Body-Space-Relation in Parkour : Street Practices and Visual Representations

2021 ◽  
Author(s):  
Ines Braune
Keyword(s):  
Visual Representations ◽  
Spatial Knowledge ◽  
Media Representations ◽  
Local Moment ◽  
Spatial Practices ◽  
Digital Discourse ◽  
Tactile Contact ◽  
The Media ◽  
Media Practices

Parkour today is a global subcultural scene that combines street with media practices. Parkour consists of a local moment, fundamentally concerned with the materiality of the street, and simultaneously of a global digital discourse, which involves millions of parkour actors. While the spatial knowledge requires a very close knowledge and tactile contact of the surface’s nature of space, the media representations seem to reflect an opposite image, namely the detachedness of space. In this chapter, I will address the question of space-making and spatial practices in Morocco and the relation to parkour’s visual representations.

‘Some viewers may find the following images disturbing’: Visual representations of refugee deaths at border crossings

2016 ◽  
Vol 14 (1) ◽  
pp. 111-120 ◽  
Author(s):  
Caroline Lenette ◽  
Natasa Miskovic
Keyword(s):  
Visual Representations ◽  
Emotional Reaction ◽  
The Body ◽  
Media Representations ◽  
Border Crossings ◽  
Political Will ◽  
Human Vulnerability ◽  
The Media ◽  
Potential Impact ◽  
The Impact

The emotional reaction and outrage following the publication of photographs of Alan Kurdi who drowned while crossing borders in September 2015 highlighted the major impact visual representations of refugee deaths at border crossings can have on public opinions and political will. The impact of these photographs also shows that depictions of deaths as a result of border crossings are relatively rare in the media; analyses of such representations and their potential impact on policy are also neglected in the literature. This article offers a commentary on the key themes linked to visual representations of refugee deaths at border crossings by considering three recent examples, and argues for further interdisciplinary discussions on such images. It focuses on two points: that depicting refugees alone has a greater impact on viewers and is more likely to trigger sympathy or outrage; concurrently, that anonymity can reduce viewers’ ability to connect with the tragedy. This discussion adds to the body of literature on the links between media representations and policymaking, and on the mediation of human vulnerability through visual means. The themes outlined here have much currency in contemporary discussions on refugee deaths at border crossings.

Mediatizing Sex

2019 ◽  
Author(s):  
Crispin Thurlow
Keyword(s):  
New Media ◽  
Academic Writing ◽  
Lived Experiences ◽  
Digital Technologies ◽  
Communicative Practices ◽  
Digital Discourse ◽  
The Media ◽  
The Relationship

This chapter focuses on sex/uality in the context of so-called new media and, specifically, digital discourse: technologically mediated linguistic or communicative practices, and mediatized representations of these practices. To help think through the relationship among sex, discourse, and (new) media, the discussion focuses on sexting and two instances of sexting “scandals” in the news. Against this backdrop, the chapter sets out four persistent binaries that typically shape public and academic writing about sex/uality and especially digital sex/uality: new-old, mediation-mediatization, private/real-public/fake, and personal-political. These either-or approaches are problematic, because they no longer account for the practical realities and lived experiences of both sex and media. Scholars interested in digital sex/uality are advised to adopt a “both-and” approach in which media (i.e., digital technologies and The Media) both create pleasurable, potentially liberating opportunities to use our bodies (sexually or otherwise) and simultaneously thwart us, shame us, or shut us down. In this sense, there is nothing that is really “new” after all.

The participation of Palestinian-Israeli politicians in public and commercial television and radio in Israel as capability

2021 ◽  
pp. 174804852199056
Author(s):  
Baruch Shomron ◽  
Amit Schejter
Keyword(s):  
Capabilities Approach ◽  
Media Representations ◽  
Community Members ◽  
Commercial Television ◽  
Radio Stations ◽  
Modes Of Representation ◽  
Current Affairs ◽  
Different Types ◽  
The Media ◽  
Insight Into

This study examines how media representations of Palestinian-Israeli politicians, can help community members realize their capabilities. The study’s database is comprised of 1,207 interviews conducted with Palestinian-Israeli politicians on news and current affairs programs on the three national television channels and the two national radio stations in Israel, for 24 months (2016-2017). We identified and analyzed the differences in the modes of representation between national and local Palestinian-Israeli politicians and between Palestinian-Israeli parliament members in the Joint List and Palestinian-Israeli parliament members in Zionist parties, all through the capabilities prism. In this study, we demonstrated how different types of Palestinian-Israeli politicians may potentially affect the realization of different political functions and capabilities. Analyzing political representations in the media through the theoretical framework of the ‘capabilities approach’ contributes to a more comprehensive insight into the roles the media can play promoting people’s wellbeing and human rights, relative to traditional media theories.

The American Ghetto, Gangster, and Respect on the Streets of Copenhagen: Media(tion)s between Structure and Street Culture

2021 ◽  
pp. 089124162110569
Author(s):  
Hakan Kalkan
Keyword(s):  
Mass Media ◽  
Cultural Factors ◽  
Media Representations ◽  
Structural Factors ◽  
Perceived Similarity ◽  
Ethnographic Fieldwork ◽  
Street Culture ◽  
The Media ◽  
The Relationship

“Street culture” is often considered a response to structural factors. However, the relationship between culture and structure has rarely been empirically analyzed. This article analyzes the role of three media representations of American street culture and gangsters—two films and the music of a rap artist—in the street culture of a disadvantaged part of Copenhagen. Based on years of ethnographic fieldwork, this article demonstrates that these media representations are highly valuable to and influential among young men because of their perceived similarity between their intersectional structural positions and those represented in the media. Thus, the article illuminates the interaction between structural and cultural factors in street culture. It further offers a local explanation of the scarcely studied phenomenon of the influence of mass media on street culture, and a novel, media-based, local explanation of global similarities in different street cultures.

scholarly journals Medieøkologien i SKAM

2017 ◽  
Vol 6 (2) ◽  
pp. 60-66
Author(s):  
Ruth Grüters ◽  
Knut Ove Eliassen
Keyword(s):  
Social Media ◽  
New Media ◽  
Historical Perspective ◽  
18Th Century ◽  
Media Ecology ◽  
The Other ◽  
Media Platform ◽  
The Media ◽  
Use Of Social Media ◽  
Media Practices

AbstractTo understand the success of SKAM, the series’ innovative use of “social media” must be taken into consideration. The article follows two lines of argument, one diachronic, the other synchronic. The concept of remediation allows for a historical perspective that places the series in a longer tradition of “real time”-fictions and media practices that span from the epistolary novels of the 18th century by way of radio theatre and television serials to the new media of the 21st century. Framing the series within the current media ecology (marked by the connectivity logic of “social media”), the authors analyze how the choice of the blog as the drama’s media platform has formed the ways the series succeeded in affecting and mobilizing its audience. Given the long tradition of strong pedagogical premises in the teenager serials of publicly financed Norwegian television, the authors note the absence of any explicit media critical perspectives or didacticism. Nevertheless, the claim is that the media-practices of the series, as well as the actions and discourses of its followers (blogposts, facebook-groups, etc.), generate new insights and knowledge with regards to the series’ form, content, and practices.

scholarly journals Economic Journalism as a Modern Educational Trend

2019 ◽  
Vol 8 (4S) ◽  
pp. 83-86
Keyword(s):  
Social Activity ◽  
Educational Challenges ◽  
Different Types ◽  
Article Analysis ◽  
Educational Trend ◽  
The Media ◽  
Subject Areas ◽  
Methodological Principles ◽  
Economic Specialization ◽  
Media Practices

The article deals with peculiarities of the process of training economic journalists in the context of contemporary educational challenges and trends. On the basis of generalization of modern Ukrainian media practices, systematization and interpretation of scientific researches, related to the topic of the article, analysis of educational programs and curricula of institutions of higher education, the authors argue the justification and expediency of the specialization "economic journalism" on the problem-thematic principle. The content of the concept ‘economic journalism’ is defined in terms of functional purposefulness, attention is focused on its expressive analyticity. The tasks of the economic segment of Ukrainian journalism are formulated under conditions of deepening democratization processes and development of civil society. The disadvantages of this segment of media discourse are determined (focus on narrow audience, superficiality and unprofessional performance of the coverage of economic issues, selectivity, fragmentation of the media picture of the economic sphere of social activity, etc.). The topicality of specialized training of economic journalists, in particular – and in combination with other subject areas – is emphasized. Content components of economic journalists training is defined as a combination of actual journalistic and economic blocks of knowledge and the involvement of data on processes in related social sectors. Methodological principles, such as: practical orientation, integration nature, use of interactive teaching methods, design technology; effective forms of organization of the process of training journalists of economic specialization (e.g. master classes, different types of practice); work on complex creative projects (television, radio, press, internet, photo projects, etc.) are formulated.

scholarly journals MEDIA, STEREOTYPES AND MUSLIM REPRESENTATION: WORLD AFTER JYLLANDS-POSTEN MUHAMMAD CARTOONS CONTROVERSY

2019 ◽  
Vol 6 ◽  
pp. 59-72
Author(s):  
Rūta Sutkutė
Keyword(s):  
Cultural Context ◽  
World View ◽  
Media Representations ◽  
Online Media ◽  
The West ◽  
Underlying Assumption ◽  
Qualitative And Quantitative ◽  
Quantitative Content ◽  
Negative Images ◽  
The Media

In the 21st century media has become the dominant source of knowledge of Islam and Muslims and selectively decides what the West should know about Islam and what should be hidden. However, the underlying assumption is that, the media as an institution forming stereotypes depends on the local socio-cultural context. The goal of this paper – to find out how media (as the mediator) forms values, world view of a society, creates stereotypes in different cultural environments through analysis of Muhammad cartoons. The objectives are: to define the concepts of Neo-Orientalism, Muslimophobia and Islamophobia; to find out the connection between media representations and negative images of Islam and Muslims in the society; to reveal the main stereotypes of Muslims and Islam in online media in 4 different countries by analysing the case of Muhammad cartoons. The conducted qualitative and quantitative content analysis confirmed the hypothesis that in the specific cultures the same event is presented in different ways while forming value based orientation for a specific audience. Western media seeks to portray Muslims as terrorists / Islamists that are against West, their values and any possibility of integration in Western societies. Meanwhile, Lebanon and India (Kashmir) media does not portray orientalism and Islamophobic views, because audiences are dominated by Muslims. However there are noticeable manifestations of Occidentalism - resistance to the West and the Islamophobic portrayal of public in media. Moreover, information serves as a public mobilization function, so there are reasons to believe that violent protests in Kashmir and Lebanon could have been encouraged by the media.

scholarly journals Twenty-five years of cyber threats in the news: a study of Swedish newspaper coverage (1995–2019)

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Max Boholm
Keyword(s):  
Informal Learning ◽  
Media Representations ◽  
Newspaper Coverage ◽  
Threat Perception ◽  
Government Agencies ◽  
Unauthorized Access ◽  
News Reports ◽  
Cyber Threats ◽  
The Media ◽  
Over Time

Abstract This paper explores how cyber threats are represented in Swedish newspapers. The sample comprises 1269 articles from three newspapers (Aftonbladet, Göteborgs-Posten, and Svenska Dagbladet) covering 25 years (1995–2019). The study provides a text-near and detailed analysis of the threats covered. The study analyzes these threats along several dimensions: their modality (e.g. unauthorized access or manipulation); to what extent ambiguous themes (e.g. attack, crime, and warfare) are specified in context; how cyber-threat coverage has changed over time; and the event orientation of the coverage, i.e. whether articles address topical events and, if so, which ones. There are five main findings. First, the Swedish newspaper cybersecurity discourse covers multiple threats; in total, 34 themes (present in at least 4% of articles) have been identified. Second, the representation of cyber threats varies in specificity. While generic themes such as attack and warfare are mostly specified in terms of their modality, they sometimes are not, leaving the representation vague. Third, this study, given its general approach, provides insights into media representations of particular cyber threats. For example, this study finds the meaning of “hacking” in the media to be more diversified and nuanced than previously assumed (e.g. as simply meaning “computer break-in”). Fourth, newspaper coverage of cyber threats has changed over time, in both quantity (i.e. the amount of coverage has increased) and quality, as three general trends have been observed: the state-ification and militarization of threats (i.e. increased attention to, e.g. nations and warfare as threats), the organization-ification of threats (i.e. increased attention to, e.g. government agencies and companies as threats), and the diversification and hyping of threats (i.e. cumulatively more threats are added to the cybersecurity discourse, although attention to particular threats is sometimes restricted in time). Finally, parallel to coverage of particular topical events (e.g. the “I love you” virus), newspaper representations of cyber threats largely exemplify “amplification without the event,” i.e. threats are covered without linking them to topical events, as is otherwise typical of news reports. The findings in relation to previous studies of cybersecurity discourse and the implications for informal learning and threat perception are discussed.

scholarly journals Media and War

2015 ◽  
Vol 10 ◽  
Author(s):  
Jennifer Ellis
Keyword(s):  
Media Representations ◽  
Spanish American ◽  
Spanish American War ◽  
Media Portrayals ◽  
The Future ◽  
Yellow Journalism ◽  
The Media ◽  
Television Media ◽  
Over Time

Representations of war in the media have changed drastically over time. Like the media representations of war, the American public's view of wars has also shifted over time; this is often a result of the media portrayals of war events. This paper examines the role of newspaper, yellow journalism, and sensationalism writing during the Spanish-American War on the American public's support for the war and juxtaposes this with television media accounts of the American war in Vietnam and how this created public disapproval for the war. Both had everlasting effects on US war policy for the future.

Desperate Housewives and Soccer Moms: Examining the relationship between media representations and the lived reality of women in the suburbs

2017 ◽  
Author(s):  
Jessica White
Keyword(s):  
Real Life ◽  
Media Representations ◽  
Media Images ◽  
Policy Makers ◽  
Political Processes ◽  
Original Question ◽  
The Media ◽  
Post War ◽  
The Relationship ◽  
Historical Examination

Has suburbia ever truly met the needs of the populations it claims to serve? Since its creation suburbia has been a centre of conflict between the image created by the media and lived realities. The post war images of femininity in the suburbs were ones of domesticity and a heteronormative family. In essence the “sitcom” family was created and reality was made to look like its television counterpart. Yet in real life, did any family look like that of Leave it to Beaver? Have our ideals of the perfect family living in the perfect house truly changed? If they have changed have they had an effect on policy makers and land developers? A brief historical examination of suburbia, its creation, and media images will be contrasted with the developments and policies we find in today’s suburbia. To partially answer my original question the demographic of women in suburbia, more specifically mothers will be discussed. Are today’s media images of suburbia a better depiction of lived realities or are urban political processes still at play to perpetuate an ideal image?

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