Chapter Two. Disappearance Topological Visuality in Abe Kōbō’s Urban Literature

2019 ◽  
pp. 48-80
Keyword(s):  
2017 ◽  
Vol 44 (4) ◽  
pp. 797-805
Author(s):  
Carlo Rotella

This article addresses urbanists in various fields—history, the social sciences, planning, and more—who are interested in incorporating literary works into their teaching and research and may be looking for critical approaches that connect such work to their own expertise. It begins from the premise that the traits that make a city a city present writers with opportunities to tell stories, experiment with form, make meaning, and otherwise exercise the literary imagination. When we use “urban literature” as a category of analysis, when we try to identify relationships between cities and the writing produced in and about them, we are asserting that this writing takes shape around confronting the city as a formal, social, and conceptual challenge. This article explores examples of texts ranging from Sister Carrie to I Am Legend and beyond that engage signature urban processes such as urbanization, development, and the dense overlap of orders.


2001 ◽  
Vol 99 (2) ◽  
pp. 333-336
Author(s):  
Peter Sattler
Keyword(s):  

2015 ◽  
Vol 52 (1) ◽  
pp. 66-97 ◽  
Author(s):  
Thomas Laidley

Sprawl is a popular subject in the urban literature, yet conceptualization and measurement have proven elusive. Projects which focus either on empirical advances in the quantification of urban form or related phenomena like travel behavior are rarely conversant, leading to a fundamental disconnect between operationalizing the concept and modeling its effects. Here, I build on previous work in developing a new index of sprawl and examine changes in urban morphology at the metropolitan level in the United States from 2000 to 2010. I then illustrate face validity by outlining suggestive relationships between the index and associated environmental and housing outcomes, while comparing it with other commonly used measures. I find that sprawl continues into the twenty-first century, and that this proposed measure demonstrates initial face validity with respect to key environmental and housing outcomes. I conclude with a discussion of the results and suggestions for future research.


Urban Studies ◽  
2000 ◽  
Vol 37 (10) ◽  
pp. 1849-1864 ◽  
Author(s):  
K.W. Axhausen
Keyword(s):  

2019 ◽  
Vol 62 (4 (463)) ◽  
pp. 31-47
Author(s):  
Viktorija Šeina

The article analyzes the mythologization of Kaunas, the temporary capital of Lithuania, in the Lithuanian literature of the interwar period. The methodological approach of the research is based on the research methods of urban mythopoetics by Vladimir Toporov and that of topological semiotics by Algirdas Julien Greimas. Due to objective historical and social circumstances, the formation of the Lithuanian urban literature started only at the beginning of the 20th century. The intensive period in the urbanization of the Lithuanian literature was that of the interwar period when literary reflections on Kaunas started gaining certain dominant symbolic images of the city, repeating plots and characters typical of Kaunas. The literary myth of the temporary capital as a pernicious city which becomes a moral trial for an individual is revealed in the article through the analysis of Part III of the novel Altorių šešėly [In the shadows of altars] by Vincas Mykolaitis-Putinas, the most prominent Lithuanian novelist of the interwar period.


Urban History ◽  
2017 ◽  
Vol 45 (3) ◽  
pp. 404-425
Author(s):  
LAURA CROMBIE

ABSTRACT:The economic and political dimensions of guilds in medieval Flanders, especially medieval Ghent, have been well studied for generations. It is often noted that guilds were more than work organizations, and that their religious and social activities made them very like confraternities, but exploring the cultural and ideological side of guilds can be hampered by less surviving evidence. The present article attempts to address this lacuna by using poems written by/for the masons’ guild in fifteenth-century Ghent, taking an interdisciplinary perspective to examine ideals of community, hierarchy and the sacralization of labour from an urban perspective.


Author(s):  
Svitlana Bohdanets

The article looks at topoi in gastronomic images of European medieval humoristic texts and seeks to examine the connection between food and comic discourses. The author shall also highlight how these images were evaluated and interpreted by scholars of a different methodological background. The attention is paid to motives in gastronomic humour and comic plots related to food, which were widely spread in Western culture. Gastronomic humour is displayed through examples that are to be found in such medieval literary genres as farce, fabliau, Schwank etc. The study aims to propose a common food comic code, explain the principles of its implementation in the text and show its typical constituent elements. The essay starts with an examination of anthropological and social factors that might have shaped and symbolically and functionally determined gastronomic humour. It is assumed that mouth has a significant role in the processes of organization of nutrition and laughter on the bodily level. Then the author overviews in detail the literary origins of gastronomic jokes tracing their formation from the antique comedy. The development and establishment of food comedy are shown through examples from medieval urban literature. Attention is also drawn to the context in which the text functions, in other words, the specifics of its implementation in time and space. It is revealed that nutrition often appears as a background for comic plots, and culinary spaces are typical locations in humoristic stories. According to their professional activity comedy characters are also closely related to food. It is noticed that the food itself becomes a subject of conflict in a comic situation. Main characters actions are concentrated around the food, drinks or dishes. Another aspect of gastronomic humour involves a situation where eating resembles defecation. A typical comic tool on its own is the analogy between having a meal and sex. The paper also describes the features of food that often appear in humoristic texts and therefore has a higher level of comic value.


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