽  
Cultural Production

Dancing Women

2020 ◽  
Author(s):  
Usha Iyer
Keyword(s):  
South Asian ◽  
Cultural Production ◽  
The Body ◽  
Theoretical Frameworks ◽  
History Of ◽  
Material History ◽  
Cultural Forms ◽  
Hindi Cinema

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia’s most popular cultural forms—cinema and dance—historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the “women’s question” via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.

Recovering the past in Jodhaa Akbar: Masculinities, Femininities and Cultural Politics in Bombay Cinema

2011 ◽  
Vol 99 (1) ◽  
pp. 131-146 ◽  
Author(s):  
Shahnaz Khan
Keyword(s):  
South Asia ◽  
Cultural Politics ◽  
South Asian ◽  
Cultural Production ◽  
Crucial Role ◽  
Nation Building ◽  
South Asian Diaspora ◽  
Building Projects ◽  
The Past ◽  
Asian Diaspora

As the dominant media institution in South Asia, Bombay cinema's cultural production of narratives, images and spectacle plays a crucial role in the effort to consolidate and project definitions of the nation. Moreover, such images are exported to the South Asian diaspora worldwide as part of the processes associated with the globalized cultural product referred to as Bollywood. This discussion examines the production and reception of the 2008 film Jodhaa Akbar both as process and product of complex historical, cultural and political nation-building projects in which gender plays a central role.

scholarly journals Funky Days Are (Not) Back Again: Cool Britannia and the Rise and Fall of British South Asian Cultural Production

2020 ◽  
Vol 17 (1) ◽  
pp. 6-23
Author(s):  
Anamik Saha
Keyword(s):  
South Asian ◽  
Cultural Production ◽  
Cultural Policy ◽  
Creative Industries ◽  
Cultural Industries ◽  
Production Studies ◽  
Television Film ◽  
British Asians ◽  
The Moment ◽  
The Uk

This article explores the conditions that led to the rise and fall of British South Asian cultural production. Following a high point in the 1990s when for the first time a South Asian diasporic presence was felt in British popular culture, across television, film, music, literature and theatre, Asians have now returned to the periphery of the cultural industries. But this is not a simple case of British Asians falling in and out of fashion. Rather, as this article explores, British Asian cultural producers were enabled but then ultimately constrained by shifts in cultural policy (and specifically ‘creative industries’ policy) and, more broadly, by the politics of multiculturalism in the UK and beyond. In particular, it focuses on the moment of New Labour and ‘Cool Britannia’ as a significant cultural and political moment that led to the rise and subsequent demise of British Asian cultural production. Through such an analysis the article adds to the growing body of work on race and production studies. It demonstrates the value of the historical approach, outlined by the ‘cultural industries’ tradition of political economy, which is interested in how historical forces come together to produce a particular set of institutional and social arrangements that shape the practices of British Asian creative workers. While the article foregrounds television and film, it explores the field of British Asian cultural production more broadly and, in doing so, marks the ascendency of the ‘diversity discourse’ that characterises cultural policy in the present day.

Queer South Asian Diasporas

2019 ◽  
Author(s):  
Kareem Khubchandani
Keyword(s):  
South Asian ◽  
Performance Art ◽  
Cultural Production ◽  
Human Life ◽  
South Asians ◽  
Physical Space ◽  
Common Theme ◽  
Domestic Life ◽  
Public Cultures ◽  
Queer Diaspora

Queer South Asian Diasporas can refer to the individuals and communities of lesbian, gay, bisexual, transgender, and queer (LGBTQ) people who trace their ancestry to the South Asian subcontinent, but have lived beyond its borders. These communities and individuals generate vibrant forms of cultural production: writing, activism, filmmaking, performance art, and creative manipulations of everyday practice. Additionally, queer diaspora can refer to a particular way of analyzing South Asian public cultures and discourse through a transnational lens with an eye toward the ways that normative genders and sexualities are managed and manipulated to secure and undo nationalist projects. Given the dislocation rendered by pushes and pulls from multiple nations and communities, a common theme in the theorization of queer diaspora and the representation of LGBTQ South Asian life is the struggle over and production of “home” as physical space, affective landscape, and shared embodiment. Theories of queer diaspora help scholars understand how some practices that are not particularly associated with mainstream queer identities can be interpreted as queer, especially when read in the context of South Asian histories. The homosociality of South Asian domestic life, filmic conventions, and ritual practices lend themselves to queer interpretations. While these intimacies do not read as queer to everyone, LGBTQ South Asians precisely apprehend these queer possibilities as alternatives to white and Western gay habitus. Also, queer diaspora explains that migrant, postcolonial subjects are often perceived as having non-normative genders and sexualities given the ways that imperial projects have managed those aspects of human life. This framework is reflected in the narratives of LGBTQ South Asians who name how their (un)desirability is based on race, including the hair on their body, their ethnic heritage, and the stereotypes they are associated with.

scholarly journals Introduction

2020 ◽  
Vol 2020 (94) ◽  
pp. 54-66
Author(s):  
Ashna Ali ◽  
Christopher Ian Foster ◽  
Supriya M. Nair
Keyword(s):  
South Asian ◽  
Cultural Production ◽  
Gender And Sexuality ◽  
Special Focus ◽  
Literary Works ◽  
International Context

The first of its kind, this special focus section examines a relatively understudied concept and brings together new literary works and scholarship across continents and languages. Contemporary authors and activists like Fatou Diome, Shailja Patel, Abdourahman Waberi, and Igiaba Scego contribute to a new literary, cultural, and political genre called migritude. Migritude initially indicated a group of younger African authors in Paris but has since expanded to include Europe beyond France, such as Britain and Italy, as well as South Asian and Caribbean diasporas. This body of work reveals intersections between complex histories of colonialism, immigration, globalization, and racism against migrants and highlights differences in region, class, gender, and sexuality that constrain the movement of many people. In an era characterized by openly belligerent nationalism and anti-immigrant and anti-LGBTQ rhetoric, this special focus section aims to unpack migritude cultural production in an international context to study and combat these violent trends.

South Asian Stories: Firsthand Client Perspectives on Barriers to Accessing Speech-Language Pathology Services

2012 ◽  
Vol 19 (1) ◽  
pp. 29-36 ◽  
Author(s):  
Nidhi Mahendra
Keyword(s):  
South Asian ◽  
Empirical Support ◽  
Communication Disorders ◽  
Speech Language Pathology ◽  
Client Experiences ◽  
Individual Interviews ◽  
Timely Access ◽  
Phenomenological Perspective ◽  
Case Vignettes ◽  
Language Pathology

This article details the experience of two South Asian individuals with family members who had communication disorders. I provide information on intrinsic and extrinsic barriers reported by these clients in responses to a survey and during individual ethnographic interviews. These data are part of a larger study and provide empirical support of cultural and linguistic barriers that may impede timely access to and utilization of speech-language pathology (SLP) services. The purpose of this article is to shed light on barriers and facilitators that influence South Asian clients' access to SLP services. I provide and briefly analyze two case vignettes to provide readers a phenomenological perspective on client experiences. Data about barriers limiting access to SLP services were obtained via client surveys and individual interviews. These two clients' data were extracted from a larger study (Mahendra, Scullion, Hamerschlag, Cooper, & La, 2011) in which 52 racially/ethnically diverse clients participated. Survey items and interview questions were designed to elicit information about client experiences when accessing SLP services. Results reveal specific intrinsic and extrinsic barriers that affected two South Asian clients' access to SLP services and have important implications for all providers.

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