scholarly journals Listening Backward: Sonic Intimacies and Cross-Racial, Queer Resonance

2021 ◽  
Vol 6 (2) ◽  
pp. 112-125
Author(s):  
Katelyn Hale Wood
Keyword(s):  
Performance Studies ◽  
Sexual Politics ◽  
Black American ◽  
Resonant Modes ◽  
Sociocultural Contexts ◽  
The Cross

Documenting my encounters as a white queer scholar with the sonic archive of the late black American lesbian comic Jackie “Moms” Mabley, this paper explores the cross-racial/sexual politics of sonic historiography. Through what I term listening backward, I examine how sound procures queer sonic intimacies between critic and subject: the repetitive listening, soundwaves directly travelling from one voice to one person, and most pertinently, the historical and sociocultural contexts that make consumption of such exchange possible and/or fraught. This listening practice centres on relational and resonant modes of archiving through sound and asks: (1) How can exploring methods of sonic documentation align performance studies’ commitment to archiving the affective? (2) What might attention to not only the product of such documentation but also its performative processes offer about how the sonic can deepen modes of performance historiography and the racial/sexual politics of listening? (3) What practices of listening can centre queer intimacies and temporalities in the archive?

The Category Is . . . Opulence!

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Joseph Plaster
Keyword(s):  
Performance Studies ◽  
Knowledge Creation ◽  
People Of Color ◽  
Gender Nonconforming ◽  
Johns Hopkins University ◽  
The Cross ◽  
And Gender ◽  
A Performance

In recent years there has been a strong “public turn” within universities that is renewing interest in collaborative approaches to knowledge creation. This article draws on performance studies literature to explore the cross-disciplinary collaborations made possible when the academy broadens our scope of inquiry to include knowledge produced through performance. It takes as a case study the “Peabody Ballroom Experience,” an ongoing collaboration between the Johns Hopkins University Sheridan Libraries, the Peabody Institute BFA Dance program, and Baltimore’s ballroom community—a performance-based arts culture comprising gay, lesbian, queer, transgender, and gender-nonconforming people of color.

Colonial Theatricality

2021 ◽  
pp. 26-42
Author(s):  
Lisa Skwirblies
Keyword(s):  
Nineteenth Century ◽  
Political Science ◽  
Performance Studies ◽  
The Political ◽  
Colonial Discourse ◽  
Social Domain ◽  
The Cross ◽  
And Performance ◽  
Political Realm

This chapter argues that references to the theater are never merely innocent metaphors but instead are historically and culturally determined modes of perception that allow us to see certain problems in the political realm such as authenticity, representation, and spectatorship as essentially theatrical problems. This is particularly the case in nineteenth century colonial discourse with its technique of theatricalizing the colonized people and places. As a “travelling concept,” theatricality is not bound exclusively to the realm of the theater nor to the discourses of theater and performance studies; it holds meaning and potential as an instrument for analysis in the field of political science as well. The cross-disciplinary possibilities of the term theatricality lie in the term’s applicability for a better understanding of both the theater-like character of the political and social domain as well as of the grammar of performance as an aesthetic medium.

scholarly journals “Am I Providing a Good Show for You?”

2019 ◽  
Vol 5 (2) ◽  
pp. 148-180
Author(s):  
Alissa Clarke
Keyword(s):  
Performance Studies ◽  
Performance Practice ◽  
Methodological Approach ◽  
Sexual Politics ◽  
Skills Training ◽  
Pop Art ◽  
Avant Garde ◽  
Sexually Explicit ◽  
Parental Abuse ◽  
Underground Film

The underground film Daddy (1973), a collaboration by French artist Niki de Saint Phalle and British countercultural filmmaker Peter Whitehead, is a sexually explicit surrealist pop-art Freudian rape revenge fantasy. It stems from de Saint Phalle's autobiographical narrative of parental abuse and the development of a young girl's sexuality. Deploying a performance studies lens to focus on performance practice and process, this article takes a new methodological approach to the film that could be applied to other avant-garde cinematic practices. Drawing on previously unseen materials and examining a key and frequently underexplored element of female labor within film, this essay traces the skills, training, and experiences shaping female performative labor, and demonstrates that Daddy's interrogation of sexual politics and displays of female sexual expression depended on this labor. Dissecting it offers revealing insights into the complex and frequently hidden dynamics of control and agency underpinning Daddy's artistic and sexual collaborations.

scholarly journals Listening to Performers’ Writings and Recordings

2016 ◽  
Vol 22 (3) ◽  
Author(s):  
Peter Kaminsky
Keyword(s):  
Performance Analysis ◽  
Performance Studies ◽  
The Cross ◽  
And Performance ◽  
Exclusive Focus

This essay offers a close analytical reading of Debussy’s 1904 song “Colloque sentimental.” Drawing on research in performance/analysis and performance studies that engages with performers’ discourse, I analyze not only Debussy’s score, but also commentaries on the song by Jane Bathori and Pierre Bernac, as well as Bathori’s and Bernac’s recordings. For an analyst, the cross-comparison of their respective commentaries and performances allows for rich interpretations of music and text that are unavailable from an exclusive focus on the score.

A New Approach to the Demonstration of Oxidase-Localization Using Tannic Acid Or Catechin

1973 ◽  
Vol 31 ◽  
pp. 698-699
Author(s):  
V. Mizuhira ◽  
Y. Futaesaku
Keyword(s):  
Cross Section ◽  
Tannic Acid ◽  
Elastic Fiber ◽  
The Other ◽  
New Approach ◽  
Tissue Block ◽  
Active Reaction ◽  
The Cross

Previously we reported that tannic acid is a very effective fixative for proteins including polypeptides. Especially, in the cross section of microtubules, thirteen submits in A-tubule and eleven in B-tubule could be observed very clearly. An elastic fiber could be demonstrated very clearly, as an electron opaque, homogeneous fiber. However, tannic acid did not penetrate into the deep portion of the tissue-block. So we tried Catechin. This shows almost the same chemical natures as that of proteins, as tannic acid. Moreover, we thought that catechin should have two active-reaction sites, one is phenol,and the other is catechole. Catechole site should react with osmium, to make Os- black. Phenol-site should react with peroxidase existing perhydroxide.

Structures Resembling Striated Rootlets in Oocytes

1972 ◽  
Vol 30 ◽  
pp. 124-125
Author(s):  
Valerie V. Ernst
Keyword(s):  
Golgi Complex ◽  
Fibrous Structure ◽  
Oocyte Development ◽  
The Cross

During the earliest stage of oocyte development in the limpet, Acmea scutum, Golgi complexes are small, few and randomly dispersed in the cytoplasm. As growth proceeds, the Golgi complexes increase in size and number and migrate to the periphery of the cell. At this time, fibrous structures resembling striated rootlets occur associated with the Golgi complexes. Only one fibrous structure appears to be associated with a Golgi complex.The fibers are periodically cross banded with an average of 4 dense fibrils and 6 lighter fibrils per period (Fig. 1). The cross fibrils have a center to center spacing of about 7 run which appears to be the same as that of the striated rootlets of the gill cilia in this animal.

Energy Distribution in Electron Beams

1972 ◽  
Vol 30 ◽  
pp. 568-569
Author(s):  
Tamotsu Ohno
Keyword(s):  
Electron Beam ◽  
Energy Distribution ◽  
Cross Section ◽  
Integral Curve ◽  
Electron Beams ◽  
Electron Gun ◽  
Angular Divergence ◽  
Apparent Increase ◽  
Integral Width ◽  
The Cross

The energy distribution in an electron; beam from an electron gun provided with a biased Wehnelt cylinder was measured by a retarding potential analyser. All the measurements were carried out with a beam of small angular divergence (<3xl0-4 rad) to eliminate the apparent increase of energy width as pointed out by Ichinokawa.The cross section of the beam from a gun with a tungsten hairpin cathode varies as shown in Fig.1a with the bias voltage Vg. The central part of the beam was analysed. An example of the integral curve as well as the energy spectrum is shown in Fig.2. The integral width of the spectrum ΔEi varies with Vg as shown in Fig.1b The width ΔEi is smaller than the Maxwellian width near the cut-off. As |Vg| is decreased, ΔEi increases beyond the Maxwellian width, reaches a maximum and then decreases. Note that the cross section of the beam enlarges with decreasing |Vg|.

On the cross-sectional shape of the cellulose crystallites in the tunicate Halocynthia papillosa

1990 ◽  
Vol 48 (3) ◽  
pp. 566-567
Author(s):  
J.-F. Revol ◽  
Y. Van Daele ◽  
F. Gaill
Keyword(s):  
Contrast Imaging ◽  
Animal Kingdom ◽  
Bright Field ◽  
Field Mode ◽  
Cross Sectional ◽  
Ultrathin Sections ◽  
The Cross ◽  
Sectional Shape ◽  
Valonia Ventricosa ◽  
C Nmr

The only form of cellulose which could unequivocally be ascribed to the animal kingdom is the tunicin that occurs in the tests of the tunicates. Recently, high-resolution solid-state l3C NMR revealed that tunicin belongs to the Iβ form of cellulose as opposed to the Iα form found in Valonia and bacterial celluloses. The high perfection of the tunicin crystallites led us to study its crosssectional shape and to compare it with the shape of those in Valonia ventricosa (V.v.), the goal being to relate the cross-section of cellulose crystallites with the two allomorphs Iα and Iβ.In the present work the source of tunicin was the test of the ascidian Halocvnthia papillosa (H.p.). Diffraction contrast imaging in the bright field mode was applied on ultrathin sections of the V.v. cell wall and H.p. test with cellulose crystallites perpendicular to the plane of the sections. The electron microscope, a Philips 400T, was operated at 120 kV in a low intensity beam condition.

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