The Malay Cultural Symbol in Malaysian Modern Sculpture

2016 ◽  
pp. 261-271
Author(s):  
Liza Marziana Mohammad Noh ◽  
Hamdzun Haron ◽  
Abdul Latiff Samian ◽  
Ahmad Rashidi Hasan
Keyword(s):  
Cultural Symbol ◽  
Modern Sculpture

Moment's Monument

2017 ◽  
Author(s):  
Sharon Hecker
Keyword(s):  
Art World ◽  
Self And Other ◽  
Single Culture ◽  
Modern Sculpture ◽  
The World ◽  
History Of ◽  
Critical Account ◽  
Modern Experience ◽  
Artistic Heritage

Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth century. His antimonumental, antiheroic work reflected alienation in the modern experience yet showed deep feeling for interactions between self and other. Rosso's art was transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. This book develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, the book negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

The Powers of Testosterone: Obscuring Race and Regional Bias in the Regulation of Women Athletes

2019 ◽  
Vol 25 (1-2019) ◽  
pp. 83-120
Author(s):  
Katrina Karkazis ◽  
Rebecca M. Jordan-Young
Keyword(s):  
Women Athletes ◽  
Women Of Color ◽  
Media Coverage ◽  
The Body ◽  
Feminist Studies ◽  
Sport Organizations ◽  
Scientific Publications ◽  
Cultural Symbol ◽  
Western Modernity ◽  
Fair Competition

Using strategies from critical race studies and feminist studies of science, medicine, and the body, we examine the covert operation of race and region in a regulation restricting the natural levels of testosterone in women athletes. Sport organizations claim the rule promotes fair competition and benefits the health of women athletes. Intersectional and postcolonial analyses have shown that "gender challenges" of specific women athletes engage racialized judgments about sex atypicality that emerged in the context of Western colonialism and are at the heart of Western modernity. Here, we introduce the concept of "T talk" to refer to the web of direct claims and indirect associations that circulate around testosterone as a material substance and a multivalent cultural symbol. In the case we discuss, T talk naturalizes the idea of sport as a masculine domain while deflecting attention from the racial politics of intrasex competition. Using regulation documents, scientific publications, media coverage, in-depth interviews, and sport officials’ public presentations, we show how this supposedly neutral and scientific regulation targets women of color from the Global South. Contrary to claims that the rule is beneficent, both racialization and medically-authorized harms are inherent to the regulation.

scholarly journals Labouring in the Sex Industry: A Conversation with Sex Workers on Consent and Exploitation

2021 ◽  
Vol 10 (3) ◽  
pp. 86
Author(s):  
Francine Tremblay
Keyword(s):  
Sex Work ◽  
Sex Workers ◽  
Service Industry ◽  
Sex Industry ◽  
Cultural Symbol

Sex work in all its forms is an occupation that belongs to the service industry, and like any other work, sexual labour is open to exploitation. However, the reason why sex work is seen to be different from other forms of labour is that it betrays the socially accepted rules of love and intimacy and is exercised within a criminalised environment. As a cultural symbol, sex work remains steadfastly linked to aberration and dangerousness. This article juxtaposes the legal and lay definitions of consent and exploitation based on conversations with fourteen Canadian sex workers. The objective of this exploratory article is to delve within two ill-defined and highly contested notions related to the sex industry—consent and exploitation.

The Half-Blood: A Cultural Symbol in 19th-Century American Fiction.

1980 ◽  
Vol 52 (3) ◽  
pp. 492
Author(s):  
James H. Maguire ◽  
William J. Scheick
Keyword(s):  
19Th Century ◽  
American Fiction ◽  
Cultural Symbol

Turkish Basis in Toponimization System

2021 ◽  
Vol 3 (121) ◽  
pp. 57-67
Author(s):  
Zh Konyratbaeva
Keyword(s):  
Language Policy ◽  
Urban Design ◽  
Urban Space ◽  
Cultural Center ◽  
Cultural Symbol ◽  
Diachronic Study ◽  
Internal Objects ◽  
The Republic ◽  
Definition Of ◽  
The City

Recently, three major processes are taking place in the urban space of the capital: 1) the process of national transonymization, ie the implementation of the names of newly established, renamed objects on the memorial principle (including national memoranda); 2) historical and cultural process; that is, the reproduction of object names in the nature of a national cultural symbol; 3) the process of national toponymization, ie the acquisition of common nouns. The main purpose of the article is to reveal and identify the Turkic basis of the layer of onymsformed as a result of this process of toponymization – one of the most productive internal resourcedevelopment in the urban space of the capital. That is, by conducting an etymological analysis ofthe system of urbanonymy, to show that the main source of optimized units belongs to the group ofTurkic languages.In the process of toponymization in the space of urbanism of the capital, the share of internalresource development is predominant, ie most of the layer of onyms on its onomastic map wasformed as a result of the Turkic basis. As a result, the urban design of the capital of Kazakhstan hasbecome the only historical and cultural center that meets the principles of language policy andnaming / renaming of the Republic of Kazakhstan. And we understand that the definition of thelayer of onyms in the laws of naming the internal objects of the city will be revealed in more depthby conducting a diachronic study of them.

scholarly journals Balkans as a cultural symbol in the Serbian music of the first half of the twentieth century

Muzikologija ◽  
2008 ◽  
pp. 17-26
Author(s):  
Biljana Milanovic
Keyword(s):  
Twentieth Century ◽  
Special Significance ◽  
Cultural Symbol ◽  
The Balkans ◽  
Desire To Change

Focus on the internalization of Western images in the Balkans has special significance in researching Serbian art. The functioning of Balkanism as it overlapped and intersected with Orientalism is indicated in the text by an examination of the cases of Petar Konjovic, Miloje Milojevic and Josip Slavenski, the three significant composers working in Serbia during the first half of the twentieth century. Their modernistic projects present different metaphors of the Balkans. Nevertheless each of them is marked by desire to change the Balkan image into a 'positive' one and thus stands as a special voice for Serbian and regional placing in European competition for musical spaces.

scholarly journals A Qualitative Investigation of Academic and Athletic Brand Representations: Applying Lovemarks Theory to Cultural Symbol

2019 ◽  
pp. 15-36
Author(s):  
C. Keith Harrison ◽  
Scott Bukstein ◽  
William A. Sutton ◽  
Danielle Heceta McArdle ◽  
Jessie Dickens ◽  
...  
Keyword(s):  
Higher Education ◽  
Hard Work ◽  
Photo Elicitation ◽  
Student Athlete ◽  
Qualitative Investigation ◽  
Cultural Symbol ◽  
American Higher Education

Abstract   The current study applied Robert’s lovemarks theory of branding to interpret a photo-elicitation approach of two academic/athletic brand representations. Three major themes emerged from the participants (N = 88) in the study of the Thinkman logo image: a) Intellectual Enhancement; b) Athlete; and c) Hard Work.  By eliciting responses from the participants (N = 75) regarding the term Scholar-Baller , the following three themes emerged: a) Amazing Scholar & Exceptional Athlete; b) Top Student; and c) Student-Athlete. The current findings indicate many of the participants responded favorably to the photo-elicitation of two academic/athletic terms and logos. The participants also critiqued both representations in the context of the broader and specific discourses about the student-athlete experience in American higher education. Implications and recommendations for scholars and practitioners are suggested.

scholarly journals Arak-Arakan Simbol Warak Ngendog Sebagai Media Dakwah

2019 ◽  
Vol 3 (1) ◽  
pp. 55
Author(s):  
Ulfatun Hasanah
Keyword(s):  
Chinese Culture ◽  
Cultural Symbol ◽  
The People ◽  
Moral Teachings ◽  
Very High

Abstrak:Simbol Warak Ngendog merupakan kreativitas budaya Lokal yang menjadi maskot dalam arak-arakan tradisi ritual Dugderan masyarakat Kota Semarang. Warak Ngndog memiliki makna konotasi dan denotasi, yang sangat tinggi nilai-nilai filosofis yang dikandungnya. Warak Ngendog secara simbolik mencerminkan akulturasi budaya Jawa, Arab, dan Cina yang merefleksikan pesan-pesan edukatif ajaran moral Islami serta nilai harmoni kehidupan masyarakat multikultural. Interaksi sistemik ulama, pemerintah, masyarakat, ritual Dugderan, dan maskot Warak Ngendog sebagai simbol budaya berperan secara sinergis sebagai media dakwah. Hasil penelitian ini bahwa Warak Ngendog digunakan sebagai media/alat dalam berdakwah.    Abstract:The symbol of Warak Ngendog is capturing the local cultural creativity that has become the mascot in the Dugderan ritual tradition procession of the people of Semarang City. Warak Ngndog has connotation and denotation meaning, which are very high philosophical values they contain. Warak Ngendog symbolically reflects the acculturation of Javanese, Arabic and Chinese culture that reflects the educative messages of Islamic moral teachings and the harmony of life in multicultural societies. The systemic interaction of ulama, government, society, Dugderan rituals, and the mascot of Warak Ngendog as a cultural symbol play a synergistic role as propaganda media. The results of this study that Ngarakog Warak is used as a medium / tool for da'wah

scholarly journals Research on the Application of Cultural Symbol Digitization in Movie Poster Design

2021 ◽  
Vol 236 ◽  
pp. 05095
Author(s):  
Liu Chunyuan ◽  
Liu Li
Keyword(s):  
Film Industry ◽  
Language Barrier ◽  
Digital Design ◽  
Cultural Perspective ◽  
Cultural Symbols ◽  
Cultural Symbol ◽  
First Impression ◽  
New Thinking ◽  
Cultural Ideology

With the vigorous development of the film industry, film posters, as the first impression of the film on the audience, break the language barrier and become an important medium for the output of cultural ideology. From the perspective of cultural symbols, this article explores the differences between the digitalization of Eastern and Western cultural symbols in the design of Chinese and foreign movie posters, and analyzes the digital symbols in the design of movie posters from a cultural perspective, providing a new thinking for the digital design of cultural symbols in movie posters.

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