Origins of the Taiping Vision: Cross-Cultural Dimensions of a Chinese Rebellion

1977 ◽  
Vol 19 (3) ◽  
pp. 350-366 ◽  
Author(s):  
Philip A. Kuhn

The transmission of systems of ideas across wide cultural gaps is hard enough to study on any scale of human organization. It is particularly hard when two large, complex cultures meet under traumatic circumstances, as did China and the West in the nineteenth century. The myriad variables in such a situation dictate special care in defining the specific terms and conditions under which ideas are transmitted. The present case suggests three points worth attention: first, the precise language of the textual material that impinges on the host culture; second, the underlying structure of the historical circumstances into which this material is introduced; third, the process whereby the foreign material becomes important to sectors of society outside the group that first appreciated and received it and thereby becomes a significant historical force.

2016 ◽  
Vol 7 (1) ◽  
pp. 10
Author(s):  
Thisaranie Herath

The inaccessibility of the Ottoman harems to European males helped perpetuate the image of the harem as purely sexual in nature and contributed to imperialistic discourse that positioned the East as inferior to the West. It was only with the emergence of female travellers and artists that Europe was afforded a brief glimpse into the source of their fantasies; however, whether these accounts catered to or challenged the normative imperialist discourse of the day remains controversial. Emerging scholarship also highlights the way in which harem women themselves were able to control the depiction of their private spaces to suit their own needs, serving to highlight how nineteenth century depictions of the harem were a series of cross-cultural exchanges and negotiations between male Orientalists, female European travellers, and shrewd Ottoman women. 


2012 ◽  
Vol 10 (1) ◽  
pp. 15-27 ◽  
Author(s):  
Chang Wan-Chen

Historically museums emerged in the West and were subsequently taken up by people in other regions of the world, including the Far East, where the museum was adopted with alacrity by Japanese and Chinese intellectuals. This article explores how China and Japan imagined museums when they first encountered them in the West. It sketches how intellectuals in these two nations began to conduct ‘musealization’, and suggests that the museum in China and Japan was a product of appropriation of Western formats that was, however, deeply influenced by traditional attitudes to cultural preservation and display.


2002 ◽  
pp. 106-110
Author(s):  
Liudmyla O. Fylypovych

Sociology of religion in the West is a field of knowledge with at least 100 years of history. As a science and as a discipline, the sociology of religion has been developing in most Western universities since the late nineteenth century, having established traditions, forming well-known schools, areas related to the names of famous scholars. The total number of researchers of religion abroad has never been counted, but there are more than a thousand different centers, universities, colleges where religion is taught and studied. If we assume that each of them has an average of 10 religious scholars, theologians, then the army of scholars of religion is amazing. Most of them are united in representative associations of researchers of religion, which have a clear sociological color. Among them are the most famous International Society for the Sociology of Religion (ISSR) and the Society for Scientific Study of Religion (SSSR).


Author(s):  
Hans Hummer

Chapter 1 explores the modern values that have animated kinship studies since their emergence in the nineteenth century. It examines the sudden invention of kinship by Johann Bachofen, Henry Maine, John Ferguson McLennan, Numa Denis Fustel de Coulanges, and Lewis Henry Morgan in the 1860s, and the internal and external developments in the West that prompted their discoveries: revolutionary agitation, the engagement with “primitives” around the globe, industrialization and the disintegration of old solidarities, and intellectual revolutions in the study of prehistory, especially Indo-European studies and Darwinian evolution. Social theorists transformed kinship into an elemental form of human sociality and evolutionary development, and a building block of the emerging liberal order as the West coped with the ontological sea change wrought by the desacralization and industrialization of society.


Author(s):  
Robert Louis Stevenson

The literary world was shocked when in 1889, at the height of his career, Robert Louis Stevenson announced his intention to settle permanently on the Pacific island of Samoa. His readers were equally shocked when he began to use the subject material offered by his new environment, not to promote a romance of empire, but to produce some of the most ironic and critical treatments of imperialism in nineteenth-century fiction. In these stories, as in his work generally, Stevenson shows himself to be a virtuoso of narrative styles: his Pacific fiction includes the domestic realism of ‘The Beach at Falesé, the folktale plots of ‘The Bottle Imp’ and ‘The Isle of Voices’, and the modernist blending of naturalism and symbolism in The Ebb-Tide. But beyond their generic diversity the stories are linked by their concern with representing the multiracial society of which their author had become a member. In this collection - the first to bring together all his shorter Pacific fiction in one volume - Stevenson emerges as a witness both to the cross- cultural encounters of nineteenth-century imperialism and to the creation of the global culture which characterizes the post-colonial world.


2018 ◽  
Vol 81 (3) ◽  
pp. 411-417
Author(s):  
Laurence Terrier Aliferis

Abstract The ruined Cistercian church of Vaucelles is known only by a few preserved fragments and a plan of the choir reproduced by Villard of Honnecourt. Historical sources provide three key dates: 1190 (start of construction), 1215 (entry into the new church), 1235 (date of the dedication). From the nineteenth century until now, it was considered that the foundations were laid in 1190 and that the construction started on the west side of the church. In 1216, the nave would have been completed, and the choir would have been built between 1216 and 1235. Consultation of the historical sources and examination of the historiographic record changes this established chronology of the site. In fact, the construction proceeded from east to west. The choir reproduced in 1216 or shortly before by Villard de Honnecourt presents the building as it then appeared, with the eastern part of the building totally completed.


2013 ◽  
Vol 8 (2) ◽  
pp. 299-317 ◽  
Author(s):  
Shohei Sato

AbstractThis article re-examines our understanding of modern sport. Today, various physical cultures across the world are practised under the name of sport. Almost all of these sports originated in the West and expanded to the rest of the world. However, the history of judo confounds the diffusionist model. Towards the end of the nineteenth century, a Japanese educationalist amalgamated different martial arts and established judo not as a sport but as ‘a way of life’. Today it is practised globally as an Olympic sport. Focusing on the changes in its rules during this period, this article demonstrates that the globalization of judo was accompanied by a constant evolution of its character. The overall ‘sportification’ of judo took place not as a diffusion but as a convergence – a point that is pertinent to the understanding of the global sportification of physical cultures, and also the standardization of cultures in modern times.


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