scholarly journals BODY AND GENDER RELATIONSHIP IN CERAMIC WORKS OF PABLO PICASSO, PETER VOULKOS AND SERGEI ISUPOV

2020 ◽  
Vol 9 (76) ◽  
Keyword(s):  
Ceramic Materials ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Pablo Picasso ◽  
Modern Process ◽  
Ceramic Art ◽  
And Gender

The notions of body and gender have been one of the artistic means of expression of all societies. This is due to the body being a part of humanity’s own existence and individuality. As for gender, this is a concept that puts forth the constructs based on society and the identity of society itself. The aim of the research is to investigate why the artists in question applied the concept of body in ceramic works. To reveal the differences by giving examples of the usage of ceramic materials in traditional and contemporary terms.In the findings obtained in the study, it was determined that ceramics can have different applications, both functional and artistic. From this point of view, it is the other purpose of the research to examine and reveal how and why these two different situations are applied. In this research, the sociological investigation of the body has been carried out by including the first examples of the notions of body and gender in the Prehistoric era. The scope and limitations of the research were determined as the samples of Ancient Age ceramics and the works of Pablo Picasso, Peter Voulkos and Sergei Isupov. The reason for choosing these examples; to identify what are the changes and developments in the traditional and modern process of ceramics. Thus, it is considered that the changes and developments in ceramic as both a material and an idea will be noticed. The scope of the research carries importance as part of understanding the traditional and contemporary distinctions of body and gender concepts in ceramics. In this context, it is thought that the concepts of idea, concept, body and gender will be discussed frequently in contemporary ceramic art. Keywords: Body, gender, contemporary interpretations, ceramic art

scholarly journals Idrott och genus: Kroppens materialisering

2005 ◽  
Vol 15 (2) ◽  
pp. 55-72
Author(s):  
Håkan Larsson
Keyword(s):  
The Body ◽  
Track And Field ◽  
The Other ◽  
Biological Entity ◽  
Male Body ◽  
The Subject ◽  
Male Discourse ◽  
And Gender ◽  
The One ◽  
Cultural Effect

Håkan Larsson: Sport and gender This article concerns bodily materialisation as it occurs in youth sport. It is based on interviews with teenagers 16 to 19 years of age doing track and field athletics. The purpose of the article is to elucidate how the notion of a “natural body“ can be seen as a cultural effect of sports practice and sports discourse. On the one hand, the body is materialised as a performing body, and on the other as a beautiful body. The “performing body“ is a single-sexed biological entity. The “beautiful body“ is a double-sexed and distinctly heterosexually appealing body. As these bodies collide in teenager track and field, the female body materialises as a problematic body, a body that is at the same time the subject of the girl’s personality. The male body materialises as an unproblematic body, a body that is the object of the boy’s personality. However, the body as “(a problematic) subject“ or as “(an unproblematic) object“ is not in itself a gendered body. Rather, these are positions on a cultural grid of power-knowledge relations. A girl might position herself in a male discourse, and a boy might position himself in a female discourse, but in doing so, they seem to have to pay a certain price in order not to be seen as queer.

scholarly journals The Reincarnation of Animated Film

2017 ◽  
Vol 65 (4) ◽  
pp. 331-344
Author(s):  
Eva Šošková
Keyword(s):  
Performing Arts ◽  
Point Of View ◽  
The Body ◽  
Dominant Male ◽  
Narrative Art ◽  
Female Authors ◽  
Male Characters ◽  
Before And After ◽  
Animated Film ◽  
And Gender

Abstract Throughout its entire history, Slovak animated film has had the form of figurative narrative art or craft. For this reason, the author of this study examines its post-1989 development through the prism of the body. Since the most visible change that has affected contemporary film aesthetics is the feminization of animated film in terms of authorship, the study primarily focuses on the ability of an animated body to represent gender and gender roles. It attempts to capture the most significant changes in the depiction of the body in authorial animated film before and after 1989, in more detail record the post-revolution changes in the body, and relate this to the changes in the institutional background of animated film. Animated bodies have developed from “ordinary people” from a dominant male point of view in socio-critical socialist production through female characters in interaction with clearly distinguished male characters in the films of female authors from the Academy of Performing Arts, the crisis of stereotypical masculinity in the production of male authors to independent women looking for their own identity inside themselves, without relating themselves to their male counterparts.

scholarly journals Body, Possibility and Biographical Interpretation

2012 ◽  
Vol 8 (3) ◽  
pp. 64-87
Author(s):  
Anabela Pereira
Keyword(s):  
Point Of View ◽  
The Body ◽  
The Other ◽  
Discursive Construction ◽  
Visual Interpretation ◽  
Individual Interaction ◽  
The One ◽  
The Individual ◽  
World Perspective

The aim of this article is to demonstrate how body-representations offer an opportunity for its visual interpretation from a biographical point of view, enhancing, on the one hand, the image’s own narrative dynamics, and, on the other, the role of the body as a place of incorporation of experiences, as well as, a vehicle mediating the individual interaction with the world. Perspective founded in the works of the artists Helena Almeida and Jorge Molder, who use self-representation as an expression of these incorporated (lived) experiences, constitutes an important discursive construction and structuring of their narrative identity through visual creation, the artists enable the other with moments of sharing knowledge, creativity and subjectivity, contributing also to the construction of the contemporary, cultural and social imagery.

scholarly journals Social-Epistemic Rhetoric of (Un)certainty in Biomedical and Psychiatric Scientific Academic Writing: a Diatextual Analysis

Human Arenas ◽  
2020 ◽  
Author(s):  
Amelia Manuti ◽  
Giuseppe Mininni ◽  
Rosa Scardigno ◽  
Ignazio Grattagliano
Keyword(s):  
Medical Journal ◽  
Academic Writing ◽  
Analytical Approach ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Research Papers ◽  
The World ◽  
Different Types ◽  
Epistemic Rhetoric

Abstract In line with the general aims of scientific textuality, research papers in the biomedical and psychiatric academic domains mostly attempt to demonstrate the validity of their assumptions and to contrast with the sense of uncertainty that sometimes frames their conclusions. Moving from this premise, the present paper aimed to focus on these features and to investigate if and the extent to which biomedical and psychiatric texts convey different social-epistemic rhetoric of uncertainty. In view of this, a qualitative study was conducted adopting diatextual analysis to investigate a corpus of 298 scientific articles taken from the British Medical Journal and from the British Journal of Psychiatry published in 2013. Our analytical approach led to identifying two different types of social-epistemic rhetoric. The first one was mostly oriented to “describing” the world, accounting for the body-mind nexus as conceptualized within the “medical” point of view. On the other hand, the second one was oriented to “interpreting” the world, debating the problematic and critical features of the body-mind relationship as developed within the psychiatry discursive realm.

scholarly journals The body marked by the arteriovenous fistula: a phenomenological point of view

2018 ◽  
Vol 71 (6) ◽  
pp. 2869-2875 ◽  
Author(s):  
Dejanilton Melo da Silva ◽  
Rose Mary Costa Rosa Andrade Silva ◽  
Eliane Ramos Pereira ◽  
Helen Campos Ferreira ◽  
Vanessa Carine Gil de Alcantara ◽  
...  
Keyword(s):  
Arteriovenous Fistula ◽  
Venous Access ◽  
Self Esteem ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Comprehensive Model ◽  
The Look ◽  
Social Phenomenology ◽  
Phenomenological Point

ABSTRACT Objective: To understand the experience of people with chronic kidney disease using arteriovenous fistula. Method: Qualitative and exploratory study based on Social Phenomenology, conducted on 30 adults undergoing hemodialysis by using the fistula, interviewed in 2017. The interviews were analyzed according to the empirical-comprehensive model proposed by Amedeo Giorgi. Results: We found the categories “The changed body aesthetics”; “The perception of the other about my body”; and “The fistula as an inseparable condition for life maintenance.” Final considerations: The experience of people using fistula showed that this venous access leaves marks that change the body aesthetics, making the body imperfect. Such changes cause low self-esteem and attract the look of the other, causing embarrassment in those who have the body changed. Thus, they react by camouflaging the fistula, without which there is no life. This perception arises from the fear that works as a catalyst for self-care.

scholarly journals Modes of pointing to existing spaces and the use of frames of reference

Gesture ◽  
2011 ◽  
Vol 11 (3) ◽  
pp. 271-307 ◽  
Author(s):  
Olivier Le Guen
Keyword(s):  
Frame Of Reference ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Frames Of Reference ◽  
Spatial Relationships ◽  
External Cues ◽  
The Status ◽  
Systematic Framework

This paper aims at providing a systematic framework for investigating differences in how people point to existing spaces. Pointing is considered according to two conditions: (1) A non-transposed condition where the body of the speaker always constitutes the origo and where the various types of pointing are differentiated by the status of the target and (2) a transposed condition where both the distant figure and the distant ground are identified and their relation specified according to two frames of reference (FoRs): the egocentric FoR (where spatial relationships are coded with respect to the speaker’s point of view) and the geocentric FoR (where spatial relationships are coded in relation to external cues in the environment). The preference for one or the other frame of reference not only has consequences for pointing to real spaces but has some resonance in other domains, constraining the production of gesture in these related domains.

scholarly journals From gendered organizations to compassionate borderspaces: Reading corporeal ethics with Bracha Ettinger

Organization ◽  
2014 ◽  
Vol 22 (2) ◽  
pp. 183-199 ◽  
Author(s):  
Kate Kenny ◽  
Marianna Fotaki
Keyword(s):  
Feminist Theory ◽  
Organization Theory ◽  
The Body ◽  
The Other ◽  
Feminist Ethics ◽  
Organization Studies ◽  
Organizational Contexts ◽  
Gendered Organizations ◽  
Recent Developments ◽  
And Gender

In this article, we propose a new way of approaching the topic of ethics for management and organization theory. We build on recent developments within critical organization studies that focus on the question of what kind of ethics is possible in organizational contexts that are inevitably beset by difference. Addressing this ‘ethics of difference’, we propose a turn to feminist theory, in which the topic has long been debated but which has been underutilized in organization theory until very recently. Specifically, we draw on the work of Bracha Ettinger to re-think and extend existing understandings. Inspired by gender studies, psychoanalysis, philosophy and art, Ettinger’s work has been celebrated for its revolutionary re-theorization of subjectivity. Drawing on a feminist ethics of the body inspired by psychoanalysis, she presents a concept of ‘trans-subjectivity’. In this, subjectivity is defined by connectedness, co-existence and compassion towards the other, and is grounded in what Ettinger terms the ‘matrixial borderspace’. An ethics of organization derived from the concept of the matrixial suggests that a different kind of ethical relation with the Other is possible. In this article, we demonstrate this through examining the issue of gender in the workplace. We conclude by outlining the implications of this perspective for rethinking ethics, embodiment and gender, and in particular for the development of a corporeal ethics for organization studies.

scholarly journals East and West in Zakia Khairhoum's the End of My Dangerous Secret

2021 ◽  
Vol 3 (4) ◽  
pp. 73-82
Author(s):  
Youssef EL KAIDI
Keyword(s):  
Arab World ◽  
Point Of View ◽  
The Self ◽  
The Other ◽  
Self And Other ◽  
Sexuality And Gender ◽  
History Of ◽  
And Gender ◽  
Cultural Reality ◽  
History Of Literature

Literature is an arena for cross-cultural representation par excellence. It is in the literature that images produce an awareness of the Self and Other, and of the Here and the Elsewhere, however small that awareness maybe. The accounts of many canonical literary figures in the history of literature featured portrayals and descriptions of radically different people and customs, exotic lands, and far-off places where everything is outlandish and anomalous. Literary representation, therefore, plays a pivotal role in shaping perception, creating historical and textual monoliths, stereotypes, and essentialization about ethnic minorities, race, sexuality, and gender. This article investigates the politics of representation of the Self and the Other in Zakia Khairhoum’s novel The End of My Dangerous Secret (Nihayat Sirri L’khatir, 2008) from a postcolonial feminist’s point of view. I argue that Khairhoum does not only shatter the foundations of patriarchy in the Arab world but also undermines and subverts Western colonial discourse and its claim of supremacy. The novel foregrounds a different pattern of representation that has not yet been sufficiently investigated, which is the denigration of both the Self and the Other and the quest for a third cultural reality that is defined in terms of gender equality, justice, human rights and democracy.

scholarly journals What food do we feed girls as artist upon?

Ars Educandi ◽  
2020 ◽  
Vol 17 (17) ◽  
pp. 89-104
Author(s):  
Chiara Malpezzi
Keyword(s):  
Children's Literature ◽  
Virginia Woolf ◽  
Children’S Literature ◽  
Point Of View ◽  
The Body ◽  
Artistic Development ◽  
Body And Soul ◽  
And Gender ◽  
Material Conditions ◽  
Room Of One's Own

Virginia Woolf in A room of one’s own (1929) builds a strong connection between food and the material conditions of women writers, asking herself: what food do we feed women as artists upon? From this point of view, food can be considered a metaphor for the achievement of both artistic and gender equality. Hence, my paper aims to outline the relevance of this under-investigated topic in children’s literature, focusing on feminist Künstellromans, namely stories about a female artist’s journey to maturity. Drawing from the methodology of Nodelman, I will investigate two opposite narrative situations: famine and feast. In the first one, the lack of food represents the struggle in the artistic development, often caused by a hostile educational environment, while, in the second, nourishment can be interpreted as fruitful sustainment for the body and soul. My hypothesis seeks to underline how food and girls’ development as women and artists intertwine in children’s literature, figuring out a possible answer to Woolf’s question.

Ownership of Organs Taken From a Living Person

1993 ◽  
Vol 27 (4) ◽  
pp. 624-651
Author(s):  
Gad (Guido) Tedeschi
Keyword(s):  
Bone Marrow ◽  
Point Of View ◽  
The Body ◽  
The Other ◽  
Practical Point ◽  
Living Body ◽  
The Past ◽  
Legal Questions ◽  
Living Person ◽  
Different Sources

Medical recourse to organ transplants and the transfer of other material from the body of one person to that of another has increased steadily over the past few decades. This raises new legal questions, and brings once-thought purely academic questions to the forefront.Organs and other material used for transplants can either be taken from a living person (for example, bone marrow, sperm, or blood); or from a corpse, as is the case with most transplants. Certain material, in particular kidneys, can be taken from both. In Israeli law, this duality in the sources of supply is paralleled by different sources of regulation. With respect to a corpse, the Anatomy and Pathology Law attempts to solve the main problems from a practical point of view. On the other hand, the Israeli legislator has as yet to intervene with respect to the living body.

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