In Chapter 3, the previous focus upon place is narrowed to that of ‘home’, an element of Being-in-the-world that is granted particular significance throughout Woolf’s writings. Heideggerian understandings of ‘not-Being-at-home’, ‘thrownness’, and ‘theyness’ are drawn upon in order to explore Woolf’s representations of women in the private space as ‘homeless at home.’ From her autobiographical accounts, to her essays and her fiction, Woolf emphasises the ways in which the physical spaces of the home – including its objects, and architectural features such as doors and rooms – are representative of the social order. Reflecting a recurrent preoccupation throughout her writings, Woolf also explores the sense of homelessness and deep unease experienced by social ‘outsiders’ such as Septimus Smith in Mrs Dalloway, and Louis and Rhoda in The Waves, each of whom unveil, question and reject society’s call for conformity and compliance.