Digital Media and the Relational Revolution in Social Science

Author(s):  
Michael W. Macy
Keyword(s):  
2018 ◽  
Author(s):  
Alex Wilkie

Inventing the Social, edited by Noortje Marres, Michael Guggenheim and Alex Wilkie, showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading figures in sociology, architecture, geography, design, anthropology, and digital media, the book provides practical and conceptual pointers on how to move beyond the customary distinctions between knowledge and art, and on how to connect the doing, researching and making of social life in potentially new ways. Presenting concrete projects with a creative approach to researching social life as well as reflections on the wider contexts from which these projects emerge, this collection shows how collaboration across social science, digital media and the arts opens up timely alternatives to narrow, instrumentalist proposals that seek to engineer behaviour and to design community from scratch. To invent the social is to recognise that social life is always already creative in itself and to take this as a starting point for developing different ways of combining representation and intervention in social life.


2019 ◽  
pp. 089443931984837
Author(s):  
Nandana Sengupta ◽  
Nati Srebro ◽  
James Evans

In the last decade, the use of simple rating and comparison surveys has proliferated on social and digital media platforms to fuel recommendations. These simple surveys and their extrapolation with machine learning algorithms such as matrix factorization shed light on user preferences over large and growing pools of items such as movies, songs, and ads. Social scientists also have a long history of measuring perceptions, preferences, and opinions, typically often over smaller, discrete item sets with exhaustive rating or ranking surveys. This article introduces simple surveys for social science application. We ran experiments to compare the predictive accuracy of both individual and aggregate comparative assessments using four types of simple surveys—pairwise comparisons (PCs) and ratings on 2, 5, and continuous point scales in three contexts—perceived safety of Google Street View images, likability of artwork, and hilarity of animal GIFs. Across contexts, we find that continuous scale ratings best predict individual assessments but consume the most time and cognitive effort. Binary choice surveys are quick and best predict aggregate assessments, useful for collective decision tasks, but poorly predict personalized preferences, for which they are currently used by Netflix to recommend movies. PCs, by contrast, successfully predict personal assessments but poorly predict aggregate assessments despite being widely used to crowdsource ideas and collective preferences. We also demonstrate how findings from these surveys can be visualized in a low-dimensional space to reveal distinct respondent interpretations of questions asked in each context. We conclude by reflecting on differences between sparse, incomplete “simple surveys” and their traditional survey counterparts in terms of efficiency, information elicited, and settings in which knowing less about more may be critical for social science.


2021 ◽  
pp. bmjinnov-2021-000743
Author(s):  
Keerti Gedela ◽  
Gerri McHugh ◽  
Dian Saputra ◽  
Hendry Luis ◽  
Alan McOwan ◽  
...  

Digital media has a global reach that includes increasingly marginalised and vulnerable communities. Engaging, empowering media paired with key health messaging can provide education in more effective ways, build trust and bring communities together. An HIV testing and study recruitment film was co-created with a multidisciplinary team of HIV/sexual health physicians, medical and social science researchers from Bali, Jakarta and London, as well as members of the community and commercial film and media creatives. This short film provides a novel and innovative approach to recruit to a social science study and encourage HIV testing among men who have sex with men in Indonesia. This study aims to inform a digital HIV risk reduction tool for a community affected by increasing marginalisation and a fast-growing HIV epidemic.


Author(s):  
Dhavan V. Shah ◽  
Joseph N. Cappella ◽  
W. Russell Neuman

2020 ◽  
Vol 6 (5) ◽  
pp. a6en
Author(s):  
Rodrigo Daniel Sanches ◽  
Simonetta Persichetti

This article seeks to investigate and reflect on how the scenario of images technically constructed and disseminated in digital media and the press operate in the construction of the narrative of digital influencer Gabriela Pugliesi. As such, we make use of the theoretical assumptions of Gilles Lipovetsky and Jean Serroy, in dialogue with image and social science researchers. Boasting a specific standard of beauty, the fitness muse has profited from her tips on weight loss and altering body shape. The narrative we are seeking to investigate portrays a chapter we have called the "rise and fall through media images". Through attributes such as a defined body, glamour, charm and an intense social life, it has reached its culmination the same way it originated: through virtual/media images.


2011 ◽  
Vol 33 (8) ◽  
pp. 1236-1253 ◽  
Author(s):  
Michael Strange

The article focuses on a frequently used but under-researched protest medium through which transnational movement networks express their collective demands – what are termed here ‘global group petitions’ (GGPs), and activists themselves call ‘sign-on statements’ or ‘joint statements’. GGPs are online petitions typically framed as ‘global’ and linking sometimes hundreds of advocacy groups behind a common set of critical statements contesting global politics. Despite a burgeoning literature examining the use of digital media by movement networks, the article shows that GGPs are a distinct form of activism which to date has been overlooked by social science. Studying GGPs helps explore a series of issues central to understanding the role of advocacy groups in global politics, including their internal power relations (i.e. between North and South). Presenting empirical analysis and interviews with activists relating to five GGPs used in the course of a single transnational movement network – against negotiations to expand the World Trade Organization’s General Agreement on Trade-in-Services – the article concludes that whilst GGPs are not as ‘global’ or representative of a movement network as they may claim, their value is in facilitating momentum and a process of dialogue between potential advocacy partners.


2021 ◽  
Author(s):  
K. Y. S. Putri ◽  
Heri Fathurahman ◽  
Linda Zakiah ◽  
Angelita Kania Ramdan

PLoS ONE ◽  
2021 ◽  
Vol 16 (12) ◽  
pp. e0260080
Author(s):  
Bogoan Kim ◽  
Aiping Xiong ◽  
Dongwon Lee ◽  
Kyungsik Han

Background Although fake news creation and consumption are mutually related and can be changed to one another, our review indicates that a significant amount of research has primarily focused on news creation. To mitigate this research gap, we present a comprehensive survey of fake news research, conducted in the fields of computer and social sciences, through the lens of news creation and consumption with internal and external factors. Methods We collect 2,277 fake news-related literature searching six primary publishers (ACM, IEEE, arXiv, APA, ELSEVIER, and Wiley) from July to September 2020. These articles are screened according to specific inclusion criteria (see Fig 1). Eligible literature are categorized, and temporal trends of fake news research are examined. Results As a way to acquire more comprehensive understandings of fake news and identify effective countermeasures, our review suggests (1) developing a computational model that considers the characteristics of news consumption environments leveraging insights from social science, (2) understanding the diversity of news consumers through mental models, and (3) increasing consumers’ awareness of the characteristics and impacts of fake news through the support of transparent information access and education. Conclusion We discuss the importance and direction of supporting one’s “digital media literacy” in various news generation and consumption environments through the convergence of computational and social science research.


Author(s):  
Kevin Munger ◽  
Andrew M. Guess ◽  
Eszter Hargittai

We introduce the rationale for a new peer-reviewed scholarly journal, theJournal of Quantitative Description: Digital Media. The journal is intendedto create a new venue for research on digital media and address severaldeficiencies in the current social science publishing landscape. First,descriptive research is undersupplied and undervalued. Second, researchquestions too often only reflect dominant theories and received wisdom.Third, journals are constrained by unnecessary boundaries defined bydiscipline, geography, and length. Fourth, peer review is inefficient andunnecessarily burdensome for both referees and authors. We outline thejournal’s scope and structure, which is open access, fee-free and relies on aLetter of Inquiry (LOI) model. Quantitative description can appeal to socialscientists of all stripes and is a crucial methodology for understanding thecontinuing evolution of digital media and its relationship to importantquestions of interest to social scientists.


Author(s):  
Pedro Andrade

This chapter aims to reflect on cultural e-tourism and the regimes of innovative discourses about this process. Cultural e-tourists look for fruition in what regards the cultural e-heritage, which means the cultural heritage propagated through the discourses of digital media and cyberspace, but in connection with physical mobilities and urban institutional discourses. Mobilities refer to processes, actors and things that are on the move within our contemporary society, namely across social and discursive networks. The author also presents some previous personal research about leisure, tourism, urban cultures and arts, that compared pre-modern, modern, and post-modern configurations of tourism's processes. Projects on this subject should be more debated among social science scientists, tourism professionals, and citizens. In particular, projects about innovative mobilities and cultural e-heritage discourses at diverse localities, where local public policies intend to constitute them as smart cities and as UNESCO Creative cities.


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