Historically White Colleges and Universities: The Unbearable Whiteness of (Most) Colleges and Universities in America

In this paper, we examine the academy as a specific case of the racialization of space, arguing that most colleges and universities in the United States are in fact historically white colleges and universities (HWCUs). To uncover this reality, we first describe the dual relationship between space and race and racism. Using this theoretical framing, we demonstrate how seemingly “race neutral” components of most American universities (i.e., the history, demography, curriculum, climate, and sets of symbols and traditions) embody, signify, and reproduce whiteness and white supremacy. After examining the racial reality of HWCUs, we offer several suggestions for making HWCUs into truly universalistic, multicultural spaces.

Summer’s Gone: Late Style and Popular Music

The Beach Boys’ 2012 album That’s Why God Made the Radio is typically nostalgic, filled with seemingly sunny reminiscences and retreads that hark back to the 1960s. And yet other parts of the album look back in a more critical fashion, exploring unresolved melancholy through a rich musical language. What makes this even more complicated is the fact that it is possible to hear these two ‘sides’ of the album differently, for the retreads to feel like eerie simulations and the melancholy parts to align with earlier, similarly complicated Beach Boys music. This ambivalence embodies the album’s dual relationship with what I describe as the primary strains of late style: Goethean serenity and Adornian intransigence. In exploring this contention and in applying late style to other examples of popular music, notably David Bowie’s 2016 album Blackstar, I argue that the late-style lens helps to shed new light on popular music’s increasingly complicated knots of nostalgia, ageing and death.

Geometrical particles and Legendrian dualities related to null curves

In this paper, we investigate the special properties of geometrical particles with null paths in de Sitter 3-space–time, new Frenet equations and an important invariant associated with null paths are presented. By means of unfolding theory, the local topological structure of the lightlike dual surfaces is revealed. It is found that the lightlike dual surface has some singularities whose types can be determined by the invariant. Based on the theory of Legendrian dualities on pseudospheres and the theory of contact manifolds, it is shown that there exists the [Formula: see text]-dual relationship between the lightlike transversal trajectory of the particle and the lightlike dual surface. In addition, an interesting and important fact mentioned is that the contact of lightlike transversal trajectory with lightcone quadric and the contact of lightlike transversal trajectory with null hyperplane have the same order when they are related to the same type of singularities of the lightlike dual surface.

Self-Compassion Demonstrating a Dual Relationship with Pain Dependent on High-Frequency Heart Rate Variability

One previous study indicated the significance of trait self-compassion in psychological well-being and adjustment in people with chronic pain. Higher-frequency heart rate variability (HF-HRV) was found to be closely associated with self-compassion and pain coping. The current study was therefore designed to investigate the relationship between self-compassion and experimental pain as well as the impact of HF-HRV. Sixty healthy participants provided self-reported self-compassion and underwent a cold pain protocol during which HF-HRV was evaluated. Results demonstrated a dual relationship between self-compassion and pain, dependent on the level of HF-HRV during pain exposure. Specifically, self-compassion was associated with lower pain in the condition of higher HF-HRV, while there was an inverse relationship between self-compassion and pain when HF-HRV was lower. Our data indicate the significance of HF-HRV in moderating the association between self-compassion and experimental pain.