scholarly journals L’èxtasi poètic de Fontanella: metateatre i música a la Lloa per la Tragicomèdia pastoral d’amor, firmesa i porfia

2018 ◽  
Vol 11 (11) ◽  
pp. 178
Author(s):  
Gaston Gilabert
Keyword(s):  
Critical Evaluation ◽  
17Th Century ◽  
Point Of View ◽  
Functional Importance ◽  
Avant Garde ◽  
Modern Age ◽  
Dramatic Structure

Resum: En absència d’estudis monogràfics sobre la Lloa de Fontanella, aquest article n’ analitza l’estructura dramàtica, començant amb una reflexió sobre llur classificació dintre del gènere i sobre l’espai de la Barcelona del segle XVII que podria haver-la escenificat. La importància funcional que el poeta barceloní atorga a la música i al metateatre condueixen a una interpretació de la Lloa des d’un punt de vista poeticomusical, la qual cosa permet una nova lectura de certs passatges i una valoració crítica que afecta, no només a la peça en qüestió sinó a tota la Tragicomèdia pastoral d’amor, firmesa i porfia i al caràcter d’avantguarda del teatre català de l’Edat Moderna Paraules clau: Francesc Fontanella, teatre català, literatura barroca, música, Barcelona.   Abstract: In the absence of monographic studies on Fontanella’s Lloa, this paper analyses its dramatic structure, starting with a reflection on their classification within the genre and on the context of 17th century Barcelona where it could have been staged. The functional importance that this Barcelonian poet grants to music and metatheatre leads to an interpretation of the Lloa from a poetic-musical point of view, which allows a new reading of certain passages and a critical evaluation that affects not only the piece in question, but also the whole Tragicomèdia pastoral d’amor, firmesa i porfia and the avant-garde character of the Catalan theatre of the Modern Age. Keywords: Francesc Fontanella, Catalan theatre, baroque literature, music, Barcelona.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

Das Jahr 1913 in Geschichte und Gegenwart

2013 ◽  
Vol 38 (1) ◽  
Author(s):  
Gangolf Hübinger
Keyword(s):  
Human Experience ◽  
Point Of View ◽  
Avant Garde

AbstractWhile the year 1913, seen from a modern point of view, is considered a monument to the literary and artistic avant-garde, it was in fact primarily a year when knowledge of the human experience was reordered and was considered by intellectual contemporaries as the ‘Age of Compilations’. In this introduction to the topic both perspectives on the year 1913 are compared. At the same time, ‘Syncronoptic Historiography’s’ claim of establishing a new link between literature and history is scrutinized.

Divi pirmās personas stāstījumi Osvalda Zebra romānā „Māra”

2021 ◽  
pp. 197-208
Author(s):  
Daiga Zirnīte
Keyword(s):  
Young Woman ◽  
Personal Growth ◽  
Point Of View ◽  
The Other ◽  
Internal Conflict ◽  
Narrative Form ◽  
First Person ◽  
The Novel ◽  
Growth Path ◽  
Dramatic Structure

The aim of the study is to define how and to what effect the first-person narrative form is used in Oswald Zebris’s novel “Māra” (2019) and how the other elements of the narrative support it. The analysis of the novel employs both semiotic and narratological ideas, paying in-depth attention to those elements of the novel’s structure that can help the reader understand the growth path and power of the heroine Māra, a 16-year-old young woman entangled in external and internal conflict. As the novel is predominantly written from the title character’s point of view, as she is the first-person narrator in 12 of the 16 chapters of the novel, the article reveals the principle of chapter arrangement, the meaning of the second first-person narrator (in four novel chapters) and the main points of the dramatic structure of the story. Although in interviews after the publication of the novel, the author Zebris has emphasised that he has written the novel about a brave girl who at her 16 years is ready to make the decisions necessary for her personal growth, her open, candid, and emotionally narrated narrative creates inner resistance in readers, especially the heroine’s peers, and therefore makes it difficult to observe and appreciate her courage and the positive metamorphosis in the dense narrative of the heroine’s feelings, impressions, memories, imaginary scenes, various impulses and comments on the action. It can be explained by the form of narration that requires the reader to identify with the narrator; however, it is cumbersome if the narrator’s motives, details, and emotions, expressed openly and honestly, are unacceptable, incomprehensible, or somehow exaggerated.

Der Raum der Vorlesung: Vom Auditorium zum „multi media hub“

2021 ◽  
Vol 49 (3) ◽  
pp. 653-701
Author(s):  
Heiko Hausendorf ◽  
Kenan Hochuli ◽  
Johanna Jud ◽  
Alexandra Zoller
Keyword(s):  
Middle Ages ◽  
Social Practice ◽  
Current Data ◽  
Point Of View ◽  
Lecture Hall ◽  
Architectural Elements ◽  
Modern Age ◽  
The Social ◽  
Multi Media ◽  
High Level

Abstract The present paper is concerned with the lecture hall as the natural home of lecturing. We will focus on constructed, designed and equipped space as a material and communicative manifestation of science which fundamentally contributes to the multimodal practice of lecturing. Taking an interactionist point of view, we start off with introducing our concept of architecture-for-interaction which aims at spatial built-in features as a resource for social interaction, namely for situational anchoring among those present. In a second step, we identify key architectural elements of the lecture hall as material sediments of communicative problems connected with the social practice of lecturing. In doing so, we will also give a high-level overview of the historical development of the lecture hall (and its precursors) since the Middle Ages and the Early Modern Age. Turning to current data from lecturing in times of the pandemic, we will then deal with so called „ghost lectures“ behind closed doors. This current development brings out a refiguration process due to which the lecture hall undergoes a change from the classical auditorium with copresent participants to a multi-media hub allowing for tele-present participants.

Occultists Study Dark Arts

2019 ◽  
pp. 139-155
Author(s):  
Thomas Waters
Keyword(s):  
Christian Science ◽  
Victorian Era ◽  
Avant Garde ◽  
Modern Age

This chapter shows that witchcraft did not beguile only rustic simpletons during the Victorian era. In cities and suburbs, behind expensive curtains and in bay-windowed houses, avant-garde types experimented with new forms of occultism. Spiritualism, theosophy, Christian Science, and extremely complex ritual magic — these types of mysticism are often seen as positive, therapeutic, and emancipating. In many ways they were, but the late Victorian occult revival had dark sides too. Many occultists were intrigued by evil powers and some were absolutely obsessed with them. These characters, with their strange theories and esoteric investigations, helped to refresh the idea of witchcraft, rendering it in terms that befitted the modern age.

scholarly journals Arheologija Silbe i silbenskih grebena

2017 ◽  
Vol 9 (1) ◽  
Author(s):  
Smiljan Gluščević
Keyword(s):  
Late Antiquity ◽  
17Th Century ◽  
13Th Century ◽  
Neighboring Group ◽  
Late Medieval ◽  
Archaeological Material ◽  
The Past ◽  
Modern Age

The article deals with the archaeological material recorded over the past decade on the island of Silba and on its seabed. The island is located on the most important seafaring route that led from the northern to southern Adriatic. The source of the earliest – albeit scarce – information about its population is the island’s prehistoric hill-fort. As for the life on the island in Antiquity and Late Antiquity, the graves and sarcophagi recorded there can be used as evidence of it. In terms of the number of finds, the seabed off Silba is much richer than the island itself, particularly the area near Sveti Ante Cove and Cape Arat, where Antiquity remains and Modern Age glass objects were found. Grebeni – the neighboring group of three reefs – were also included in the excavations. They were fatal for numerous ships of the Antiquity, as well as for one Late Medieval ship and one Modern Age ship. The most important finds include those from a mid-1st-century AD ship (a large quantity of material which is mostly unique for the Adriatic), a bell from the second half of the 13th century, and a ship with mid-17th-century cannons, anchors and ceramics. We should add to these the find of a shipwreck with Baetical amphorae (type Dr. 20) – the first such find on the Adriatic seabed. 

scholarly journals The female characters in Branislav Nušić's and Stefan Kostov's selected comedies

Bastina ◽  
2020 ◽  
pp. 95-109
Author(s):  
Đurđina Isić
Keyword(s):  
Small Town ◽  
Point Of View ◽  
Theoretical Point ◽  
Female Characters ◽  
Modern Age ◽  
The Social ◽  
The World ◽  
The Subject ◽  
Bereaved Family

The paper presents the results of research that included comparative study of the place and role of female characters in selected and representative comedies by Serbian comedigrapher Branislav Nušić (eng. MP, Suspicious person, Mrs Minister, Bereaved family, Dr, Deceased; srb. Narodni poslanik, Sumnjivo lice, Ožalošćena porodica, Dr, Pokojnik, Vlast) and Bulgarian comedigrapher Stefan Kostov (eng. Gold mine, Golemanov, Grasshoppers, Nameless comedy; blg. Zlamnama mina, Golemanov, Skakalci, Komediâ bez ime) in order to find similarities and differences in the process of comedigraphic shaping of female characters in the work of these two authors. The subject of the research was viewed primarily from a literary-theoretical point of view, and the dominant methods of study were comparative and analytical-synthetic. During the research, there was a differentiation of female characters in accordance with their motivational structures, psychological assemblies and the nature of the place and the role they play in the social environment in which they are located. Therefore, we can distinguish female characters who live in the province and who are fully representative of the small-town spirit, female characters who live in the capital and are a symbol of the modern age and female characters who dwell in the capital, but in fact, deeply down still carry a small-town view of the world. The structure of this paper is in line with this distinction. Conclusions made at the end of the study show that the representation of female characters in analyzed comedies of both comedigaphers is highly similar in its nature.

scholarly journals Comunicación visual mediante técnicas GIS en el litoral del Campo de Dalías: la defensa costera de los pueblos del interior.

2012 ◽  
Vol 3 (6) ◽  
pp. 93
Author(s):  
Enrique Villanueva Ojeda ◽  
Andrés Miguel García Lorca
Keyword(s):  
Point Of View ◽  
The Other ◽  
Significant Part ◽  
Research Project ◽  
Gis Techniques ◽  
Modern Age

<p>Monitoring of the coast for the protection of the in-land populations has been one of the main problems in the province of Almería during a significant part of Modern Age. Due to this was planned and developed an entire infrastructure defensive and observational in view of the arrival of pirates and corsairs to the coast of Almería. With the present work it is tried firstly to give importance to these structures from a landscape point of view, tourism and culture through GIS techniques to create view sheds. On the other, from overlapping each different view shed, their presence or absence, can give useful conclusions for the archaeology science, as a part of a research project on the visual connection between the coastal defenses and in-land populations.</p>

scholarly journals Convention as the Source of the Avant-Garde. Remarks on the Inventiveness of Poetics of the Past

2019 ◽  
Vol 66 (1 SELECTED PAPERS IN ENGLISH) ◽  
pp. 19-31
Author(s):  
Barbara Niebelska-Rajca
Keyword(s):  
20Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Avant Garde ◽  
The Past ◽  
Polish Version ◽  
Dominant Tendency ◽  
Late Renaissance ◽  
Theoretical Reflection ◽  
Present Text

The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 59 (2011), issue 1. Modern theoretical-literary treatises, defined as normative poetics, are usually connected with the dominance of the convention and normativism, with obligatory rules, canonical concepts and restrictive directives hampering originality. The present text tries to revise the conviction that convention is a dominant tendency in the development of the old theoretical thought; it tends to show the avant-garde aspects of modern poetics and to present the relations between what is conventional and what is innovative in the most original theoretical texts of late Renaissance and Baroque. Examples of two avant-garde modern poetics—Francesco Patrizi’s theory of wonder formed at the end of the 16th century and the 17th century Emanuele Tesauro’s conceptistic theory—show that tradition and convention are necessary elements of inventive theories. The avant-garde of poetics of the past, contrary to the avant-garde of the 20th century, is not born from the defiance of the earlier theories but is formed by way of modernizing and transforming them. Old inventive theories—despite all the departures from tradition—are still part of the classical paradigm. Hence, the avant-garde character of late-Renaissance and Baroque theoretical reflection consists in a peculiar synergy of convention and novelty.

scholarly journals A jó, a rossz és a csúf

2018 ◽  
Vol 57 (1-2) ◽  
Author(s):  
Sándor Bazsányi
Keyword(s):  
Point Of View ◽  
The Other ◽  
Avant Garde ◽  
The Third

The essay tries to examine the influence of dezső Kosztolányi with the help of three contemporary poets, György Somlyó, ottó tolnai and Szilárd Borbély. One of them looks at Kosztolányi’s poetry from a classical modern, the other from an avant-garde modern, and the third one from a postmodern point of view.

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