Children’s Engagement with Urban Legends: Temporality and Collective Story-sharing Through Horror Narratives

<p>This thesis explores how children engage with horror narratives in the digital era and how this engagement has changed over the last decade. The term ‘Horror narratives’ encompasses a wide range of genre-based storytelling from urban legends, to creepypastas, to images, YouTube videos, and internet forums. It is a broad form of story-sharing that transcends physical and digital mediums. I examine the relationship between the horror narratives, the individual child, and wider group engagement in real-life and on a digital platforms, and how this has changed over the last fifteen years. Over the past twenty years children’s access to personal devices and digital media has expanded rapidly. I ask whether oral tradition has been overtaken by digital horror narratives. What does story-sharing look like in a digital medium? Part of this paper is looking at how children’s horror narrative repertoires develop and what stories are retained and disseminated among their peers. In my childhood era the predominant form of dissemination was oral story-sharing, but during my fieldwork with young scouts I learned that children engage in a variety of media for dissemination as they now have easier access to internet communities on their personal devices. I have compared popular oral urban legends from my childhood (Click Click Slide, Drip Drip, and “Johnny, I want my liver back”) to contemporary horror narratives children engage with both in real-life and in the digital medium. My thesis also explores the relationship between young adults in their early twenties and memories of these horror narratives from their childhood, and how these memories have been impacted by nostalgia and retroactive knowledge. The major question of this thesis is how has horror storytelling changed from my childhood fifteen years ago to present time, and what have new technologies contributed to this evolution in horror narration?</p>

Children’s Engagement with Urban Legends: Temporality and Collective Story-sharing Through Horror Narratives

<p>This thesis explores how children engage with horror narratives in the digital era and how this engagement has changed over the last decade. The term ‘Horror narratives’ encompasses a wide range of genre-based storytelling from urban legends, to creepypastas, to images, YouTube videos, and internet forums. It is a broad form of story-sharing that transcends physical and digital mediums. I examine the relationship between the horror narratives, the individual child, and wider group engagement in real-life and on a digital platforms, and how this has changed over the last fifteen years. Over the past twenty years children’s access to personal devices and digital media has expanded rapidly. I ask whether oral tradition has been overtaken by digital horror narratives. What does story-sharing look like in a digital medium? Part of this paper is looking at how children’s horror narrative repertoires develop and what stories are retained and disseminated among their peers. In my childhood era the predominant form of dissemination was oral story-sharing, but during my fieldwork with young scouts I learned that children engage in a variety of media for dissemination as they now have easier access to internet communities on their personal devices. I have compared popular oral urban legends from my childhood (Click Click Slide, Drip Drip, and “Johnny, I want my liver back”) to contemporary horror narratives children engage with both in real-life and in the digital medium. My thesis also explores the relationship between young adults in their early twenties and memories of these horror narratives from their childhood, and how these memories have been impacted by nostalgia and retroactive knowledge. The major question of this thesis is how has horror storytelling changed from my childhood fifteen years ago to present time, and what have new technologies contributed to this evolution in horror narration?</p>

Experience Design Studio for Social Connection of Older Adults

Social isolation and loneliness are pressing health concerns in older adults, likely exacerbated by social distancing guidelines enacted during COVID-19. Creating effective interventions to address health issues is challenging. Design is an alternative approach to create innovative interventions and to test their preliminary potential. In the present case study, we describe the processes and outcomes of a four-week project in a graduate design studio. Students were asked to develop a prototype for an intervention using digital technologies to increase social connectedness among older adults. This was an interdisciplinary process guided by faculty with expertise in design (Mejía), healthcare redesign (Doebbeling), and gerontology (Der Ananian). In the first week, the faculty helped the students understand the design goals, the implications of social isolation and loneliness, and technology use in older adults. In the second week, students conducted user interviews. In the third week, students set the problem by defining a specific potential audience and context. They also prototyped two preliminary concepts using storyboards and received feedback from the faculty. In the last week, students presented refined prototypes with storyboards, user flows, and interface mockups. Student design ideas included an audio story-sharing app that facilitates conversations and new friendships, an assistance digital service for immigrant older adults that need support with language or cultural challenges, and an art and crafts subscription service with a sharing platform to connect older adults with similar interests. The students' design projects provided innovative technological approaches for improving social connections and could be used in future R&D.

Mothers’ Use of Regulatory Talk with Toddlers in Chile and the US: How Do Cultural Values and Children’s Gender Affect Mothers’ Regulatory Talk at 12 and 30 Months?

Studies have shown that Chilean and US infants differ in their levels of self-regulation. One of the mechanisms of early socializing is the use of language, particularly mental state language. The current study seeks to deepen our knowledge of the ways in which mental state language is related to socialization processes in early childhood, including the ways both culture and children’s gender influence a mothers’ use of mental state talk. We used a quantitative and descriptive approach with 109 mothers and their children (64 Chilean and 45 US dyads), measured twice, at 12 and 30 months old. Mental state references related to regulation were coded during a story-sharing task, including positive (calm and patient) and negative (messy and impatient) references to regulating behavior. Chilean mothers generally showed more regulatory references than US mothers, especially if the children were at a younger age (12 month). Frequencies of regulatory references increased in US mothers at 30 months but were still less than in Chilean mothers. At the 12-month measuring point, Chilean mothers showed more negative regulatory attributes than positive regulatory attributes. Finally, US mothers mainly used references to secondary emotions (e.g., pride) and positive regulatory attributes (being obedient, mature and patient) at both ages.

“I’d Go from a Mountain Top and Tell My Story”: Perspectives of Survivors of Intimate Partner Violence on Storytelling for Social Change

Storytelling has well-documented therapeutic benefits for survivors of trauma. However, little is known about intimate partner violence (IPV) survivors’ perspectives on sharing their stories. This article presents findings based on the analysis of 26 qualitative interviews with individuals who had experienced IPV regarding first-person story sharing. Participants described telling their stories as an act of healing and empowerment. They also named ways that storytelling can challenge societal views and structures that perpetuate IPV. Based on our findings, we offer suggestions for supporting survivor expertise and storytelling as part of a survivor-centered approach to IPV advocacy and social change.

INSTAGLISH: WHEN INSTAGRAM IS BEYOND ONLINE PHOTO-SHARING PLATFORM TO INDUCE YOUR ENGLISH

Motivated by the growth of social media throughout the globe, including in Indonesia, educational practitioners need to be creative and make use of this opportunity to boost up the learning goals, for example making use of Facebook, Twitter, Instagram, Line, and many others (social media) in educational settings. Among those social media, Instagram has increased its popularity, particularly in Indonesia, with its 22 million users. It is an online platform in which users can share their stories via uploaded photos. Recently, it is not merely used as photo story sharing but also online shopping, news updating, and video conferencing. As Instagram offers promising features, this study explored how this platform was applied to improve the students English written competence, focusing on reading and writing. This study is action research that investigates the use of Instagram as a social-and-educational medium that offers beyond new language learning experiences in the project called InstaGlish, Instagram English. The data were collected from the classroom observation during the project, students' Instagram photo posts, captions and comments, and students' reading and writing scores after project implementation. A questionnaire and direct interview to the students were also carried out to give a more thorough and deeper understanding of the students' responses toward how effective InstaGlish helps them learn and induce their English. In addition, the findings of this current study were expected to give fruitful insight on how to use social media not merely as the fun-without-meaning activity yet fun-and-meaningful new learning experiences.

Poetry Writing in EFL Classrooms: Learning from Indonesian Students’ Strategies

Hanuer’s Meaningful Literacy has been used as a major justification for including poetry writing as part of pedagogical practices in second and foreign language contexts. Unfortunately, within the EFL context, many teachers are still reluctant to include poetry writing in their teaching practices due to the common assumption that writing poems in a second language is too difficult for students to deal with and therefore will be out of their reach and interest. This qualitative study, which collected data through observations, documentation and surveys, investigated how 171 Indonesian EFL students successfully write their poetry books in creative writing classes. Employing an ethnographic case study approach, the findings showed that students use the following strategies in writing their English poems: (1) Using popular poem templates as idea starters; (2) Creating a vocabulary bank for writing rhyming poems; and (3) Building emotions through personal story sharing and later channeling them through poetry writing. This study concludes that EFL students could enjoy poetry writing as expressive pedagogy and thus, debunks the negative assumption related to EFL students’ lack of interest and appreciation in poetry writing. Keywords: Creative writing, English as a Foreign Language (EFL), expressive pedagogy, poetry writing, Indonesian students