sacred heart of jesus
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2021 ◽  
Vol 4 (15) ◽  
pp. 33-45
Author(s):  
Tony Anwar Rosidy ◽  
Sultan Prasasti

The connection between art and religion is found in several places. The Catholic Church of the Sacred Heart of Jesus Ganjuran, Yogyakarta is proof of the cohesion between art and religion in Indonesia. Inculturation is the process of adapting Catholic teachings with local culture, one of which is with art. This study aims to describe the cultural unquenching that occurred in the Catholic Church of the Sacred Heart of Jesus Ganjuran Yogyakarta and its implications on the spirituality of the people. This study uses descriptive qualitative methods with phenomenological approaches. The results showed that the inculturation that occurred resulted in a variety of art activities and art artifacts including Javanese liturgy, liturgical gamelan, Javanese architecture such as pendopo (Javanese pavilion), Javanese versions of Jesus and Mary statues and temples. The spirituality of the people is awakened with the concept of Java which is thick in its worship. Liturgical gamelan is one of the integral components in worship that makes a bond as man's sacred activity with God. The contemporary aspect can be seen from the gamelan classical rules that combine with the choir that forms a new aesthetic. It can touch the people in feeling the presence of God through local culture. The cohesiveness of the value of art and religion can stimulate people to experience the same religious and aesthetic experiences in worship.


2021 ◽  
Vol 9 (1) ◽  
pp. 9-13
Author(s):  
Mrinalini Rajagopalan

Response to the questionnaire: “Stationary Women Moving Through the World: The Church of the Sacred Heart of Jesus, Calcutta, founded by Mrs. Pascoa Barretto de Souza, 1834”


Menotyra ◽  
2021 ◽  
Vol 27 (4) ◽  
Author(s):  
Regimanta Stankevičienė

Kazimierz and Ewa (of Uwoyni) Burba, the wojskis (officials attending to the needs of soldiers’ families during wars) of Šiauliai and collators of the Church of St Peter and St Paul in Apytalaukis, donated the painting “The Sacred Heart of Jesus” to the high altar of the church in 1817. From 1755, when a fraternity of the Sacred Heart of Jesus was established, this altar had been decorated with an earlier painting of the same name. The painting donated by the Burba decorated the first tier of a new high altar erected after 1817 and the existing high altar that was built before 1920s (?). It is believed that due to its poor condition, the old painting was replaced with a copy during repairs in 1964, and it is this copy that is on the altar to date. In 2019, the painting was restored as it had lost many fragments of the paint layer, especially at the bottom. The prototype of this painting is the painting “The Sacred Heart of Jesus and the Eucharist” by Pietro Tedeschi (the Church of the Blessed Virgin Mary of Mount Carmel, Imola, 1780). It is believed that the painter used an engraving of this image, presumably by Lorenzo Capponi. The painting in the church in Apytalaukis is narrower and therefore the baroque composition created by Pietro Tedeschi is somewhat reduced and adjusted. In addition, the drawing, rhythm, and colours of the painting of 1817 are characteristic of the features of the classicist style and paintings of the Vilnius School of Art. Due to the analogies of stylistics and the wellknown fact of Kazimierz Burba’s acquaintance with the painter Jan Rustem, the painting is hypothetically attributed to this artist. The face of Jesus in the painting in Apytalaukis can be compared to Burba’s portrait by Jan Rustem (unfortunately, only a copy has survived). We propose the title “The Eucharistic Sacred Heart of Jesus” as it defines the iconography of the painting more precisely.


Sympozjum ◽  
2021 ◽  
Vol 25 (2 (41)) ◽  
pp. 223-239
Author(s):  
Eugeniusz Ziemann

Dedication of Poland to the Sacred Heart of Jesus on 11th of June, 2021 and what next? Taking the inspiration from the history of the cult of the Sacred Heart of Jesus, and especially from the private revelations of saint Margaret Mary Alacoque, a number of national bishops conferences dedicated the local churches and whole nations to the Sacred Heart of Jesus. On 11th June, 2021 the Polish bishops conference renewed such act in the difficult situation of the church and the nation, moreover even in the face of weakening devotion to the Sacred Heart of Jesus. Every act of dedication and entitlements is a religious act, which obliges to the fulfilment of the commitments that have been taken. In this context the question arises, and what next? In the form of suggestions few concrete steps have been proposed. Czerpiąc inspirację z historii kultu Serca Jezusa, a zwłaszcza z prywatnych objawień Bożego Serca św. Małgorzacie Marii Alacoque, liczne episkopaty narodowe poświęcały Najświętszemu Sercu Pana Jezusa Kościoły lokalne i narody. 11 czerwca 2021 roku taki akt ponowili polscy biskupi w trudnej sytuacji Kościoła i narodu, a także osłabienia pobożności do Jezusowego Serca. Każdy akt poświęcenia i zawierzenia jest aktem religijnym, który zobowiązuje do realizacji podjętych wobec Boga zobowiązań. W tym kontekście pojawiło się pytanie: I co dalej? W formie sugestii zaproponowano podjęcie stosownych działań.


Sympozjum ◽  
2021 ◽  
Vol 25 (1 (40)) ◽  
pp. 159-184
Author(s):  
Eugeniusz Ziemann

God’s Heart in the mystery of its opening to the modern world Is the reverence and cult of the Sacred Heart of Jesus still topical in the mission of the Church? The text „God’s Heart in the mystery of its opening to the modern world” is an attempt to answer the question above. Biblical depiction of the word „heart” has basically symbolic and allegoric meaning. Repeatedly this word appears in connection with the word „love” both in regard to God and human. Incarnated God, the Word of the Father, became truly human with the loving heart and he redeemed the world. The Heart of Jesus pierced with the soldier’s spear on the cross is still open to the present day with his love. A special place in this regard is given to spreading the idea of the social kingdom of the Heart of Jesus and the civilization of love. Abstrakt Czy nabożeństwo i kult Najświętszego Serca Pana Jezusa są wciąż aktualne w misji Kościoła? Próbą odpowiedzi na to pytanie jest tekst Boże Serce w misterium swojego otwarcia na współczesny świat. Biblijne ujęcie słowa „serce” ma zasadniczo znaczenie symboliczne i przenośne. Wielokrotnie występuje w połączeniu ze słowem „miłość” zarówno w odniesieniu do Boga, jak i człowieka. Wcielony Bóg, Słowo Ojca, stał się prawdziwym człowiekiem o kochającym sercu i odkupił świat. Serce Jezusa przebite włócznią żołnierza na krzyżu jest wciąż otwarte na współczesność przez swoją miłość. Szczególne miejsce pod tym względem zajmuje szerzenie idei społecznego królestwa Serca Jezusa oraz cywilizacji miłości.


Sympozjum ◽  
2021 ◽  
Vol 25 (1 (40)) ◽  
pp. 211-228
Author(s):  
Leszek Poleszak

Formation towards the vow of poverty in the Polish Province of the Congregation of the Priests of the Sacred Heart of Jesus Formation towards the vow of poverty is one of the elements of the preparation of consecrated persons aimed at living according to evangelical counsels. In the Congregation of the Priests of the Sacred Heart of Jesus all three vows are inscribed in the figure of reparation characteristic for the Institute as well as oblation dimension which underlines total devotion to God through religious consecration. The documents of the Congregation besides the goals and various aspects of formation also set out the essence of the vow of poverty, encouraging life with its spirit. The goal of formation is to shape the heart of a religious person, who supposed to more and more reflect in himself the way of life of the poor which was chosen by Jesus Christ. That formation has also the community dimension, through which the religious community should become a witness of non-remissive goods and thus its prophetic dimension. Abstrakt Formacja do ślubu ubóstwa jest jednym z elementów formacji osób konsekrowanych zmierzającej do życia radami ewangelicznymi. W Zgromadzeniu Księży Najświętszego Serca Jezusowego wszystkie śluby zakonne wpisane są w rys wynagradzający Instytutu oraz otrzymują wymiar oblacyjny, podkreślający całkowite oddanie się Bogu poprzez konsekrację. Dokumenty Zgromadzenia obok celu i różnych aspektów formacji określają również istotę ślubu ubóstwa, zachęcając do życia jego duchem. Celem formacji jest kształtowanie serca zakonnika, który coraz bardziej winien odzwierciedlać w sobie sposób życia ubogiego, jaki obrał Jezus Chrystus. Formacja ta ma także wymiar wspólnotowy, gdyż wspólnota winna stawać się świadkiem dóbr nieprzemijających, w czym wyraża się jej wymiar profetyczny.


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