scholarly journals Stakeholder Management

2021 ◽  
pp. 163-188
Author(s):  
Caroline D. Ditlev-Simonsen
Keyword(s):  
Stakeholder Management ◽  
Corporate World ◽  
Social Interests ◽  
The Media

AbstractStakeholders have a key role in the corporate world, and especially related to sustainability. Even peripheral stakeholders can have a great impact on companies. This is an important consideration that companies need to be aware of and consider. In this chapter, I explore the roles of different kinds of stakeholders such as owners, investors, employees, governments, suppliers, customers, NGOs, and the media, and how to communicate and involve these stakeholders in a constructive manner. I address the function of each respective stakeholder as well potential areas for positive collaboration. The power and impact of NGOs on corporations will receive special attention as they often act as representatives for environmental and social interests—and bring such issues to the attention of others. Cases are provided to illustrate the issues presented.

Celebrity

2017 ◽  
pp. 71-104
Author(s):  
Gian Maria Annovi
Keyword(s):  
Culture Industry ◽  
The Other ◽  
Short Film ◽  
Symbolic Form ◽  
Orson Welles ◽  
Celebrity Culture ◽  
The Media ◽  
Marilyn Monroe

Chapter Three discusses the conditions for the strategic branding of Pasolini’s authorship in the Italian media during the 60s, and his attitude to celebrity culture. In this chapter, I consider the idea of performing authorship in the terms of self-fictionalization and masquerade. In particular, in his short film La ricotta (The Ricotta, 1964), which represents the first example of the spectacularization of Pasolini’s authorship, he projects his authorial self onto the figure of American star director Orson Welles. An outsider of the studio system, Welles furnishes Pasolini a model for an auteur who persistently seeks out a performative mode, putting himself in play as the author alongside the other characters. At the same time, through the figure of this star director, Pasolini also expresses his uncompromising attitude toward celebrity culture and culture industry. In La rabbia (The Rage, 1963)—created through montages of unused film footage from a film archive—Pasolini uses another international star, Marilyn Monroe, to stage his ambivalence towards the role of his own representation in the media. For Pasolini, Monroe’s death becomes a tragic, symbolic form of subjective resistance and a protest against the conformist system of celebrity that they both confronted.

The Role of Media in Perpetuating or Obstructing Gender Equality in the Context of Developing World

2018 ◽  
pp. 723-733
Author(s):  
Prabartana Das
Keyword(s):  
Developing Countries ◽  
Gender Equality ◽  
Gender Bias ◽  
Developing World ◽  
Negative Effects ◽  
Gender Biases ◽  
The Media ◽  
Developed World

Media engineers subtle ways in which gender bias can persist in society and ensures the perpetuation of women subjugation in the society. In this chapter I want to excavate the various factors which contributes to the augmentation of gender biases by the media and how the media in developing countries strengthens the cause patriarchy masquerading in the façade of preserving traditions and customs? I also intend to unravel how perennial problems like illiteracy and abject poverty further dents the project of women empowerment and how deeply entrenched patriarchal values manipulate the media to withhold emancipation in true sense. How women even after being qualified suffers from several negative effects undermining her own status? It will also be interesting to delve into the ways in which gendered media is far more subversive and ubiquitous in the developing world than developed world. And lastly how the gender bias in media can be curbed in the light of social and political awakening in women in particular and the development of human ingenuity and consciousness in general.

Documenting Social Change and Political Unrest through Mobile Spaces and Locative Media

2021 ◽  
Author(s):  
Angela Krewani
Keyword(s):  
Social Change ◽  
Digital Media ◽  
Media Coverage ◽  
Print Media ◽  
Digital Platforms ◽  
Locative Media ◽  
Political Unrest ◽  
The Media ◽  
The Arab Spring

In this chapter, I explore the media coverage of the Arab Spring and the reactions of Western media communities. Focusing on interactive documentaries and websites, this chapter clearly demonstrates to what extent media bring about individualized coverage to major events. Digital media especially have merged with cartographic competencies to provide topical information. Compared to the informational range of classic print media and television, these digital platforms and digitally distributed art forms create new and interactive forms of media participation.

Body-Space-Relation in Parkour : Street Practices and Visual Representations

2021 ◽  
Author(s):  
Ines Braune
Keyword(s):  
Visual Representations ◽  
Spatial Knowledge ◽  
Media Representations ◽  
Local Moment ◽  
Spatial Practices ◽  
Digital Discourse ◽  
Tactile Contact ◽  
The Media ◽  
Media Practices

Parkour today is a global subcultural scene that combines street with media practices. Parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse, which involves millions of parkour actors. While the spatial knowledge requires a very close knowledge and tactile contact of the surface’s nature of space, the media representations seem to reflect an opposite image, namely the detachedness of space. In this chapter, I will address the question of space-making and spatial practices in Morocco and the relation to parkour’s visual representations.

scholarly journals Media Control Using Hand Gestures

2021 ◽  
Vol 2 (1) ◽  
pp. 1-11
Author(s):  
Mrigank Singh ◽  
◽  
Sheenu Rizvi
Keyword(s):  
Artificial Intelligence ◽  
User Interface ◽  
Portable Document Format ◽  
Hand Gestures ◽  
Media Control ◽  
Corporate World ◽  
Pointing Device ◽  
The Media ◽  
To Receive ◽  
Document Format

The corporate world today basically relies on presentations of ideas and statistics. In the board room, the presenters are highly conscious of depicting confidence in their presen-tation. This would entail accessibility and mobility to the presenter or media viewer. As the extent of Artificial Intelligence is increasing in all directions, I am utilizing its extreme capabilities to create a software that would help in accessibility and save time and money. This paper describes a software written in Python 3.8 and makes use of Python libraries like OpenCV and PyAutoGUI to receive input from the computer’s Webcam and recognize gestures to control the PowerPoint Presentation and Portable Document For-mat (PDF) files or the Media Control. The user interface is built with the Python library PyQt5. This paper aims are to help people control their Presentations and Portable Document Format (PDF) files, and many other media through their hand gestures, without using a mouse or any other pointing device. The software would not require any other external hardware; hence it would not burn a hole in people’s pockets.

scholarly journals It’s still the media. How professionalism in corporate communication influences the prioritisation of organizational environments

2017 ◽  
Vol 17 (1) ◽  
Author(s):  
Jochen Hoffmann ◽  
Ulrike Röttger ◽  
Rada Babic
Keyword(s):  
Stakeholder Management ◽  
Cross Cultural ◽  
Corporate Communication ◽  
Organizational Environments ◽  
The Media ◽  
Traditional Sense ◽  
Perceived Relevance ◽  
Professional Practitioners ◽  
The One ◽  
Multi Stakeholder

This article challenges the widely accepted understanding that corporate communication has been professionalised through its development from traditional press relations into integrated multi-stakeholder management. Based on a cross-cultural survey in Austria, Germany, Switzerland, Australia and Indonesia, we analyse the links between expertise, autonomy and value-orientation indicating the professionalism of senior communication managers on the one hand, and the perceived relevance of organizational environments on the other. Overall, the results show that professionalism in a traditional sense does not promote a wider perspective when dealing with organizational environments. Instead, the more professional practitioners are, the more they focus on the media.

Digital Petri Dishes

2008 ◽  
pp. 2372-2386
Author(s):  
Alek Tarkowski
Keyword(s):  
Popular Culture ◽  
Social Networking Sites ◽  
Instant Messaging ◽  
Internet Applications ◽  
Web Based ◽  
The Media ◽  
Graphic Elements ◽  
Media Form

Internet applications such as Web-based blogging and instant messaging tools or social networking sites often provide their users with the possibility of displaying small graphic elements. Such “pictures” or “icons” allow users to represent and mutually identify themselves. This text is an analysis of user icons displayed on the LiveJournal blogging site. I treat such a user icon as a medium with particular characteristics and patterns of usage. LiveJournal users use such icons to participate in what John Fiske (1992) calls popular culture. A case study of user icons discloses the life cycle of the media form, during which a medium with initial characteristics coded by its creators begins over time to support a wide variety of uses, innovation in usage, and active participation in culture. In this chapter, I consider user pictures and practices that are tied to them as an example of the manner in which popular culture functions in the digital age.

scholarly journals Contemporary Culture and the Undoing of Feminism: Review of Angela McRobbie's The Aftermath of Feminism: Gender, Culture and Social Change

1970 ◽  
Vol 16 (1) ◽  
Author(s):  
Margaret Henderson
Keyword(s):  
Popular Culture ◽  
Social Change ◽  
Cultural Studies ◽  
Everyday Life ◽  
Cultural Landscape ◽  
Contemporary Culture ◽  
Gender Culture ◽  
Corporate World ◽  
The Media ◽  
Feminist Cultural Studies

A
 couple
 of
 times
 a
 year
 (usually
 around
 International
 Women’s
 Day
 or
 the
latest
 gender
 controversy)
 there’ll
 be
 a
 journalist
 on
 the
 phone,
 asking
 me,
 ‘where
 is
 feminism
 now?’ 
Angela 
McRobbie’s
 The 
Aftermath 
of
 Feminism: Gender,
 Culture
 and
 Social
 Change
 provides
 the
 perfect
 answer,
 though
 one
 that
 probably
 won’t
 be
 dutifully
 reported
 in
 the
 pages
 of
 the
 Courier­ Mail.
 McRobbie
 has
 always
 been
 a
 preeminent
 figure
 in
 feminist
 cultural
 studies,
 and
 this
 work
 highlights
 her
 continuing 
importance.
Indeed, The 
Aftermath 
of 
Feminism
 reminds
 us 
of 
the 
power
 of 
feminist 
cultural
 studies 
to 
explain
 what’s 
going 
on,
whether
 this 
is 
in 
the
media,
 popular
 culture,
 everyday
 life,
 governmentality,
 the
 corporate
 world,
 or
 their
 interrelationships.
 And
 McRobbie’s
 diagnosis
 of
 ‘a
 social
 and
 cultural
 landscape
 which
 could
 be
 called
 post‐feminist’
 
is
 uncompromising,
 far‐reaching 
in
 scope,
 and 
deeply 
disturbing.

Scare stories. Or some arguments for providing journalism with a licence to think

2003 ◽  
Vol 11 (1) ◽  
pp. 57-65 ◽  
Author(s):  
GITTE MEYER
Keyword(s):  
Public Sphere ◽  
Media Industry ◽  
Political Debate ◽  
The Public ◽  
Knowledge Industry ◽  
Social Interests ◽  
The Media ◽  
The Public Sphere ◽  
Critical Investigation ◽  
The Ideal

Journalists are often blamed for producing scare stories. It seems to have been forgotten that many, perhaps most, modern scare stories are based on scientific risk calculations, and that journalists are not trained in scaring the wits out of people in that particular way. A more precise accusation might be that journalists are eager, unthinking and unquestioning conveyors of results from scientific risk calculations. Calculation of risk has become an important research product; a product fitting nicely into conventional journalistic storytelling, but the concept of risk tends to dilute value disagreement and conflict of interests into seemingly purely factual issues, leaving little room for political debate. Moreover, the cargo attitude of journalism is in conflict with the journalistic ideal of critical investigation and analysis on behalf of the public to stimulate common deliberation in the public sphere. Apparently, the production of scientific knowledge is excluded from the public sphere. Regarding discussions on science and technology, journalists will have to enquire into aspects of facts, values and social interests to live up to the ideal of investigation on behalf of the public. Several obstacles along this path can be identified, one of them being the commercialization of journalism in the media-industry and of scientific research in the knowledge-industry. Universities, in the search for a meaning of life, might consider providing a home for independent, reflexive journalism on science in a social context.

scholarly journals ‘The Lady Interviewer and her methods’: Chatter, Celebrity, and Reading Communities

2018 ◽  
Author(s):  
Rebecca Roach
Keyword(s):  
Interwar Period ◽  
Print Media ◽  
Real Life ◽  
Popular Media ◽  
Media Industries ◽  
Broadcast Media ◽  
Specific Reading ◽  
Social Interests ◽  
Female Journalists ◽  
The Media

This chapter traces the figure of the female or ‘Lady Interviewer’ across the interwar period. A target of satire in the media, the Lady Interviewer was regularly conceived as a garrulous, gossiping figure. Yet she also had her real-life counterparts: women who used this stereotype to break into the print and broadcast media industries in increasing numbers, and who in turn supported the expansion of print media oriented towards women’s professional and social interests. Increasingly close associations between female journalists and Hollywood fan magazines in the 1920s and 1930s, would however, see a decline in the reputation of both the Lady Interviewer and her female readers. This chapter explores the constructions of specific reading communities forged through interviewing in popular media.

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