DIRECTIONS OF STYLISTIC SEARCHES OF SILVER AGE ARCHITECTS ON THE EXAMPLES OF VINNYTSYA

Manifestations of stylistic decisions aimed at finding national means of expressiveness are analyzed on the example of architectural works in Vinnytsya. Visual prints of the main paradigms of national or international self-awareness in Vinnytsya were: in the "international" spirit of the Viennese Secession – the mansion of a retired captain, teacher O.M. Chetkov (1910-1911, with outdoor services and decorative fencing); in the modernized Neo-Russian – the Church of the Resurrection of Christ in the Orthodox cemetery (project 1902, construction 1910); in the Ukrainian folk, or, as they said in Vinnytsia, "Galician" style – the mansion of the future figure of the UPR doctor M.A. Stakhovsky (1914). Artistic ideologues were differently affected by the awareness of the intelligentsia of the Russian Empire of the importance and common heritage of historical Russia. In addition, on the example of the work of G.G. Artinov, against the background of the search for "new-national" (in the words of the bright memory of Y.S. Aseev), the dominance of the classicist tradition is indisputable, especially in the imagery for public buildings. The modernization of the forms of classical orders with the observance of Renaissance architecture and, thus, the emphasis on belonging to the centuries-old cultural development was associated with the best achievements of European architecture. Stylistic means reflected three main paradigms of self-awareness of artists in the river of architecture of Modern: internationalist and two of Rus – neo-Russian and Ukrainian. Each of the paradigms or their combination became the focus of certain aesthetic experiences and conceptual embodiments of cultural inheritance. This analysis allowed us to formulate the concept of aesthetic compassion on the theory of creative work.

“KRICHEVTSEV’S MANSION” IN BIYSK AS AN EXAMPLE OF A DWELLING HOUSE WITH ELEMENTS OF THE MANOR HOUSE OF THE LATE XIX CENTURY, MADE IN ECLECTIC FORMS WITH ELEMENTS OF BAROQUE AND RUSSIAN-BYZANTINE STYLE

On the ground of archival and bibliographic materials, the author has prepared a historical certificate for the Biysk merchant dwelling mansion within the development of the draft of the territory boundaries and the land-use regime for the object of cultural heritage. This article provides information about the history and first owner ofthe building, as well as the further use of this object from the end of the XIX century and to the present. There is also information about another estate property of entrepreneur V.A. Krichevtsev and his relatives, located in Biysk, as well as about the type of activity of the owner of the mansion, who traded with North-Western Mongolia with various goods, was engaged in cattle- and horse-breeding. The building consists of several one-, two-story volumes of one height, has a basement, and a complex attic roof. The pronounced angular facade composition is richly decorated along the street and part of the courtyard facade and at the front entrance. The object has value as an urban building with eclectic decoration, also has urban planning significance, formalizing the intersection of streets. Keywords: merchant mansion, dwelling house, brick building, cultural heritage object, architectural monument

Visual Character of the Area Support Corridor: Case Study of the Great Mosque of Palembang

The aim of this study is to understand what was changed in a Levantine mansion in the Buca district of Izmir, from its construction date to now. Since the construction date is 1876, the study is scoped into a 150 years period in time. The data collection method includes photographic documentation and laser measurements. The evaluation method is comparative analysis to relate the common properties of Levantine houses with the plan typology and the traces in the building. A short periodization and descriptions of each space have been made. The mansion had not experienced radical changes, even if there were handovers in the property ownership. However, it can be analysed by considering small differences. In conclusion, the building is periodized in three-time slices as the 1. Period in the years between 1876 – 1890 / 1895, the 2. Period between 1895 – 1960's and the 3. Period from the 1960s to now.

EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE

Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place, along with Atatürk, well-known and important personalities of that period came together. Many precious conversations affecting the history of the Republic of Turkey has hosted. As a result of the work carried out in the dining room, it was determined that the room was decorated in a mix of Renaissance, Baroque and Rococo style and in an original style. The furniture is carved in the same original style. Also, some of the examined furniture were found to be compatible with the numerical measurement values of today's furniture in terms of ergonomic and anthropometric criterias. As a result of the study, many new data obtained about the mansion have been added to the literature about the mansion.

EXAMINATION OF THE DINING ROOM IN THE PRESIDENTIAL ATATURK MUSEUM MANSION IN TERMS OF INTERIOR AND FURNITURE

Ataturk Museum Pavilion formerly known as “Çankaya Mansion” is a building that has witnessed many important events of the history of the Republic of Turkey, and is one of the most important buildings that were put into service for Atatürk. This study covers the Dining Room which was added to the ground floor of the mansion after the renovation carried out between 1923-1924. This study is about the examination and scientific evaluation of the dining room in terms of interior and furniture. The dining room is a meeting place rather than a place used for dining in Ataturk's era. In this place, along with Atatürk, well-known and important personalities of that period came together. Many precious conversations affecting the history of the Republic of Turkey has hosted. As a result of the work carried out in the dining room, it was determined that the room was decorated in a mix of Renaissance, Baroque and Rococo style and in an original style. The furniture is carved in the same original style. Also, some of the examined furniture were found to be compatible with the numerical measurement values of today's furniture in terms of ergonomic and anthropometric criterias. As a result of the study, many new data obtained about the mansion have been added to the literature about the mansion.

A Levantine Mansion: Buca Guidance Centre for Disabled Students

The aim of this study is to understand what was changed in a Levantine mansion in the Buca district of Izmir, from its construction date to now. Since the construction date is 1876, the study is scoped into a 150 years period in time. The data collection method includes photographic documentation and laser measurements. The evaluation method is comparative analysis to relate the common properties of Levantine houses with the plan typology and the traces in the building. A short periodization and descriptions of each space have been made. The mansion had not experienced radical changes, even if there were handovers in the property ownership. However, it can be analysed by considering small differences. In conclusion, the building is periodized in three-time slices as the 1. Period in the years between 1876 – 1890 / 1895, the 2. Period between 1895 – 1960's and the 3. Period from the 1960s to now. Keywords: Buca Houses, Levantine House, Levantine Mansions, Levantine Culture, 19. Century Izmir Houses.