A Study on the Feminine Metaphor and the Other of Animation Focused on the female Characters

2020 ◽  
Vol 58 ◽  
pp. 1-21
Author(s):  
Jin-Hee Oh
Keyword(s):  
The Other ◽  
Female Characters ◽  
The Feminine

scholarly journals The Hysteric Belongs to Me: Helen Oyeyemi’s The Opposite House

2020 ◽  
Vol 20 ◽  
pp. 45-63
Author(s):  
Noémi Albert
Keyword(s):  
The Self ◽  
The Other ◽  
Female Characters ◽  
The Public ◽  
The Feminine ◽  
Long Time

The term hysteria has undergone several substantial changes throughout its history. A charged concept, deemed for a long time as pejorative and offensive to womanhood, it has lately been re-appropriated for literature under the concept of the “hysterical narrative.” This new trend purports to redeem hysteria and, together with it, redeem the feminine and show all its complexity. Helen Oyeyemi’s 2007 novel, The Opposite House, conflates the private and the public in two female characters, one human, the other divine. Through this double perspective the work self-reflexively re-evaluates hysteria both in the self and in the community.

scholarly journals The Feminine Other: Monsters and Magic in Beowulf and Sir Gawain and the Green Knight

2021 ◽  
Vol 2 (1) ◽  
pp. 55
Author(s):  
Hana Ghani
Keyword(s):  
Critical Analysis ◽  
The Self ◽  
The Other ◽  
Female Characters ◽  
Binary Opposition ◽  
Sir Gawain ◽  
Monster Theory ◽  
Courtly Romance ◽  
The Feminine ◽  
Female Monsters

Monsters are perceived as humanity’s enemy that should be eradicated. However, based on Jeffrey Cohen’s Monster Theory (1997), monsters play an important role in understanding humanity’s fears and anxieties. Monstrosity hinges upon the binary opposition of the Self and the Other, in which the Other is seen as a threat to the Self. With this in mind, this article addresses the female monsters of two medieval texts: Beowulf and Sir Gawain and The Green Knight. This paper aims to examine the female monsters, Grendel’s mother and Morgan the Fay, as a cultural reference to unravel the patriarchal anxieties of the time. Grendel’s mother represents a threat to the homosocial hierarchal bonds of Medieval society. Meanwhile, Morgan the Fay signifies danger to knighthood, chivalry, and courtly romance. At the same time, this paper also aims to continue the critical analysis and literature of the female characters in both texts with a heavy emphasis on their Otherness.

Keeping Company with Sondheim’s Women

2014 ◽  
Author(s):  
Stacy Wolf
Keyword(s):  
Musical Theater ◽  
Married Couples ◽  
Feminist Perspective ◽  
The Self ◽  
The Other ◽  
Female Characters ◽  
Other Hand ◽  
The One

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.

scholarly journals Shame and Alcoholism in Paula Hawkins’s The Girl on the Train

2021 ◽  
Author(s):  
Maysaa H. Jaber
Keyword(s):  
Violence Against Women ◽  
Alcohol Addiction ◽  
The Other ◽  
Female Characters ◽  
The One

The aim of this article is to showcase the connection between the portrayal of shame and alcohol addiction, on the one hand, and the mystery of murder and violence against women, on the other, in Paula Hawkins’s thriller The Girl on the Train (2015). This article argues that Hawkins’s book uses the thriller formula to reveal the links between gender and violence by delving into the vulnerability, suffering and resilience of the female characters through the stories of alcoholic troubled protagonist, Rachael Watson and the mystery of Megan Hipwell’s murder.

scholarly journals 12th century locked women: “Eleanor, Heloise, and a few others

De Medio Aevo ◽  
2020 ◽  
Vol 14 ◽  
pp. 99-115
Author(s):  
Laurence Moulinier Brogi
Keyword(s):  
Middle Ages ◽  
Gender Relations ◽  
Global Scale ◽  
The Other ◽  
Modest Contribution ◽  
Other Hand ◽  
12Th Century ◽  
The Feminine ◽  
Peace And Security ◽  
History Of

Thanks to an unprecedented experience, that of confinement on a global scale due to a pandemic, this article offers a reflection on the confinement of only a part of humanity, women, at a given time, the 12th century, as a modest contribution to the history of gender relations in the Middle Ages. Different women, in fact, underwent or on the contrary sought at that time isolation and seclusion: in all cases, their loneliness was linked to men, who inspired them to withdraw as a solution to escape marriage and sexuality, or required to get rid of their unwanted company. We therefore wonder here what are the faces and common points of the various forms of relegation that were going on, what resistance women could oppose, but also what were its limits: some of them chose the solitude as a pledge of peace and security but could they really be left alone? Could the recluses really provide for themselves? Were the imprisoned wives not kept in touch with the outside world, especially the male? At the end of this study, absolute solitude in the feminine seems more an ideal than a reality because even in the most austere cells, women could hardly do without men completely. On the other hand, confinement largely protected them physically, leaving in many cases other types of love than carnal one to flourish

scholarly journals FEMALE VOICES IN NEPALI NOVELS

2020 ◽  
Vol 7 (12) ◽  
pp. 216-223
Author(s):  
Ashok Thapa ◽  
Sushil Rajbhandari
Keyword(s):  
The Other ◽  
The Political ◽  
Female Characters ◽  
Democratic Socialism ◽  
Psychological Issues ◽  
Societal Norms ◽  
Other Hand ◽  
Communist Ideology ◽  
Norms And Values ◽  
Political Spectrum

The female characters created by BP Koirala and Pradip Nepal in Narendra Dai and Swapnil Shahar respectively have been compared and contrasted in this paper. Although Koirala and Nepal represent two poles of the Nepalese political spectrum, with Koirala pursuing democratic socialism doctrine and Nepal following communist ideology, the characters they create in their novels do not completely reflect the political schooling of their creators. The female characters in both the novels share some common traits of characters which most of the women in the Nepalese society, even today, exude, such as compassion, sacrifice, and docility. However, these female characters also display enough courage to rebel against the prevalent patriarchal dominance. The plot of Nepal’s novel is considerably politically colored, and thus the female characters in his novel discuss progressive ideas and even act accordingly. Koirala’s novel on the other hand deals more with socio-psychological issues and these conditions the dispositions of his characters. Nevertheless, his female characters too display rebellious traits and speak back to the patriarchal hegemony both through words and actions. As compared to Nepal, however, Koirala seems to have better succeeded in creating well-rounded female characters that not only abide by the then societal norms and values but also display mutiny against unjust treatment.

scholarly journals Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Lila Lamrous
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
The Novel ◽  
Female Characters ◽  
Patriarchal Society ◽  
The Feminine ◽  
The Right

The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.

Deconstructing the Other’s Other: Analyzing the Chinese Female Image in the Film Saving Face

Film Matters ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 93-100
Author(s):  
Chuyi Zhang
Keyword(s):  
Chinese Women ◽  
Postcolonial Studies ◽  
The Other ◽  
American Film ◽  
Female Characters ◽  
Global Order ◽  
The Past ◽  
Female Image ◽  
Saving Face ◽  
International Status

The image of Chinese women portrayed in American films is essentially the West’s imagination of China, conveyed by the female body and constructed in the Orientalist discourse. Over the past one hundred years, Chinese women have been primarily depicted as docile, weak, submissive, voiceless, and in need of being rescued and guided by Occidentals. With the evolution of the global order and the rise of China’s international status, the silent Orient has taken the initiative to resist and reshape this voiceless, “other-ed” image. This article aims to focus on the female characters in Saving Face, an American film directed by Chinese American director Alice Wu in 2004, and analyzes how the director reverses the stereotyped Chinese female image based on the theoretical framework of Orientalism and postcolonial studies, not only “the other” with regards to men, but also “the other” as to the Occident, thus dismantling long-held misreadings of China.

Communication Process in Family Reinforcing the Gender Differences in Bangladesh

2016 ◽  
pp. 137-147
Author(s):  
Sabiha Yeasmin Rosy ◽  
Md. Mynul Islam
Keyword(s):  
Gender Differences ◽  
Negative Impact ◽  
The Other ◽  
Communication Process ◽  
Human Being ◽  
The Feminine ◽  
The World ◽  
Public World ◽  
And Behavior ◽  
The Impact

Family is an important institution to build a person's personality, morality, value and attitude. When this institution communicates properly, it shows the impact e.g. a boy or a girl becomes social human being. Unfortunately in our family gender biasness is reinforced continuously by starting to behave differently with boys and girls from the childhood. Parents communicate with them in a different way which constructs the traits of “masculinity” and “femininity”. Girls are compelled to learn the feminine role with politeness, submissiveness and their mobility is restricted in public world. It is a family which trains a girl to be a good mother, wife, sister or daughter, on the other hand a boy learns to be social, intellectual, able to run the world and strong. This different formation of role and behavior results in the ongoing discrimination everywhere in the society. This reinforcement is sort of relief from social stigmatization but has overall negative impact on life and through this family can be counted as the main birthplace of discrimination against women. Girls and boys must be raised neutrally to eradicate the gender differences and ensure the equality.

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