scholarly journals Oedipality in Red Sorghum and ]udou

2011 ◽  
Vol 3 (2-3) ◽  
pp. 60-86 ◽  
Author(s):  
Mary Ann Farquhar

This article analyses the representation of masculinity in Red Sorghum and Judou, two films directed by Zhang Yimou. The focus is on oedipality, in particular the murder of the real or symbolic "father" as a condition for the liberation of the son and his wife / mistress. The text is divided into three sections: patriarchy and the social order; patriarchy and the body; and patriarchy and legitimacy. The argument is that oedipality in these films is not presented as a "universally valid" psychic condition (Freud) but as an inevitable result of the patriarchal family system.

2018 ◽  
Vol 23 (4) ◽  
pp. 744-762 ◽  
Author(s):  
Christian Nicholas Edwards ◽  
Robyn L Jones

The primary purpose of this article was to investigate the use and manifestation of humour within sports coaching. This was particularly in light of the social significance of humour as a critical component in cultural creation and negotiation. Data were gathered from a 10-month ethnographic study that tracked the players and coaches of Senghenydd City Football Club (a pseudonym) over the course of a full season. Precise methods of data collection included participant observation, reflective personal field notes, and ethnographic film. The results demonstrated the dominating presence of both ‘inclusionary putdowns’ and ‘disciplinary humour’, particularly in relation to how they contributed to the production and maintenance of the social order. Finally, a reflective conclusion discusses the temporal nature of the collective understanding evident among the group at Senghenydd, and its effect on the humour evident. In doing so, the work contributes to the body of knowledge regarding the social role of humour within sports coaching.


1981 ◽  
Vol 23 (1) ◽  
pp. 130-149 ◽  
Author(s):  
Judith Shapiro

In recent years, a number of anthropologists have come to recognize that missionaries, who play a central role in many of the social systems that anthropologists study, have yet to receive the ethnographic and theoretical attention they deserve. Often, when anthropologists discussed missionaries at all, they treated them as part of the setting, much like rainfall and elevation: matters one felt obliged to mention, but peripheral to the real object of social anthropological description and analysis. There were, to be sure, exceptions, notably the body of anthropological literature that has dealt with the effects of missionaries on various areas of native life.


1970 ◽  
Vol 39 (3) ◽  
pp. 345-364 ◽  
Author(s):  
Richard D. Birdsall

“Only the shell of orthodoxy was left.” Such was the considered judgment of Henry Adams on the condition of the inherited socioreligious order of New England by the year 1800.1 The image of the shell of a gourd with loose seeds rattling within is a good one to convey the dissociation between the purposes of the society and the real beliefs of individuals that had come to pass by the end of the eighteenth century. And it presents a notable contrast to the close congruence of individual belief and the social aims of the first generation of New England Puritans.


2021 ◽  
Author(s):  
Gesa Lindemann

Responding to the critique of methodological ethnocentrism, Lindemann develops a new general social theory that is also highly sensitive to socio-cultural differences. Drawing on Helmuth Plessner’s theory of excentric positionality, social order is understood as a symbolically and technically mediated spatio-temporal order that is integrated by an order of violence. Lindemann hereby brings together three significant aspects of recent debates: the debates on the necessity of a theoretical turn (such as the linguistic turn, the material turn, the body turn, the pictorial turn and the spatial turn); second, the debates on the actor status of non-humans and the borders of the social world, and third, the discussions about the role of violence in structuring social processes.


1992 ◽  
Vol 34 (4) ◽  
pp. 579-620 ◽  
Author(s):  
Uli Linke

Ideologies of reproduction are social facts, collective representations, of the dramatic ways in which human beings construct and appropriate gender for the imaging of social reality. Such symbolic universes are often centered on the body (Foucault 1980; Martin 1989; Turner 1984; Douglas 1973). As a template of cultural signification, the body becomes a model through which the social order can be apprehended. For instance, gender hierarchies are sometimes envisioned by means of an anatomical or physiological paradigm (Needham 1973; Hugh-Jones 1979; Theweleit 1987). However, the operation of societal power is generally focused on women's bodies and bodily processes. Women, according to a widespread (and controversial) paradigm, are grounded in nature by virtue of the dictates of their bodies: menstruation, pregnancy, birth (Lévi-Strauss 1966, 1969; Ortner 1974; Ardener 1975; Mac-Cormack and Strathern 1986).


1998 ◽  
Vol 3 (1) ◽  
pp. 1-31 ◽  
Author(s):  
William Eamon

AbstractThe outbreak of syphilis in Europe elicited a variety of responses concerning the disease's origins and cure. In this essay, I examine the theory of the origins of syphilis advanced by the 16th-century Italian surgeon Leonardo Fioravanti. According to Fioravanti, syphilis was not new but had always existed, although it was unknown to the ancients. The syphilis epidemic, he argued, was caused by cannibalism among the French and Italian armies during the siege of Naples in 1494. Fioravanti's strange and novel theory is connected with his view of disease as corruption of the body caused by eating improper foods. His theory of bodily pollution, a metaphor for the corruption of society, coincided with Counter-Reformation concepts about sin and the social order.


2019 ◽  
Vol 1 (1) ◽  
pp. p39
Author(s):  
Sang Yanhai

Nowadays the world is still in a state of anarchy and the real political meaning of “world” does not truly exist. In this sense, the design of establishing a community with a shared future for mankind is a great innovation of theory, which, theoretically, has the significance of breaking through the world history and reconstructing the social order of the real “world”. The logical deduction of “family-country-world” in Chinese traditional culture is of great theoretical significance for the construction of a community with a shared future for mankind.


Author(s):  
Clifton Hood

For all the social chaos that phenomenal economic growth and heavy immigration had produced earlier in the century, upper-class New Yorkers had generally been optimistic that hoi polloi possessed enough self-control and independence to take direction from their betters and accept their proper place in the body politic. But the New York City draft riots of 1863 – the worse urban disorder in American history – seemed to show that entire communities lacked the self-discipline and orderliness required of the citizenry of a democratic nation and instead were prone to a savagery that had ripped the city apart. Drawing on their memories of the draft riots and on Victorian cultural values, the upper class utilized the Civil War to counter the blurring of class boundaries and social credentials caused by urban growth of the first half of the century. They came to classify came to classify many workers and immigrants as dangerous classes that threatened the social order- and themselves as a community of heritage and feeling that provided leadership in government, the economy, and society. At bottom these representations involved social control, and upper-class people used them to help harden class lines and gain an understanding of themselves and the rest of urban society that was coherent and compelling.


Author(s):  
Joanna Bosse

This chapter introduces the reader to to the tenets of ballroom dance by focusing on the various classificatory systems used in social dances. It begins with a discussion of the “ballroom umbrella” and the wealth of symbolic resources it encompasses, first by considering dancesport and social dancing, followed by an analysis of International and American styles of ballroom performance. It then examines four themes that emerge from classificatory systems: an emphasis on a high degree of specialization in performance; the demonstration of control over the body and its movement; the rationalization of movement and the ideas articulated by it, especially as mediated by language and other symbols; and an association with Western Europe. The chapter suggests that dance classifications also function as social classifications that serve to stratify individuals and groups according to their perception of the social order. More specifically, they articulate the betwixt-and-between-ness that characterizes the American middle class.


Pólemos ◽  
2018 ◽  
Vol 12 (1) ◽  
pp. 5-20
Author(s):  
Alessandra Cordiano

Abstract The acknowledgement of the concept of gender identity is a somewhat recent conquest that has come about thanks mainly to the accomplishments of science and modern technology. The Italian system outlines the generally dominant judicial categories and gives only a partial idea of the historical and judicial evolution of the story of gender. History shows that past societies were more tolerant, or simply more accepting of issues of sexuality. Their more relaxed attitude was reflected in culture and literature and in their more open approach towards matters regarding homosexuality, transsexuality, intersexuality and even transvestism. But it was with Shakespeare that the supremacy of heterosexuality and the sexual canons of the dominant culture saw a major shake-up. Shakespeare used devices like the feminization of the male and women playing male parts as narrative pretexts to comment on themes such as the rivalry between the sexes in the contention for power, conflicts that give rise to a symbiosis between genders and disfigurements of the body that overturn the social order that is shaped by gender binary.


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