2018 ◽  
Vol 6 (16) ◽  
pp. 11
Author(s):  
Andrea Meza Torres

The essays in this dossier are the result of the course  “Interreligious and intercultural dialogue from a decolonial perspective”, which took place between May and June 2017 at the CEIICH in the UNAM. In this course, I proposed to link a decolonial theoretical perspective to the topic of “intercultural dialogue” and, beyond, to “interreligious dialogue”; anyhow, this last topic turned out to be the point of departure to explore more profound dialogues, linked no only to religious phenomena but to sacred traditions and spiritualities. During the course, emphasis was put on this last aspect due to the fact that the topic of “the Divine” (in its different expressions), although central to decoloniality, has been poorly studied. Moreover, it has been marginalized within secularized social sciences —and this not just in Mexico, but in most occidentalized universities throughout the globe. This vacuum towards the study of “the Divine” —and, beyond, its limitation through a concept of culture (which is, at the same time, associated to the colonized and to the “other” of modernity)— led the participants of this volume to research deeper that which philosopher Enrique Dussel has described as the “spaces denied and oppressed by modernity”.


Ethnicities ◽  
2016 ◽  
Vol 18 (1) ◽  
pp. 70-85 ◽  
Author(s):  
Christian Stokke ◽  
Lena Lybæk

2020 ◽  
pp. 459-478
Author(s):  
Zharkyn A. Tusupbekov ◽  
Nurlan O. Baygabylov ◽  
Serik B. Balshikeev ◽  
Nargiza A. Orynbasarova ◽  
Ayan A. Tusupbekov

National culture is determined primarily by the fact that each of its individuals shares the beliefs and values that are inherent in a particular territory. At the same time, global economic and technological exchange form an environment that al-lows people to participate in cultural exchange and expand the boundaries of national culture or limit the penetration of foreign language culture into society. The relevance of the study is determined by the fact that the formation of national cul-ture is possible and as a protective mechanism for identifying one's identity. The aim of the article is to reveal the features of the formation of national culture with-in the framework of integration associations and integration into the structure of social development. The authors conducted an analysis of the essence of geocul-ture, generalized interpretations of the concept of "strategy", and proposed a defi-nition of the category "geocultural strategy". Geo-culture is determined by the main factor in the development of intercultural dialogue on the platform of economic, social and legal discourse.


2021 ◽  
Vol 27 (2) ◽  
pp. 74-82
Author(s):  
А. Belekova ◽  

The article focuses on promoting intercultural cooperation and strengthening international community on the example of UNESCO World Heritage sites, inscribed into the World Heritage List that is being formed on the basis of the World Heritage Convention of 1972. UNESCO is a universal intergovernmental UN structure responsible for international cooperation in the sphere of education, science, culture and communication. One of the main activities of the Organization is the world heritage conservation and intercultural dialogue. The article analyzes the UNESCO role in the geopolitical architectonics of Eurasia in which the World Heritage gains a qualitatively new meaning. In the context of a sustainable development the integration of promoting intercultural interaction and heritage safeguarding becomes particularly urgent. The article deals with several initiatives aimed at enhancing the cultural component of the Eurasian integration, including the goals and perspectives of discussion platforms set up for experience exchange in the sphere of World Heritage sites’ conservation and their management. The article seeks to identify the most important challenges and goals of the cooperation strategy between UNESCO and the institutions concerned in the field of the intercultural dialogue promotion in the Eurasian area that seems to be very important both for Russia and the CIS countries, and for the perspectives of the emerging global civilization of the future


2021 ◽  
Vol 9 (1) ◽  
pp. 101-126
Author(s):  
Kathrin Engelskircher

Abstract Cultural translation phenomena are per se an intercultural product. Exchange and interaction take place every day in our globalized world. Especially with respect to music, a translational perspective can broaden the horizon of research projects in a very fruitful way. Music always combines elements from different cultures, periods and styles and can, in that way, serve as a medium of intercultural dialogue, which affects the participants of the dialogue not only on a rational, but also on an emotional level – and helps to cross borders and build bridges between different cultures. In my analysis, I take a look at the legacy of the Beatles and how it is performatively unfolded by the Spanish-Chilean band the Recalls, based in Germany. Different cultures intermingle in such appropriation and show a joyful (postmodern) handling to create a very special, discrete type of music and self-staging. Thus, music as a product of intercultural dialogue can become a chance for a successful interaction between different cultures.


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