scholarly journals Media and communication studies in Sweden

Publizistik ◽  
2021 ◽  
Author(s):  
Nina Springer

AbstractMedia and communication studies is a comparatively young academic discipline in Sweden. The subject’s establishment began with the 1960s—a time when the expansion of mass media led to a bigger demand for analysis, education and critical reflection. Along with that, political and commercial interests in more knowledge led to commissioned research, another considerable factor in the subject’s development and institutionalization. The field was brought forth by humanistic and social-scientific strands, and some actors conveniently travel between these two since the demarcation lines are less pronounced in the North. Currently, roughly around 250 scholars are active in the field, with about 200 of them organized in DGPuK’s Nordic sister organization FSMK. Media and communication research in Sweden is also greatly oriented towards the broader Nordic context, institutionalized for instance through the Nordic Information Centre for Media and Communication Research (Nordicom). For scholars, the labour market is comparatively open, not only for other Nordic academics but also for entries from countries outside Scandinavia. For students, the field provides a rich smorgasbord of general and highly specialized programmes or stand-alone courses of variable length offered in both Swedish and English. This article aims to inform about the history and the contemporary conditions of Swedish media and communication studies, with a personal note based on own experiences.

Author(s):  
Jernej Amon Prodnik ◽  
Janet Wasko

This paper presents an interview with Janet Wasko. She is a Professor and Knight Chair in Communication Research at the University of Oregon’s School of Journalism and Communication and widely considered as one of the key authors working in the tradition of the political economy of communication. Currently she is serving as the President of the International Association for Media and Communication Research (IAMCR), one of the key international associations in the field of media and communication studies. She previously held several other positions in the IAMCR and served as the head of the Political Economy-section, which she also helped to establish. Professor Wasko published several influential books on the film industry, especially on Hollywood and the Disney Corporation. We talked especially about the influences on her approach, about her position in the IAMCR, her understanding of how the cultural and media industries work, the political economy approach in media and communication studies, and issues related to the film industry, which she mostly tackles in her own research.


2017 ◽  
Vol 23 (1) ◽  
pp. 269
Author(s):  
David Robie

The Assault on Journalism: Building Knowledge to Protect Freedom of Expression, edited by Ulla Carlsson and Reeta Pöyhtäri. Gothenburg, Sweden: Nordic Information Centre for Media and Communication Research (Nordicom). 2017. 363 pages. ISBN 9789187957505THE GHANAIAN investigative journalist summed up the mood among some 1500 media people with the beaded face veil rather well—a facial security screen symbolising both the safety of the reporter and his sources. But this was no empty gesture. It is characteristic of Anas Aremeyaw Anas who has captured judges on tape allegedly taking bribes. As the result of his celebrated documentary, Ghana in the Eyes of God: Epic of Injustice, more than 30 judges and 170 judicial officers were implicated in Ghana’s biggest corruption scandal.


2020 ◽  
Vol 42 (7-8) ◽  
pp. 1410-1426 ◽  
Author(s):  
Andreas Hepp

The aim of this article is to outline ‘communicative robots’ as an increasingly relevant field of media and communication research. Communicative robots are defined as autonomously operating systems designed for the purpose of quasi-communication with human beings to enable further algorithmic-based functionalities – often but not always on the basis of artificial intelligence. Examples of these communicative robots can be seen in the now familiar artificial companions such as Apple’s Siri or Amazon’s Alexa, the social bots present on social media platforms or work bots that automatically generate journalistic content. In all, the article proceeds in three steps. Initially, it takes a closer look at the three examples of artificial companions, social bots and work bots in order to accurately describe the phenomenon and their recent insinuation into everyday life. This will then allow me to grasp the challenges posed by the increasing need to deal with communicative robots in media and communication research. It is from this juncture from where I would like to draw back on the discussion about the automation of communication and clearly outline how communicative robots are more likely than physical artefacts to be experienced at the interface of automated communication and communicative automation.


2014 ◽  
Vol 13 (1) ◽  
pp. 117-126 ◽  
Author(s):  
Ilkin Mehrabov

This article attempts to map surveillance studies from the perspective of the academic field of media and communication studies; and to seek out boundaries, limitations, strengths and weaknesses of current research. To map out the territory and mark important points within the landscape, Surveillance & Society, a premier interdisciplinary and peer-reviewed journal in the field of surveillance, is used as a point of departure. Analysis of topics within the surveillance studies field is conducted based on 296 articles from 40 issues published between 2002 and 2013.


Author(s):  
Stine Lomborg ◽  
Brita Ytre-Arne

Over the past decade, scholarly interest in “digital disconnection” and related concepts has grown in media and communication studies, and in related disciplines. The idea of digital disconnection explicitly references digitalization as a key societal development, creating conditions of intensified and embedded media involvement across social life. The notion of digital disconnection thereby represents a critical response to mediated conditions that characterize our societies and permeate our everyday lives. In this special issue, we take stock of the contributions, challenges, and promises of digital disconnection research. We showcase how digital disconnection scholarship intersects with other developments in media and communication research, and is part of debates and empirical analysis in related disciplines from tourism studies to psychology. We argue that one of the key strengths of the emergent work is the variety of social domains and conceptual debates that are included and explored in digital disconnection research. On the other hand, we also point to the need for further methodological development, conceptual consolidation, and empirical diversity, particularly in the face of global inequalities and ongoing crises.


Novos Olhares ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 9-12
Author(s):  
Thomas Wiedemann

The Dossier entitled “(Audio)Visions: photography, cinema and memory” is edited by Thomas Wiedemann on behalf of the Visual Culture Working Group (VIC) of the International Association for Media and Communication Research (IAMCR). Within IAMCR, VIC focuses on artistic, cultural, socio-cultural and technological studies in visual media and communication—pictures and photography, respectively, but also cinema, audiovisuals and arts—from a critical view point that might enhance the international field of communication studies. In this spirit, after the IAMCR Conference 2019 held in Madrid, Spain, the idea arose to publish some of the research papers by members of the working group that dealt with the themes of the dossier.


Author(s):  
Jernej Amon Prodnik ◽  
Janet Wasko

This paper presents an interview with Janet Wasko. She is a Professor and Knight Chair in Communication Research at the University of Oregon’s School of Journalism and Communication and widely considered as one of the key authors working in the tradition of the political economy of communication. Currently she is serving as the President of the International Association for Media and Communication Research (IAMCR), one of the key international associations in the field of media and communication studies. She previously held several other positions in the IAMCR and served as the head of the Political Economy-section, which she also helped to establish. Professor Wasko published several influential books on the film industry, especially on Hollywood and the Disney Corporation. We talked especially about the influences on her approach, about her position in the IAMCR, her understanding of how the cultural and media industries work, the political economy approach in media and communication studies, and issues related to the film industry, which she mostly tackles in her own research.


Comunicar ◽  
2013 ◽  
Vol 21 (41) ◽  
pp. 15-24 ◽  
Author(s):  
David Fernández-Quijada ◽  
Pere Masip-Masip

This paper analyses the evolution of Spanish communication research published as scientific articles between 1980 and 2010. It quantifies the volume of this production with two different samples: the first sample includes national journals and offers original and unprecedented data; the second one includes international journals, defined as those indexed by the Web of Science. As a whole, more than 6,000 articles were analysed. Additionally, the collaboration patterns in authorship and internationality were also studied. On the one hand, collaboration was measured through indicators of multiple authorship and the evolution of coauthorship indexes. On the other hand, internationality was measured through the share of Spanish authors in international journals, the weight of international collaborations and the language used in national journals. Data obtained illustrate a growth and maturity process of communication as a scientific discipline: at the end of the period analysed, a tension between growing collaboration and internationalization and traditional publication patterns was found. Through the period studied, the birth of new faculties with communication studies and the growing number of journals have feed the own growth of the number of articles. However, other elements such as scientific assessment have also played a role in the internationalization of authors. As a whole, this article offers a first image of the evolution of communication as an academic discipline in Spain. Este artículo analiza la evolución de la investigación española en comunicación publicada en forma de artículos científicos entre 1980 y 2010. Cuantifica este volumen de producción con dos muestras de revistas, una del ámbito nacional que aporta datos originales e inéditos hasta ahora y otra internacional a partir de Web of Science. En total, se analizan más de 6.000 artículos, estudiando las pautas de colaboración en la autoría y las de internacionalidad. Para las primeras, mediante el peso de la autoría múltiple y la evolución de los índices de coautoría. Para las segundas, mediante el peso de los autores españoles en las revistas internacionales, el volumen de colaboraciones internacionales y el idioma empleado en las revistas españolas. Los datos obtenidos muestran un proceso de crecimiento y madurez de la comunicación como disciplina científica que al final del período analizado se debate entre las tendencias crecientes a la colaboración y la internacionalización y los patrones más tradicionales de comunicación científica. A lo largo del período, el crecimiento de las facultades de comunicación y del número de revistas ha retroalimentado el propio incremento en el número de artículos. No obstante, otros elementos como la evaluación científica también han impulsado la internacionalización de los autores. Así, el artículo ofrece una primera imagen de la evolución de la disciplina en España.


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