Archaeological retrospect 7

Antiquity ◽  
1985 ◽  
Vol 59 (225) ◽  
pp. 7-12
Author(s):  
Sigfried J. De Laet

Pure luck played an important part in determining my scientific career. As far as I can remember, when a schoolboy I never seriously considered devoting myself to historical studies, let alone to archaeology arid prehistory. In fact, I then had no clear predilection for any particular, well-defined field. 1 was a rather good pupil in most subjects; only physics inspired a profound dislike in me and this barred the road to the exact sciences. My father made his living as a teacher and probably without realizing it, I wanted to follow in his footsteps. The influence of a few exccllcnt teachers eventually made me decide to read classics at the University of Ghent. Soon however, I grew strongly disappointed by my chosen subject and niy professors could not kindle in me any fervent lovc for the endless rehashing of antique texts or for critical texteditions. Luckily I was attracted almost immediately by a remarkable man, Hubert \.’an de IVeerd, whose extensive courses included riot only the whole range of ancient history but also the archaeology and art history of that same period. His personal interest, however, was in Gallo-Kornan archaeology, and precisely at the time when I first met hini he had just finished the first large-scale operation undertaken in Belgium, to wit the excavation of the townwall of ‘I’ongeren, the antique Aturrtucu Tungrotmi. I xi the course of his academic career, Van de 12’eerd spent the best part of his time and efforts on the training of his students; he thus created a solid school of historians and archaeologists, the best of whom were to occupy important positions in Flemish intellectual life.

Muzealnictwo ◽  
2019 ◽  
Vol 60 ◽  
pp. 267-272
Author(s):  
Michał F. Woźniak

On 27 May 2019, we bid farewell to Józef Poklewski, a trusted Colleague and Friend, professor at the Nicolaus Copernicus University (UMK) in Toruń. Born in Kowalewo in the Vilnius Region, following WWII, orphaned by his father Władysław, he moved to Giżycko with his mother Emilia, with whom he felt a strong bond until the very last days. This was his individual feature: the long-lasting character of and reliability in relationships. Following the studies in history of art at the University of Poznań, he became assistant lecturer at UMK, with which he was bonded throughout all of his academic and scientific career. He remained strongly influenced by his teacher and mentor Gwidon Chmarzyński, professor at both universities. In his research Poklewski initially concentrated on Baroque art (doctoral dissertation on the Marian Jesuit Sanctuary at Święta Lipka), gradually more intensely focusing on the topic of the history of art and artistic life, as well as education in art, history of art, and conservation in Vilnius (post-doctoral dissertation) and in Toruń. An appreciated and dedicated lecturer, at UMK Józef Poklewski performed the function of the head of the Department of the History of Mediaeval and Modern Art, and of the Director of the Institute of Monument and Conservation Expertise; furthermore, he was the University’s Senate member. Actively participating in the scientific life, he was tutor of graduate theses, as well as of doctoral dissertations, reviewing also post-doctoral ones; moreover, he organized scientific conferences. Poklewski strongly committed himself to the activities of the Toruń Scientific Society and the Association of Art Historians (beginning from the Secretary, to the President of the Toruń Branch, member of the Main Board, finally becoming its Deputy President). Furthermore, he sat on Museum Boards: at the National Museum in Gdańsk, District Museum in Toruń, and the Leon Wyczółkowski District Museum in Bydgoszcz. Prof. Józef Poklewski died in Toruń, and was buried there, too.


Author(s):  
Stella Fletcher

The humbly born Ligurian Francesco della Rovere (b. c. 1414–d. 1484) was entrusted to the Franciscan Order from the age of nine and educated in Chieri, near Turin, and at the university of Padua. By 1460 his distinguished academic career had taken him from Padua to Bologna, Pavia, Siena, Florence, and Perugia. He then served as Roman procurator and vicar general of the Friars Minor, and minister general from 1464, before being made a cardinal by Pope Paul II in 1467. His learning was demonstrated in three theological treatises: De sanguine Christi, De potentia dei, and De futuris contingentibus. If the cardinals reckoned on securing a meek scholar-pope when they elected him to the highest office in August 1471 they miscalculated, for what emerged from the Franciscan chrysalis was an enthusiastic player of papal politics who advanced the interests of his kinsmen with greater zeal than had any of his recent predecessors. Pope Sixtus IV was a rarity in the higher echelons of the Church precisely because he was of non-noble birth, and he clearly sought to compensate for this not only by promoting so many of his relatives, both clerics and laymen, but by commissioning numerous building projects that could be decorated with oak trees and acorns, the Della Rovere emblems. The holy year or jubilee of 1475 presented the ideal opportunity for such assertions of the family’s newly established status. Toward the end of the pontificate, Sixtus’s taste for entering political alliances embroiled the papacy in a sequence of peninsular wars, the first of which was triggered by the Pazzi Conspiracy of April 1478: one of the pope’s lay nephews, Girolamo Riario, supported the plot against Lorenzo and Giuliano de’ Medici, and another, Cardinal Raffaele Sansoni-Riario, witnessed the murder of Giuliano in the Florentine duomo. The Pazzi War was followed by a realignment of the Italian powers, which then went to war over the duchy of Ferrara in 1482–1484. Sixtus’s death on 12 August 1484 was said to have been caused by his fury at the peace terms agreed between Milan and Venice. Relations between Sixtus and the secular powers beyond Italy are perhaps best approached via the ecclesiastical policies of the relevant princes. The broad outline of his pontificate can be traced in various Reference Works, but attention should focus on the sheer quantity of Primary Sources, which are so numerous that they are divided between Histories, Letters, and Panegyrics and Polemics in this article. Collections of Papers also form so rich a resource that relatively few individual articles have been selected for individual treatment. Lives and Times can be consulted for the political, diplomatic, and military history of Sixtus’s pontificate, while A Franciscan Pope addresses some aspects of its ecclesiastical history. Again reflecting the quantity of available publications, it seems appropriate to allow Culture to be subdivided into Architecture, the architectural and artistic composite that is the Sistine Chapel, and other Painting and Sculpture, before concluding with the literary culture of the Written and Spoken Word.


2012 ◽  

The book presents recent studies and research by the students of Paolo Emilio Pecorella, a lecturer in Archaeology and Art History of the Ancient Near East at the University of Florence. The contributions reflect the numerous interests and activities in the field promoted by Pecorella and continued now by his school: in Syria and Mesopotamia (J.S. Baldi, S. Nannucci, V. Orsi, C. Coppini and G. Baccelli), in Anatolia (F. Manuelli, A. D'Agostino, G. Guarducci and S. Valentini), in Cyprus (L. Bombardieri), and in Iran (S. Anastasio).


2018 ◽  
Vol 43 (1) ◽  
pp. 63-80
Author(s):  
Nicholas Chare

This conversation with Griselda Pollock, Professor of the Social and Critical Histories of Art in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, focuses on her most recent book, Charlotte Salomon and the Theatre of Memory (New Haven and London : Yale University Press, 2018). The latter provides new readings of Leben ? oder Theater ? (Life ? or Theater ?), the artistic project of the German Jewish artist Charlotte Salomon (1917–1943), who painted as CS — the cipher the artist purposely used to disguise both her gender and her ethnicity — thus challenging previous interpretations that treat this remarkable intermedial work as straightforwardly autobiographical.


Author(s):  
María Dolores Teijeira Pablos ◽  
Emilio Morais Vallejo ◽  
José Alberto Morais Morán

<p>Resumen</p><p>Este artículo aborda el desarrollo y los resultados de un proyecto de innovación docente aplicado en el Grado de Historia del Arte de la Universidad de León, durante el año 2017, dentro del Plan de Innovación Docente de dicha institución.</p><p>Se presentan los antecedentes de esta actividad, así como un breve estado de la cuestión sobre las publicaciones que abordaron el desempeño profesional de los estudiantes tras terminar sus estudios. Finalmente se explica la metodología del proyecto objeto de análisis, las fases de realización, su relación con las competencias propias de estos estudios y los resultados obtenidos.</p><p> Abstract</p><p>This article analyzes the development and results of a project of teaching innovation applied in the degree of History of Art of the University of Le´on, during the year 2017, within the Plan of Teaching Innovation of this institution. The background of this activity is presented, as well as a brief state of the art on publications dealing with the professional performance of students after completing their studies. Finally, the methodology of the project under analysis, the phases of realization, its relationship with the competences of these studies and the results obtained are explained.</p>


2021 ◽  
Vol 32 (18 N.S.) ◽  
pp. vii-x
Author(s):  
Christopher Prescott

The articles in the present volume are the result of two workshops held at the Norwegian Institute in Rome that are both robustly disciplinary, but simultaneously raise issues beyond the disciplinary bounds of art history (into philosophy, history of ideas and history) and archaeology (into criminology, heritage studies and contemporary sociology and politics). The first was organised by DniR-researcher Mattia Biffis in October 2019, The Art of Truth: Providing Evidence in Early Modern Bologna. The second section is based on a digital workshop organised by DniR-researcher Samuel Hardy in collaboration with the Heritage Experience Initiative project at the University of Oslo in October 2020, Handling of Cultural Goods and Financing of Political Violence.   On cover:ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585. Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.


2018 ◽  
Vol 93 (6) ◽  
pp. 387-390 ◽  
Author(s):  
John Christensen

ABSTRACT My assignment is to analyze the development of accounting thought and its position within the university. The focus is on the expected development in the next 20 years, despite the fact that that is an impossible task. I will ruthlessly extrapolate from my personal observations of the activities in the accounting community. In doing this, I will deal with accounting research, the relationship between research and teaching within the field of accounting, and the relation to other disciplines in the business school. This will be done in three steps. I will give a brief review of the recent history of accounting thoughts, then comment on current status of 2016, and, finally, give some perspectives. The road ahead is going to be bumpy as many institutional barriers are in the way. This has to change for the accounting academics to retake their space in the academic community.


2021 ◽  
Vol 2021 (02) ◽  
pp. 31-41
Author(s):  
O. Boichuk ◽  

It provides a panoramic overview of how the school was created and has since developed, including the events and personalities that have had a significant impact on its formation. The article emphasizes the role of Kharkiv Art and Industry Institute (KAII / KSADA) in training specialists for the needs of production, art, science, and culture. The article presents design developments of industrial products and graphic corporate styles ordered by companies and organizations. The importance of international relations for the development of the vocational education system and design practice is emphasized by the examples of partnership projects with the University of Halle-Burg Giebichenstein in Germany and participation in the ICSID “INTERDESIGN‑77” seminar. The materials of the article reveal the huge contribution of the All‑Union Scientific Research Institute of Technical Aesthetics (VNIITE) to the creation of a domestic design system. The fundamental scientific and methodological publications of VNIITE and the program provisions of the concepts of design activities are presented, which outline the development directions of the Kharkiv School of Design. Additionally, the article presents the history of the work of the Kharkiv organization of the Union of Designers of Ukraine and its interactions with KAII / KSADA in holding large-scale cultural and educational events, festivals, exhibitions, and design competitions. In this regard, the content and objectives of the exhibitions-contests “Vodoparad”, “Svitlo”, “Replicants”, “Cult of Design: Digital Life” are analyzed. Their importance for integration into the international design culture is highlighted, as is the development of the directions: “industrial art-design”, “innovative design”, design of “subject-painting installations”. At the end of the article, the level of success of the Kharkiv School of Design is assessed based on a set of criteria. A forecast of the school’s development in the near future is made and the main conditions for its development are indicated.


2004 ◽  
Vol 33 (2) ◽  
Author(s):  
Kenning Arlitsch ◽  
John Herbert

The Marriott Library at the University of Utah (U of U) has a long history of large-scale newspaper projects beginning with the National Endowment for the Humanities' United States Newspapers Program (USNP) in the 1980s, in which the Library led the effort to catalog and microfilm Utah newspapers. This involvement continues today with the Utah Digital Newspaper (UDN) program, which is digitizing historic Utah newspapers, making them searchable and available on the Internet.


Author(s):  
John J. W. Rogers ◽  
M. Santosh

Alfred Wegener never set out to be a geologist. With an education in meteorology and astronomy, his career seemed clear when he was appointed Lecturer in those subjects at the University of Marburg, Germany. It wasn’t until 1912, when Wegener was 32, that he published a paper titled “Die Entstehung der Kontinente” (The origin of the continents) in a recently founded journal called Geologische Rundschau. This meteorologist had just fired the opening shot in a revolution that would change the way that geologists thought about the earth. In a series of publications and talks both before and after World War I, Wegener pressed the idea that continents moved around the earth independently of each other and that the present continents resulted from the splitting of a large landmass (we now call it a “supercontinent”) that previously contained all of the world’s continents. After splitting, they moved to their current positions, closing oceans in front of them and opening new oceans behind them. Wegener and his supporters referred to this process as “continental drift.” The proposal that continents moved around the earth led to a series of investigations and ideas that occupied much of the 20th century. They are now grouped as a set of concepts known as “plate tectonics.” We begin this chapter with an investigation of the history of this development, starting with ideas that preceded Wegener’s proposal. This is followed by a section that describes the reactions of different geologists to the idea of continental drift, including some comments that demonstrate the rancorous nature of the debate. The next section discusses developments between Wegener’s proposal and 1960, when Harry Hess suggested that the history of modern ocean basins is consistent with the concept of drifting continents. We finish the chapter with a brief description of seafloor spreading and leave a survey of plate tectonics to chapter 2. Although Wegener is credited with first proposing continental drift, some tenuous suggestions had already been made. We summarize some of this early history from LeGrand (1988).


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