Lege Artis
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Published By Walter De Gruyter Gmbh

2453-8035

Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 251-306
Author(s):  
Marina Zheltukhina ◽  
Irina Zyubina

Abstract The article focuses on individual speech behavior of Russian-speaking prosecutors in implicit pragmalinguistics in the 19th-20th centuries. Speech signals of corresponding implicit strategies (“Participation/Nonparticipation of members of communication in a speech event”, “Sure/Unsure speech behavior of an author”, “The sender’s formation of addressee’s attitude to a speech event by evaluation”) actualizing the senders’ speech behavior in Russian are established. We count the frequency of the planes’ actualisation, form and interpret the senders’ speech portraits, diagnose individual features of speech behavior of prosecutors of Russian-speaking linguocultures.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 38-71
Author(s):  
Oksana Halych

Abstract The article focuses on the study of lexical means expressing the category of the Mystic in English Gothic narration of the 18th century. The mystic in early Gothic prose is viewed as a genre characteristic based on the atmosphere of escalating fear in the face of the unknown and connected with the motif of mystery, belief in the supernatural and irrationalism as a specific way of world perception. The research proceeds from the conceptual category as a universal notional constant to its linguistic interpretation in a systemic presentation within a synchronic approach.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 164-203
Author(s):  
Anna Prihodko ◽  
Oleksandra Prykhodchenko

Abstract The Gothic worldview is understood as a manifestation of the environment’s reflection in peoples’ thoughts, which shows the perception of real and unreal / supernatural worlds in their symbiosis and determines the human’s role in it. LIFE and DEATH are universal concepts of culture and most fully they can be shown in the form of frame, the main structural elements of which are ACTANTS, PREDICATES, QUANTIFIERS, PLACE, and TIME.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 204-250 ◽  
Author(s):  
Nikita Probst ◽  
Tatiana Shkapenko ◽  
Arina Tkachenko ◽  
Alexey Chernyakov

Abstract The article explores pragmasemantic aspects of the speech act of threat (SAT) in everyday conflict discourse, using examples from Russian colloquial speech. The authors analyze the impact of direct and indirect threats on the addressee from the point of view of the theory of speech acts, biopsychology, and physiology, which makes it possible to understand the nature of SATs and identify the key communicative and semantic factors of this type of speech acts.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 1-37
Author(s):  
Maria Danilchuk

Abstract The paper represents the results of a linguistic experiment aimed at establishing if the sounding of different fantasy brand names can cause the same associations in collective consciousness. The experiment drew upon crowdsourcing. The data received can be useful for marketing phonosemantics in relation to the methods used for the creation of new brand names.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 132-163
Author(s):  
Nataliya Panasenko ◽  
Ľuboš Greguš ◽  
Inna Zabuzhanska
Keyword(s):  

Abstract War presented in mass media as a piece of hard news has three spaces: military, economic, and informational. From a linguistic point of view, conflict has two constituents: CONFLICT-STATE and CONFLICT-ACTION. The variety of conflict is confrontation, which includes physical collision, armed opposition, verbal collision, collision of outlooks and interests. Each conflict or confrontation has a cognitive script, on which confrontational substrategies are being built.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 105-131
Author(s):  
Hamzeh Moradi ◽  
Jianbo Chen

Abstract The study presents a contrastive analysis of two distinct sound systems, namely, those of Persian and English. It provides a descriptive analysis and a contrastive study of consonants and vowels of these languages, expatiating on the similar and dissimilar features of the two sound systems. Dissimilarities are especially important since they may result in production of deviant sounds by foreign language learners.


Lege Artis ◽  
2018 ◽  
Vol 3 (2) ◽  
pp. 72-104
Author(s):  
Irina Kolegaeva ◽  
Lesia Strochenko
Keyword(s):  

Abstract The article addresses the issue of creation and functioning of each link in the communication chain addresser/sender-message-addressee/recipient in three communicative statuses: external, internal, and potential. Personal and transpersonal communication is analyzed. Semantic and functional features of academic vs literary communication are considered.


Lege Artis ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 448-479 ◽  
Author(s):  
Svitlana Volkova

AbstractThe notion that the form of a word bears an arbitrary relation to its meaning accounts only partly for the attested relations between form and meaning in the world's languages. Recent research suggests a more textured view of syntactic and narrative structure in Amerindian prosaic texts, in which arbitrariness is complemented by iconicity (aspects of form resemble aspects of meaning) and systematicity (statistical regularities in forms predict function).


Lege Artis ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 314-362
Author(s):  
Ruslana Savchuk

Abstract This paper presents a narrative-semiotic approach to the study of the processes and mechanisms of the 20th century French literary works. The complex methodology of the research is underpinned with the inter-paradigmatic methodological principle, according to which the narrative strategy of literary text production instantiates the author's individual narrative program of constructing narrative reality of a certain type, which is characterized by space-time continuity and stylistic figurativeness.


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