Women and Politics in Uganda. By Aili Mari Tripp. Madison: University of Wisconsin Press, 2000. 277p. $55.00 cloth, $25.95 paper.

2001 ◽  
Vol 95 (2) ◽  
pp. 507-508
Author(s):  
Ronald Kassimir

With women holding 18% of the seats in parliament and a woman serving as a vice-president, the status of women at the apex of Uganda's political system is impressive compared to most other countries, including the United States. In noting this surprising fact and in chronicling how it came about, Aili Mari Tripp has written a thought-provoking book that raises serious questions about what it means. She draws on empir- ical research in the realms of both "high" politics (i.e., the halls of parliament) and "deep" politics (urban working-class neighborhoods and rural villages) and provides a rich account of Ugandan women's associational life and political mobili- zation.

Author(s):  
Fred I. Greenstein ◽  
Dale Anderson

This chapter assesses the strengths and weaknesses of Millard Fillmore, focusing on six realms: public communication, organizational capacity, political skill, policy vision, cognitive style, and emotional intelligence. Vice President Fillmore unexpectedly became the thirteenth president of the United States following the death of Zachary Taylor on July 9, 1850. Fillmore had been sidelined in his predecessor's administration, but in his capacity as presiding officer of the Senate, he had carefully followed the heated congressional debate over the status of slavery in the Mexican Cession. Plunged immediately into a crisis when he assumed the presidency, Fillmore played a critical part in the enactment of compromise legislation that appeared at the time to have averted the threat of a war between the slave and free states.


2019 ◽  
Vol 11 (02) ◽  
pp. e59-e64 ◽  
Author(s):  
Sonal S. Tuli

Abstract Objective The purpose of this study was to evaluate the status of women in academic ophthalmology in the United States and compare this to academic clinical departments in other clinical specialties. Methods The study reviewed data from the American Association of Medical Colleges for the years 2003 to 2017. The number and percentage of women at different ranks, as well as number of women Chairs of clinical academic departments, were collected by specialty. The number of women residents from 2007 to 2017 was obtained from datasets published by the Accreditation Council for Graduate Medical Education. Trends of the percentage of women at different ranks were compared. Results The percentage of women residents in ophthalmology has remained constant at around 42%, although it has declined slightly over the last 3 years. On the other hand, the number of women faculty in academic ophthalmology has gradually increased from 24 to 34% over 15 years. This increase has largely been at the Assistant Professor rank, with only a modest increase at the Professor rank. Discussion The percentage of women in ophthalmology continues to lag behind the average for all clinical departments at every level. While this gender disparity is rapidly closing for Assistant Professors and slowly closing for Associate Professors and Chairs, it is widening for Professors. This demonstrates that women in ophthalmology are making some strides but are not being promoted to Professor at the same rate as other specialties. This may be the result of explicit and implicit biases, as well as phenomena such as imposter syndrome that are more common in women.


Author(s):  
Isabelle Torrance

This chapter traces representations of the status of women in Ireland through three twentieth-century productions based on the Trojan Women of Euripides. As a tragedy about the brutalities of colonialism, the play was immediately topical when it was produced by the Dublin Drama League in 1920, with Maud Gonne in the starring role as Hecuba. The play’s reception, however, underlined women’s lack of political agency, as did Brendan Kennelly’s Trojan Women (1993) and Marina Carr’s Hecuba (2015). Kennelly’s Trojan women are inspired by suffering Irish women from rural villages, but his Hecuba represents female collusion in sexist oppression from which men escape responsibility. Carr’s women are sexually liberated but they remain prisoners. Female sexuality continues to be connected with disempowerment at a moment when the absence of women from the Abbey Theatre’s 1916 commemoration programme was generating significant public criticism.


2013 ◽  
Vol 55 (1) ◽  
pp. 58-71 ◽  
Author(s):  
Karla Henderson ◽  
Heidi Grappendorf ◽  
Candice Bruton ◽  
Stacy Tomas

Author(s):  
Reut Itzkovitch-Malka

This chapter traces, identifies, and characterizes the main features of the gender division in Israeli society and politics. It addresses questions relevant to the status of women, as well as the LGBTQ community, and assesses the magnitude of gender inequality in the various societal, cultural, and political arenas. While substantial progress has been made in improving the status of women in Israel, there is still a long road ahead before Israel can achieve true gender equality. In order for such equality to become a reality, genuine change is in order: a focus on the substantive outputs of the Knesset and the government; an emphasis on gender mainstreaming practices; and widespread feminist activity in formal politics, meant to inject critical feminist views into the political system and alter existing gender relations.


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