scholarly journals A POLÍTICA CULTURAL NA REVOLUÇÃO CUBANA: as disputas intelectuais nos anos 1960 e 1970

Caderno CRH ◽  
2019 ◽  
Vol 32 (87) ◽  
pp. 537
Author(s):  
Sílvia Cezar Miskulin

<p>A Revolução Cubana promoveu grandes transformações na sociedade da ilha. Novas publicações, instituições culturais e manifestações artísticas acompanharam a efervescência política e cultural ao longo dos anos 60. Esta pesquisa analisou o suplemento cultural Lunes de Revolución, a editora El Puente e o suplemento cultural El Caimán Barbudo, com o objetivo de mostrar o surgimento das novas publicações e manifestações culturais em Cuba após o triunfo da Revolução. O trabalho demonstra que o surgimento de uma política cultural acarretou a normatização e o controle das produções culturais pelo governo cubano desde os anos 1960, e mais ainda após 1971, quando se acentuou o fechamento e o endurecimento no meio cultural cubano.</p><p> </p><p>CULTURAL POLICY IN THE CUBAN REVOLUTION: intellectual disputes in the 1960s and 1970s</p><p>The Cuban Revolution promoted great transformations in the society of the island. New publications, cultural institutions and artistic manifestations accompanied the political and cultural effervescence throughout the 1960s.This research analyzed the cultural supplement Lunes de Revolución, the El Puente publishing house and the El Caimán Barbudo cultural supplement, with the aim of showing the emergence of new publications and cultural manifestations in Cuba after the triumph of the Revolution. However, the emergence of a cultural policy has led to the normalization and control of cultural productions by the Cuban government since the 1960s, and especially after 1971, when the closing and hardening of the Cuban cultural milieu became more pronounced.</p><p>Key words: Cuba. Revolution. Culture. History. Intellectual.</p><p> </p><p>LA POLITIQUE CULTURELLE DANS LA REVOLUTION CUBAINE: controverses intellectuelles dans les annees 1960 et 1970</p><p>La révolution cubaine a promu de grandes transformations dans la société de l’île. De nouvelles publications, des institutions culturelles et des manifestations artistiques ont accompagné l’effervescence politique et culturelle tout au long des années 1960.Cette recherche a analysé le supplément culturel Lunes de Revolución, la maison d’édition El Puente et le supplément culturel El Caimán Barbudo, dans le but de montrer l’émergence de nouvelles publications et manifestations culturelles à Cuba après le triomphe de la Révolution. Cependant, l’émergence d’une politique culturelle a conduit à la normalisation et au contrôle des productions culturelles par le gouvernement cubain depuis les années 1960, et encore plus après 1971, lorsque la fermeture et l’endurcissement du milieu culturel cubain se sont accentués.</p><p>Mots clés: Cuba. Révolution. Culture. Histoire. Intellectuel.</p>

2015 ◽  
Vol 74 (4) ◽  
pp. 464-484 ◽  
Author(s):  
Kenny Cupers

The Cultural Center: Architecture as Cultural Policy in Postwar Europe examines how culture became an explicit domain of state policy in postwar Europe and why the modern architecture of cultural centers and culture halls became central to such policy. Kenny Cupers uses a variety of archival and primary sources to analyze maisons de la culture in France and Kulturpaläste or Kulturhäuser in the German Democratic Republic during the 1960s and 1970s. Focusing on the roles of bureaucrats, policy makers, and designers, he reveals how architecture articulated cultural politics in which participation was harnessed to bolster the intervention of the state in everyday life—whether through unqualified support, as in France, or through often-oppressive regulation, as in the GDR. This premise is what shaped the design approaches of programmatic integration, polyvalence, and communication for new cultural institutions across the Cold War divide.


2021 ◽  
Vol 52 (1-2) ◽  
pp. 228-253
Author(s):  
Ahmad Agbaria

Abstract Cultural institutions and publishing houses have been essential to the making of Arab intellectual conversations in the post-colonial era. The publishing house of Dār al-Ṭalīʿah (est. 1959) played a central role in naturalizing social classifications, ideological views and cultural expectations that have influenced the then-new articulation of the notion of Arab authenticity. Yet, al-Ṭalīʿah was more than a publishing house: it was an intellectual hub that sustained intellectuals and unified them into a coherent group. Despite its centrality, however, the group of authors published by al-Ṭalīʿah has rarely drawn the attention of literary critics or intellectual historians. This article rethinks the connection between ideas and their institutional location, rejecting the conventional view that institutions are only secondary to, or even parasitic on, the supremacy of ideas. Looking at the idea of cultural authenticity (aṣālah) fiercely opposed by al-Ṭalīʿah authors, this article examines the ways the publishing house informed the meaning and deployment of aṣālah during the 1960s, even while rejecting it.


Author(s):  
Moe Taylor

Abstract During the 1960s, the Cuban government attempted to play a leadership role within the Latin American Left. In the process Cuban leaders departed from Marxist−Leninist orthodoxy, garnering harsh criticism from their Soviet and Chinese allies. Yet Cuba found a steadfast supporter of its controversial positions in North Korea. This support can in large part be explained by the parallels between Cuban and North Korean ideas about revolution in the developing nations of the Global South. Most significantly, both parties embraced a radical reconceptualisation of the role of the Marxist−Leninist vanguard party. This new doctrine appealed primarily to younger Latin American militants frustrated with the established leftist parties and party politics in general. The Cuban/North Korean theory of the party had a tangible influence in Colombia, Peru, Brazil, Puerto Rico, El Salvador, Mexico, Bolivia and Nicaragua, as revolutionary groups in these societies took up arms in the 1960s and 1970s.


2019 ◽  
Vol 40 (1) ◽  
pp. 62-81
Author(s):  
Etienne Morales

This article focuses on the transformation of the carrier Cubana de aviación before and after the 1959 Cuban revolution. By observing Cubana's management, labour force, equipment, international passenger and freight traffic, this article aims to outline an international history of this Latin American flag carrier. The touristic air relationships between the American continent and Spain that could be observed in the 1950s were substituted – in the 1960s and 1970s – by a web of political “líneas de la amistad” [Friendship Flights] with Prague, Santiago de Chile, East Berlin, Lima, Luanda, Managua, Tripoli and Bagdad. This three-decade period allows us to interrogate breaks and continuities in the Cuban airline travel sector and to challenge the traditional interpretations of Cuban history. This work is based on diplomatic and corporative archives from Cuba, United States, Canada, Mexico, Spain and France and the aeronautical international press.


ARTMargins ◽  
2018 ◽  
Vol 7 (3) ◽  
pp. 34-56
Author(s):  
Claire F. Fox

During the 1960s and 1970s, the Visual Arts Department of the Pan American Union, headquarters of the Organization of American States (OAS) in Washington, D.C., produced nearly fifty 16mm documentary short films on topics ranging from contemporary art to heritage sites and OAS member countries. This article focuses on a cluster of three titles about Peru directed by curator and critic José Gómez Sicre between approximately 1964 and 1968. Produced with funding from an international affiliate of Esso Standard Oil, the films were shot on location and demonstrate careful attention to the contexts of art production within an emerging cultural policy framework that cast art and heritage as engines of regional cultural development. The films further assert that the antiquities and modern art markets might be synchronized to become a generational taste formation, insofar as they identify classes of affordable artifacts that were finding their way to collectors relatively recently, and which had also inspired the work of postwar Peruvian artists. As an ensemble, the films reveal unexplored interactions between contemporary art movements, the development of heritage districts and site museums, and emergent cultural policies that continue to impact hemispheric American locations.


Freedom Roots ◽  
2019 ◽  
pp. 281-318
Author(s):  
Laurent Dubois ◽  
Richard Lee Turits

In the last decades of the twentieth century, the Caribbean saw multiple and dramatic political efforts to transform state and society. New governments sought to embrace popular classes as equal members of society as almost never before and to create unprecedented forms of equality, both economically and culturally. This chapter explores three such attempts at transformation: Jamaica under Michael Manley, Maurice Bishop and the Grenada Revolution, and Jean-Bertrand Aristide’s first government in Haiti. Unlike the Cuban Revolution, these leaders excited expectations for change within still mostly capitalist economies. Manley and Aristide led democratic governments, while Grenada sustained one-party rule. The outcomes of reform efforts in these three nations varied from enduring progress to poignant tragedy. The chapter explores the powerful challenges these new Caribbean governments faced, domestic and foreign, economic and political. It shows how after the English-speaking Caribbean gained independence in the 1960s and 1970s, their trajectories began to overlap with that of the older independent Caribbean, as national sovereignty made them suddenly more vulnerable to the region’s predominant twentieth-century empire, the United States.


Author(s):  
Marcos Cueto

This chapter examines the recent cycle of malaria elimination and control efforts and to raise some questions about the future of global health. It discusses policy changes that occurred against the background of the slow but steady growth of a killer that is second in its global impact only to tuberculosis. Despite a general decline in malaria morbidity during the 1960s and 1970s, especially in semitropical and temperate climate zones, the number of cases and deaths increased in the following years. Among the social factors that explain malaria's increase in the developing world were floods of refugees fleeing civil wars and famine, the marked precariousness of medical systems during a period of structural adjustment, and the growing number of unemployed rural people moving to previously uncultivated lands where infection rates were higher and medical care was scarce.


1984 ◽  
Vol 17 (1) ◽  
pp. 25-48 ◽  
Author(s):  
Morris H. Morley

AbstractThe aim of this study is to provide an empirical basis for theories about political coalitions formed to apply economic sanctions against a target country. An excellent example is the economic blockade of Cuba by the United States, during which successive Republican and Democratic administrations have pursued economic measures to achieve a political objective. This study investigates the degree of cooperation and cleavage among Washington's capitalist-bloc allies with this effort to establish multilateral economic pressures against the Cuban Revolution. The analysis suggests that, despite the growth of economic competition during the 1960s and 1970s, such strains were not reflected at the level of political relationships.


Author(s):  
Joaquín M. Chávez

Global and regional political and cultural trends shaped a set of interrelated and persistent conflicts between authoritarian regimes and democratic and revolutionary forces during the Cold War in Central America. US Cold War anticommunism, in particular, abetted authoritarian governments that sparked major conflicts in Guatemala, El Salvador, and Nicaragua. The failure of the post-World War II wave of democratization in Central America led to persistent revolutionary and counterrevolutionary politics in the next three decades. Two successive waves of revolution emerged in the 1960s and 1970s. The reverberations of the Cuban Revolution and US counterinsurgency mainly shaped the first wave of revolution and counterrevolution in the 1960s. The Cuban Revolution, progressive Catholicism, and the Sandinista Revolution mainly shaped the second wave of revolution and counterrevolution in the 1970s and 1980s. The armed conflict in Guatemala (1960–1996), El Salvador’s Civil War (1980–1992), and the Contra War in Nicaragua (1979–1991) became the last major Cold War conflicts in Latin America. The changing dynamics of the conflicts on the ground and the international consensus in favor of peace negotiations in Central America that emerged at the end of the Cold War enabled the political settlement of the conflicts. The peace processes that put an end to the armed conflicts created fragile democracies in the midst of the neoliberal restructuring of the 1990s, which limited the meaning of social citizenship in Central America.


2020 ◽  
Vol 2020 (136) ◽  
pp. 98-110
Author(s):  
Chelsea Schields

Abstract This article examines the intertwined arguments for sexual revolution and decolonization in the Dutch Atlantic in the 1960s and 1970s. In this period, Antillean activists in the Netherlands and the Netherlands Antilles celebrated aspects of the Cuban Revolution and the US Black Power movement for their purported ability to regenerate romantic love. Activists contended that socialism and antiracist activism could forge new bonds of erotic equality to explode the ongoing effects of colonialism, slavery, and the regimes of sexual violence that maintained both. Considering the centrality of sexual politics to Antillean radical imaginaries, this article argues that Antilleans viewed sexual liberation as a primary rather than ancillary component of self-determination. Illuminating the Atlantic currents that informed Antillean arguments for insurgent forms of intimacy—from revolutionary Cuba to black struggle in the United States—this article reconceives of both the substance and geography of the sexual revolution.


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