eye movement analysis
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Sensors ◽  
2021 ◽  
Vol 21 (22) ◽  
pp. 7569
Author(s):  
Hsing-Hao Lee ◽  
Zih-Ling Chen ◽  
Su-Ling Yeh ◽  
Janet Hui-Wen Hsiao ◽  
An-Yeu (Andy) Wu

Mind-wandering has been shown to largely influence our learning efficiency, especially in the digital and distracting era nowadays. Detecting mind-wandering thus becomes imperative in educational scenarios. Here, we used a wearable eye-tracker to record eye movements during the sustained attention to response task. Eye movement analysis with hidden Markov models (EMHMM), which takes both spatial and temporal eye-movement information into account, was used to examine if participants’ eye movement patterns can differentiate between the states of focused attention and mind-wandering. Two representative eye movement patterns were discovered through clustering using EMHMM: centralized and distributed patterns. Results showed that participants with the centralized pattern had better performance on detecting targets and rated themselves as more focused than those with the distributed pattern. This study indicates that distinct eye movement patterns are associated with different attentional states (focused attention vs. mind-wandering) and demonstrates a novel approach in using EMHMM to study attention. Moreover, this study provides a potential approach to capture the mind-wandering state in the classroom without interrupting the ongoing learning behavior.


2021 ◽  
Vol 5 (1) ◽  
pp. 1-2
Author(s):  
Miguel Melo

Virtual Reality technologies are evolving at a fast pace. It is important to establish if these novel solutions met the goals they were developed for (i. e., to evaluate if they are effective). These technological-based products, whether based on a conventional PC setup or an immersive virtual reality setup, predominantly rely on the stimulation of the sight. With this, the eye movement analysis appears as an important metric to evaluate technological environments. Through eye movement analysis can establish how persons collect information and what influences their actions and decisions and determine certain preferences or behaviours.


Author(s):  
Marvin Yen ◽  
Hao-Wei Li ◽  
Chun-Wei Shen ◽  
Ren-Xiang Ying ◽  
Wen-Chung Kao

2021 ◽  
Author(s):  
Ayush Kumar ◽  
Bharat Goel ◽  
Keshav Rajupet Premkumar ◽  
Michael Burch ◽  
Klaus Mueller

Author(s):  
Janet H. Hsiao ◽  
Hui Lan ◽  
Yueyuan Zheng ◽  
Antoni B. Chan

AbstractThe eye movement analysis with hidden Markov models (EMHMM) method provides quantitative measures of individual differences in eye-movement pattern. However, it is limited to tasks where stimuli have the same feature layout (e.g., faces). Here we proposed to combine EMHMM with the data mining technique co-clustering to discover participant groups with consistent eye-movement patterns across stimuli for tasks involving stimuli with different feature layouts. Through applying this method to eye movements in scene perception, we discovered explorative (switching between the foreground and background information or different regions of interest) and focused (mainly looking at the foreground with less switching) eye-movement patterns among Asian participants. Higher similarity to the explorative pattern predicted better foreground object recognition performance, whereas higher similarity to the focused pattern was associated with better feature integration in the flanker task. These results have important implications for using eye tracking as a window into individual differences in cognitive abilities and styles. Thus, EMHMM with co-clustering provides quantitative assessments on eye-movement patterns across stimuli and tasks. It can be applied to many other real-life visual tasks, making a significant impact on the use of eye tracking to study cognitive behavior across disciplines.


2021 ◽  
pp. 027623742110018
Author(s):  
Suhyun Park ◽  
Louis Wiliams ◽  
Rebecca Chamberlain

Previous research has shown that artists employ flexible attentional strategies during offline perceptual tasks. The current study explored visual processing online, by tracking the eye movements of artists and non-artists (n=65) while they produced representational drawings of photographic stimuli. The findings revealed that it is possible to differentiate artists from non-artists on the basis of the relative amount of global-to-local saccadic eye movements they make when looking at the target stimulus while drawing, but not in a preparatory free viewing phase. Results indicated that these differences in eye movements are not specifically related to representational drawing ability, and may be a feature of artistic ability more broadly. This eye movement analysis technique may be used in future research to characterise the dynamics of attentional shifts in eye movements while artists are carrying out a range of artistic tasks.


i-Perception ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 204166952199839
Author(s):  
Linda Krauze ◽  
Ilze Ceple ◽  
Jurgis Skilters ◽  
Mara Delesa–Velina ◽  
Baingio Pinna ◽  
...  

This study explores perceptual organisation and shape perception when viewing a tetragon and an additional element (a dot) that is located at varying positions and distances next to the tetragon. The aim of the study is to determine the factors that can alter the interpretation of object configuration and impact whether the presented tetragon is perceived as a diamond or a square. Methods used in this study are a forced-choice task as a subjective measurement and eye tracking as an objective measurement of perceptual processes. Overall, 31 stimuli were presented to the participants: a tetragon in two different sizes with an additional element (a dot) located inside or outside the object at three different positions at three distances. The results indicate significant changes in shape perception, depending on the location of the additional element. The results are complemented with eye movement analysis indicating that as the distance between the elements increases, there is a higher probability of either of the two shape interpretations and the gaze is less likely to be directed to the area between the stimuli. Furthermore, the subjective perception of shape is codetermined by the shape perception when the tetragon is presented without the additional element.


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